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Mouse Mat : A Right Honourable, alias a Sans-Culotte, published by J. Fores in 1792 (etching)
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A Right Honourable, alias a Sans-Culotte, published by J. Fores in 1792 (etching)
NCO189759 A Right Honourable, alias a Sans-Culotte, published by J. Fores in 1792 (etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; English, out of copyright
Media ID 23354926
© Bridgeman Images
1749 1806 Breeches Charles James Fox Club Dignified Dishevelled Document Dual Personality Hanoverian Member Of Parliament Opposition Pistol Political Satire Rags Rebel Reformer Scroll Waistcoat
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 19.1cm (9.3" x 7.5")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This etching by James Gillray, titled "A Right Honourable, alias a Sans-Culotte" transports us back to the political landscape of 1792. The print showcases the satirical genius of Gillray as he depicts a prominent figure divided in half, embodying two contrasting personas. On one side, we see a dignified statesman dressed in elegant attire - breeches, waistcoat, and wig - representing the traditional aristocracy. This portrayal symbolizes the established order and conservative values prevalent during that era. In stark contrast, the other half reveals a disheveled rebel donning rags and brandishing a pistol. This character represents the radical revolutionary spirit emerging at the time. His unkempt appearance signifies his alignment with republican sympathizers and his commitment to challenging societal norms. The dual personality depicted in this artwork hints at an underlying tension within society between those advocating for reform and those upholding tradition. It also serves as commentary on Charles James Fox, an influential Whig leader known for his opposition to Hanoverian rule. Gillray's masterful use of caricature highlights both the absurdity and significance of political figures during this period. Through this portrait-like composition accompanied by scrolls and documents symbolizing power dynamics, he invites viewers to reflect on these complex personalities shaping British politics at that time. This historical gem from Fine Art Finder captures not only Gillray's artistic brilliance but also provides valuable insights into Georgian-era politics through its clever satire.
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