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Mouse Mat : Buffalo-Headed Vajrabhairava, a Wrathful form of Bodhisattva Manjushri, 15th century

Buffalo-Headed Vajrabhairava, a Wrathful form of Bodhisattva Manjushri, 15th century




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Buffalo-Headed Vajrabhairava, a Wrathful form of Bodhisattva Manjushri, 15th century

Heritage Images features heritage image collections

Media ID 24374871

© Heritage Art/Heritage Images

Bodhisattva Bosatsu Buddhist Buddhists Buffalo Dharmapala Figurine Manjughosha Manjushri Manjusri Monju Bosatsu Objectarts Of Asia Ornament Statuette Tibet Tibetan Tibetan Buddhism Wrath Wrathful


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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> Arts > Sculpture

> Popular Themes > Tibetan Art


EDITORS COMMENTS
This print showcases the awe-inspiring Buffalo-Headed Vajrabhairava, a Wrathful form of Bodhisattva Manjushri, dating back to the 15th century. Displayed in the Art Institute of Chicago's art gallery, this bronze figurine is a testament to the rich heritage and artistic mastery of Tibetan Buddhism. The vivid colors and intricate details of this sculpture transport viewers into a world where religious devotion meets artistic expression. The buffalo-headed deity exudes an aura of power and wrath as he stands tall, symbolizing protection against evil forces. With his multiple arms holding various symbolic objects, he embodies compassion and wisdom while simultaneously warding off negativity. As one gazes upon this remarkable piece, they are reminded of the deep spiritual significance embedded within Tibetan Buddhist traditions. The fusion of metalwork craftsmanship with religious iconography creates an object that transcends time and space. Though created by unknown hands centuries ago, this statuette continues to captivate audiences today through its sheer beauty and cultural significance. It serves as a reminder that art has the power to bridge gaps between different eras and cultures, allowing us to connect with our shared human experiences. In preserving such treasures from our past, institutions like the Art Institute of Chicago ensure that future generations can appreciate not only their aesthetic value but also gain insights into diverse belief systems around the world.

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