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Mouse Mat : Setting out from Edinburgh (Picturesque Beauties of Boswell, Part the Second), May
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Setting out from Edinburgh (Picturesque Beauties of Boswell, Part the Second), May
Setting out from Edinburgh (Picturesque Beauties of Boswell, Part the Second), May 30, 1786
Heritage Images features heritage image collections
Media ID 19988243
© Heritage Art/Heritage Images
Boswell Boswell James Collings Collings Samuel Collings Samuel I Crying Doctor Johnson Dr Johnson Dr Samuel Dr Samuel Johnson Drs Johnson Funny Handkerchief James Boswell Johnson Johnson Dr Samuel Johnson Samuel Leaving Leaving Home Picturesque Beauties Of Boswell Rowlandson Rowlandson Thomas Samuel Samuel Collings Samuel Collings I Samuel I Samuel Johnson Thomas Rowlandson Wives
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 18cm (9.3" x 7.1")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
In this print titled "Setting out from Edinburgh (Picturesque Beauties of Boswell, Part the Second), May 30,1786" we are transported back to the charming streets of 18th century Scotland. The image captures a humorous scene as a group of men bid farewell to their loved ones before embarking on a journey. The central figure in the photograph is Dr. Samuel Johnson, an esteemed writer and scholar, who stands with his handkerchief pressed against his face as if crying at the thought of leaving home. Surrounding him are other men, each accompanied by their wives or female companions who display mixed emotions - some sad, others amused. Thomas Rowlandson's etching skillfully portrays the comical aspect of this departure scene while also highlighting societal norms and gender roles during that era. The artist's attention to detail brings out the distinctive attire worn by both men and women, showcasing their status and profession. This snapshot offers us a glimpse into life in 18th century Britain - its customs, occupations, and relationships between husbands and wives. It serves as a reminder that even in centuries past, people experienced similar emotions when parting ways with loved ones. Displayed at The Metropolitan Museum of Art under its Heritage Art collection, this print by Thomas Rowlandson continues to captivate viewers with its satirical portrayal of human nature amidst historical context.
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