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Metal Print : Trionfi sugar sculptures Vulcan Neptune account
Metal Prints from Liszt Collection
Trionfi sugar sculptures Vulcan Neptune account
Trionfi or sugar sculptures of Vulcan and Neptune, An account of His Excellence Roger Earl of Castlemaines embassy: from His Sacred Majesty James the IId. King of England, Scotland, France, and Ireland, andc. to His Holiness Innocent XI, Lenardi, Giovanni Battista, 1656-1704, Westerhout, Arnold van, 1651-1725, Wright, John Michael, ca. 1617-ca. 1694, Etching, 1688, The table sculptures were designed for the banquet given by British Ambassador Roger Palmer, Earl of Castlemaine, in Rome on January 14, 1687. The gods are personifications of Fire and Water in an allegorical composition on the Four Elements, which also included sculptures of Cybele and Juno. Captions/inscriptions: et 12.--in upper right, Gio. Batta. Lenardi delin.--in lower left, Arnoldo V. Westerhout. Sculp.--in lower right
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18510706
© Liszt Collection
1651 1725 1687 1688 1694 Account Allegorical Composition Andc Banquet Given Captions Inscriptions Cybele Designed Earl Embassy Fire Four Elements Giovanni Battista Gods Ireland James Juno King Lower Neptune Palmer Personifications Roger Sculp Sugar Sculptures Upper Vulcan Water Wright Arnold Van Batta British Ambassador Castlemaine John Michael Lenardi Trionfi Westerhout
16"x24" (61x41cm) Metal Print
Experience the grandeur of the past with our Media Storehouse Metal Prints featuring the exquisite Trionfi sugar sculptures of Vulcan and Neptune from the Liszt Collection. These intricately detailed masterpieces, which once graced the banquet table of His Excellency Roger Earl of Castlemaine during the embassy of His Sacred Majesty James IID, are now available in stunning metal print format. Each print captures the essence of the original sugar sculptures, preserving their beauty and intricacy for generations to come. Add a touch of history and elegance to your home or office with this unique and captivating artwork.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the magnificent Trionfi sugar sculptures of Vulcan and Neptune, created by renowned artists Giovanni Battista Lenardi and Arnold van Westerhout. The exquisite etching, dating back to 1688, captures the essence of these table sculptures designed for a grand banquet hosted by British Ambassador Roger Palmer, Earl of Castlemaine in Rome on January 14,1687. In this allegorical composition on the Four Elements, Vulcan and Neptune personify Fire and Water respectively. These divine figures stand as symbols of power and strength amidst an intricate display of sugary artistry. The attention to detail is evident in every stroke captured by John Michael Wright's masterful etching technique. The Trionfi sugar sculptures were not only a visual feast but also represented diplomatic relations between His Sacred Majesty James II, King of England, Scotland, France, Ireland (and more) and His Holiness Innocent XI. This historic embassy sought to strengthen ties between nations through artistic expression. Accompanied by captions inscribed with precision at the upper right corner (Gio. Batta. Lenardi delin. ) and lower left corner (Arnoldo V. Westerhout Sculp. ), this print transports us back in time to witness the splendor that graced that memorable evening. As we admire this extraordinary piece from the Liszt Collection today, let us appreciate its historical significance as a testament to both artistic brilliance and international diplomacy during a remarkable era in European history.
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