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Metal Print : A Mohammedan Servant, c1874-1876, (1965). Creator: Vasily Vereshchagin

A Mohammedan Servant, c1874-1876, (1965). Creator: Vasily Vereshchagin



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A Mohammedan Servant, c1874-1876, (1965). Creator: Vasily Vereshchagin

A Mohammedan Servant, c1874-1876, (1965). Portrait of an Indian man in a red turban. Bania, (also Baniya or Vanika), can be used to refer to a trader or merchant belonging to the Indian business class. Painting also known as Bania (Trader). Bombay. From " Russian Painting of the 18th and 19th Centuries" by Vladimir Fiala. [Artia, Czechoslovakia, 1965]

Heritage Images features heritage image collections

Media ID 18908936

© The Print Collector/Heritage Images

Artia Fiala Merchant Mohammedan Moslem Moslems Muslim Muslims Trader Turban Turbans Vasili Vasili Vasilyevich Vasili Vasilyevich Vereshchagin Vasili Vasilyevich Wereschtschagin Vasili Vereshchagin Vasily Vasily Vasilyevich Vereshchagin Vasily Vereshchagin Vereschagin Vereshchagin Vladimir Vladimir Fiala Wereschtschagin Artistic Movement Hindoostan


16"x20" (51x41cm) Metal Print

Introducing the captivating Media Storehouse Metal Print of 'A Mohammedan Servant' (1874-1876, 1965) by renowned Russian artist Vasily Vereshchagin. This exquisite portrait showcases an Indian man in a red turban, representing the Bania caste - traditionally known for their role as merchants and traders. The high-quality Metal Print brings out the intricate details and rich colors of the original image, making it a stunning addition to any home or office decor. Experience the artistry and history with this unique and timeless piece.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Realism

> Arts > Artists > V > Vasily Vereshchagin

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Arts > Street art graffiti > Portraits > Realism

> Arts > Street art graffiti > Realism > Realism art gallery

> Asia > India > Related Images

> Europe > Russia > Paintings

> Europe > Russia > Posters


EDITORS COMMENTS
This photo print, titled "A Mohammedan Servant" captures the essence of 19th-century India through the skilled brushstrokes of Vasily Vereshchagin. The portrait showcases a distinguished Indian man adorned in a vibrant red turban, symbolizing his affiliation with the Bania community – an esteemed class of traders and merchants. Vereshchagin's painting, also known as "Bania (Trader)" provides a glimpse into the rich cultural tapestry of Bombay during this era. The artist masterfully portrays the subject's facial features, emphasizing his expressive eyes and meticulously groomed mustache. Through this attention to detail, Vereshchagin brings forth not only an individual but also a representation of an entire religious and business community. The artwork serves as a testament to Vereshchagin's commitment to realism, capturing both the physical appearance and spiritual depth of his subjects. With each brushstroke, he transports us back in time to witness life in Hindoostan through the lens of Islamic influence. As we gaze upon this striking image today, we are reminded that art has no boundaries when it comes to bridging cultures and eras. This particular piece from Vladimir Fiala's collection "Russian Painting of the 18th and 19th Centuries" allows us to appreciate Vasili Vasilyevich Vereshchagin's talent while immersing ourselves in India's diverse history.

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