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Metal Print : The Westminster Watchman, 1784. Artist: Thomas Rowlandson
Metal Prints from Heritage Images
The Westminster Watchman, 1784. Artist: Thomas Rowlandson
The Westminster Watchman, 1784. Charles James Fox as a watchman. In the background, two sham watchmen, Lord Hood and Sir Cecil Wray, his opponents in the Westminster constituency in the 1784 general election, are running away. The former is saying To Greenwich Ho a, and the latter, To Chelsea Ho a
Heritage Images features heritage image collections
Media ID 15177508
© London Metropolitan Archives (City of London) / Heritage-Images
1st Viscount Hood Admiral Samuel Hood Cecil Cecil Wray Charles Fox Charles James Charles James Fox Fleeing General Election Hood Political Event Rival Rowlandson Running Away Samuel Samuel Hood Sir Cecil Wray Staff Thomas Rowlandson Viscount Samuel Viscount Samuel Hood Watchman Whig Wray
16"x20" (51x41cm) Metal Print
Step back in time with our exquisite Metal Prints from Media Storehouse, featuring the iconic work "The Westminster Watchman, 1784" by Thomas Rowlandson from Heritage Images. Witness the satirical scene of Charles James Fox disguised as a watchman, with Lord Hood and Sir Cecil Wray in the background, cleverly portrayed as inept sham watchmen. Our high-quality Metal Prints bring this historical masterpiece to life, adding a unique and captivating touch to any space. With vibrant colors and exceptional detail, these prints are not only beautiful works of art but also a conversation starter. Elevate your home or office décor with a piece of history that will surely leave a lasting impression.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Westminster Watchman, 1784
EDITORS COMMENTS
is a captivating print by artist Thomas Rowlandson that offers a satirical glimpse into the political landscape of 18th-century Britain. The focal point of the image is Charles James Fox, depicted as a watchman diligently guarding the interests of his constituents in Westminster during the general election. In the background, we see two sham watchmen, Lord Hood and Sir Cecil Wray, fleeing from their responsibilities. This caricature highlights the rivalry between Fox and his opponents as they desperately try to escape their duty to serve their country. Lord Hood can be seen exclaiming "To Greenwich Ho a" suggesting he seeks refuge in Greenwich, while Sir Cecil Wray declares "To Chelsea Ho a" indicating his intention to seek solace in Chelsea. Rowlandson's masterful use of black and white etching brings this scene to life with intricate details and clever symbolism. The inclusion of an animal companion adds another layer of whimsy to this political satire. "The Westminster Watchman" serves as both a humorous commentary on politicians' behavior during elections and an insightful portrayal of power dynamics within British politics at that time. This print showcases Rowlandson's skill in capturing not only physical likeness but also conveying complex ideas through visual storytelling. Displayed at Guildhall Library and Art Gallery, this artwork continues to captivate viewers with its wit and artistic brilliance centuries after its creation.
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