Mouse Mat > Europe > Russia > Saint Petersburg
Mouse Mat : Georg Landrin, Saint Petersburg, 1890. Creator: Anonymous
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Georg Landrin, Saint Petersburg, 1890. Creator: Anonymous
Georg Landrin, Saint Petersburg, 1890. Private Collection
Heritage Images features heritage image collections
Media ID 36357709
© Fine Art Images/Heritage Images
1890 Chromolithography Communication Design Confectionery Fin De Siecle Jugendstil Marketing Modern Style Modernisme Patisserie Promotion Reformstil Stil Modern Stile Liberty Sweet Wiener Secession Chocolates Graphic Design Poster And Graphic Design Praline
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 16.5cm x 23.7cm (6.5" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This photograph print, titled "Georg Landrin, Saint Petersburg, 1890," showcases an enigmatic figure from the fin de siècle era of Russia's artistic and cultural renaissance. The image, created anonymously, is a stunning example of the Art Nouveau and Modern Style movements, also known as Jugendstil and Stile Liberty, which swept through Europe during the late 19th and early 20th centuries. The photograph, featuring a man in a top hat and long coat, is set against a backdrop of intricate, organic patterns and bold, vibrant colors, characteristic of the Chromolithography technique popular during this period. The overall design exudes an air of modern communication and promotion, with its clean lines and bold typography, reminiscent of the Wiener Secession and Reformstil movements in Austria and Germany. Despite the absence of any clear branding or company identification, the image's subject matter and aesthetic suggest a connection to the confectionery industry. The man's proximity to what appears to be a display case filled with sweets, such as caramel candies and pralines, hints at a possible connection to a patisserie or chocolate shop. The use of this image as advertising material would have been an effective means of attracting customers and generating buzz for such establishments during this time of burgeoning consumer culture. This exquisite piece, now part of a private collection, stands as a testament to the power of art and design in shaping the way we communicate and connect with one another. Its enduring allure continues to captivate viewers and inspire contemporary designers, showcasing the timeless appeal of the fin de siècle aesthetic.
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