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Photographic Print : Ends (litho)

Ends (litho)




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Ends (litho)

7150298 Ends (litho) by Barrett, Oswald Charles (BATT) (1892-1945); Private Collection; (add.info.: Ends. Illustration from How Should We Rebuild London? by C B Purdom (J M Dent & Sons Ltd, London, 1945).); © Look and Learn

Media ID 25192552

© Look and Learn / Bridgeman Images

1940 1949 19401949 1940s 39 45 Agricultural Scene Calculus Cereal Cereals Corn Corn Crop Corn Crops Cornfields Crown Of Thorns Crown Of Thorns And Nails Crowns Ears Of Corn Forties Future Ii World War Jersus Christ Jesus Chirst Jesus Christs Jesus King Life Of Christ Life Of Jesus London Nw Lonodn Lord Jesus Maize Mathematics Nineteen Forties Numeracy Outer Space Planetary Science Post War Postwar Progress Reconstruction Reenactment Replica Reproduction Second World War Space Space And Astronomy Star Starry Stars The City Of London The Forties Urban Districts Vegetable Vegetables War 1939 1945 Wheat Wheatsheaves World War World War 2 World War Ii World War Two Wwii Www2 Christ Jesus General Knowledge Jesus Of Nazareth Knowing War Scene War Zone


10"x8" Photo Print

Experience the captivating artistry of Oswald Charles Barrett's "Ends (litho)" with Media Storehouse's range of Photographic Prints. This stunning work, brought to you by Bridgeman Images from Fine Art Finder, showcases Barrett's unique perspective on London's post-war rebuilding. The intricate lithographic details in this private collection piece are beautifully preserved in our high-quality prints, making each one a unique addition to your home or office decor. Elevate your space with the timeless beauty of this iconic image.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Image Size (if not cropped) is 18cm x 25.4cm (7.1" x 10")

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Oswald Charles (1892-1945) Barrett

> Animals > Mammals > Muridae > Fortior

> Arts > Artists > C > King Charles

> Arts > Artists > W > Charles White

> Arts > Pop art > Satire > Satirical artwork

> Arts > Portraits > Botanical illustrations > Fine art

> Arts > Realistic drawings > Botanical illustrations > Fine art

> Arts > Realistic drawings > Still life artwork > Fine art

> Arts > Realistic drawings > Still life artwork > Life drawings

> Arts > Realistic drawings > Still life drawings > Life drawings

> Europe > United Kingdom > England > Herefordshire > Ledbury > Charles II


Ends (litho) by Oswald Charles Barrett - A Satirical Depiction of Post-War Reconstruction

EDITORS COMMENTS
. This black and white lithograph, titled "Ends" created by Oswald Charles Barrett in the mid-20th century, offers a thought-provoking commentary on post-war reconstruction. The artwork was originally featured in the book "How Should We Rebuild London?" written by C. B. Purdom in 1945. The illustration presents a complex composition that intertwines various elements from different realms of knowledge and history. At its center, we see a crown of thorns symbolizing suffering and sacrifice, juxtaposed with a cross representing Christianity. Surrounding these religious symbols are depictions of wheat and corn, signifying agriculture and sustenance. Barrett's satirical drawing also includes references to science, music, mathematics, astronomy, and literature – all crucial aspects of human progress throughout history. This amalgamation suggests that rebuilding London after the war requires not only physical reconstruction but also intellectual growth. The artist skillfully incorporates imagery related to war as well; an ominous star looms overhead while an open book lies at the bottom corner – perhaps representing lessons learned from past conflicts. Through this intricate composition filled with symbolism and historical references, Barrett invites viewers to contemplate the future of Great Britain amidst the aftermath of World War II. It serves as a reminder that true progress lies not only in physical reconstruction but also in embracing knowledge across various disciplines for a brighter tomorrow.

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