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Photographic Print : One Hundred Proverbs: Behind the Cross Often Stands the Devil, 1845 (engraving)
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One Hundred Proverbs: Behind the Cross Often Stands the Devil, 1845 (engraving)
7211797 One Hundred Proverbs: Behind the Cross Often Stands the Devil, 1845 (engraving) by Grandville (Jean Ignace Isidore Gerard) (1803-47); (add.info.: One hundred proverbs, engraving by JJ Granville (or J.J. Grandville, pseudonym of Jean Ignace Isidore Gerard, 1803-1847), 1845 - Behind the cross often stands the Devil - French expression evoking feminine trickery. The Evil Woman is a common misogynistic image - demonization, misogyny - 100 proverbs, engraving by JJ Granville); © Patrice Cartier
Media ID 24738428
© Patrice Cartier / Bridgeman Images
Allegoric Allegories Alllegorical Figure Demon Demons Devil Devils Disguise Disguised Geetings Good Morning Greets Identities Identity Language Languages Linguist Linguistic Mask Masking Masks Morale Polite Politeness Salutation Salutations Salute Saluting Satan Symbole Symbolical Representation Symbolised Symbolising Symbology Costume Design Gents Symbols
10"x10" Photo Print
Bring timeless wisdom into your home with our Media Storehouse Photographic Print of One Hundred Proverbs: Behind the Cross Often Stands the Devil, 1845 by Patrice Cartier. This captivating engraving by Grandville (Jean Ignace Isidore Gerard) showcases one hundred proverbs, each a poignant reminder of life's lessons. Add this beautiful work of art to your decor, and let the profound messages inspire and enrich your daily life.
Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.
Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.
Estimated Product Size is 25.4cm x 25.4cm (10" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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This engraving titled "One Hundred Proverbs: Behind the Cross Often Stands the Devil" by Grandville (Jean Ignace Isidore Gerard) transports us to 19th century France, where allegory and symbolism were prevalent in art. The image depicts a thought-provoking scene that explores themes of deception, misogyny, and religious beliefs. In this intricate artwork, we see a woman disguised behind a cross while an eerie devil lurks behind her. This French expression suggests feminine trickery and highlights the demonization of women during that era. The artist's use of allegorical figures adds depth to the piece, inviting viewers to reflect on societal attitudes towards gender roles. The engraving showcases Grandville's exceptional attention to detail as he meticulously captures every element of costume design and attire. The cross symbolizes Christianity and its values while also serving as a disguise for the deceitful woman. Meanwhile, the devil represents temptation and evil forces lurking beneath seemingly innocent appearances. The composition raises questions about identity and perception as it challenges traditional notions of good versus evil. Through his masterful craftsmanship, Grandville invites us into a world where demons hide behind crosses and women are seen as agents of manipulation. This remarkable print serves as both a historical artifact from 19th-century Europe and an enduring commentary on human nature. It reminds us that appearances can be deceiving, urging us to look beyond surface-level impressions in our own lives.
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