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Mouse Mat : SIOUX BOYS, 1891. Three Lakota Sioux teenage boys in western clothing, sitting near a tree

SIOUX BOYS, 1891. Three Lakota Sioux teenage boys in western clothing, sitting near a tree




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SIOUX BOYS, 1891. Three Lakota Sioux teenage boys in western clothing, sitting near a tree

SIOUX BOYS, 1891.
Three Lakota Sioux teenage boys in western clothing, sitting near a tree. Photographed in 1891 by John C.H. Grabill, probably on or near the Pine Ridge Reservation in South Dakota

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 12228498

1891 Acculturation Americanization Grabill Great Plains Lakota Pine Ridge Reservation Smiling Teenage Western


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 23.7cm x 16.8cm (9.3" x 6.6")

Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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EDITORS COMMENTS
SIOUX BOYS, 1891: Capturing the Spirit of Change and Adaptation This photograph taken in 1891 by John C. H. Grabill showcases three Lakota Sioux teenage boys seated near a tree on or near the Pine Ridge Reservation in South Dakota. Dressed in western clothing, these young individuals embody the complex process of acculturation and Americanization that was prevalent during this era. The image offers a glimpse into the evolving dynamics between Native American communities and the encroaching Western culture at the turn of the century. The boys' attire reflects their willingness to embrace new customs while still retaining elements of their Lakota heritage. Their stoic yet smiling expressions suggest a sense of resilience and pride amidst societal changes. As they navigate between two worlds, they symbolize both cultural preservation and adaptation. John C. H. Grabill's sepia-toned portrait not only captures individual personalities but also represents an entire generation caught between tradition and modernity. It serves as a poignant reminder of how indigenous peoples were forced to negotiate their identities within an ever-changing landscape. This photograph is more than just a historical artifact; it is an embodiment of resilience, strength, and cultural transformation. It invites us to reflect upon our shared history while honoring those who have navigated through challenging times with grace.

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