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Mouse Mat : View of Cawnpore, c1891. Creator: James Grant
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View of Cawnpore, c1891. Creator: James Grant
View of Cawnpore, c1891. From " Cassells Illustrated History of India Vol. II.", by James Grant. [Cassell Petter & Galpin, London, Paris and New York]
Heritage Images features heritage image collections
Media ID 25322634
© The Print Collector/Heritage Images
British India British Raj Cassell Petter Galpin Cassells Illustrated History Of India Cawnpore Uttar Pradesh India Galpin Ganges Ganges River Grant James Houseboat Housing Imperialism India Asia James Grant Petter And Petter And Galpin River Ganges Sailing Boats The Raj British Empire Cassell Hindoostan
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 18.3cm (9.3" x 7.2")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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View of Cawnpore, c1891 - A Glimpse into the British Raj in India
EDITORS COMMENTS
. This print captures a mesmerizing view of Cawnpore (now known as Kanpur), Uttar Pradesh, India, during the late 19th century. Taken by James Grant and featured in his renowned book "Cassells Illustrated History of India Vol. II" this image offers a fascinating glimpse into the era of British imperialism. The picture showcases the serene beauty of the Ganges River, with its tranquil waters reflecting the surrounding landscape. Numerous boats gracefully sail along its banks, providing essential water transport for both people and goods. A majestic houseboat stands out among them, symbolizing luxury amidst everyday life. In this historical context, we witness how British influence shaped Indian society. The presence of men on these boats suggests their involvement in trade or transportation activities under colonial rule. The architecture visible onshore hints at a blend between traditional Indian structures and Western influences brought about by British colonization. Grant's illustration not only serves as an artistic representation but also provides valuable insights into geographical features and cultural aspects specific to Hindoostan (India). It invites us to explore further literature on Indian history while appreciating Grant's skillful depiction. As we admire this remarkable piece from James Grant's collection preserved by The Print Collector, it reminds us that every photograph has a story to tell—a testament to our shared heritage and diverse cultures across continents.
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