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Poster Print : A wife taking a stick to her drunken husband. 1831 (engraving)

A wife taking a stick to her drunken husband. 1831 (engraving)




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A wife taking a stick to her drunken husband. 1831 (engraving)

7234797 A wife taking a stick to her drunken husband. 1831 (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info.: A rustic man arriving home drunk. His wife greets him with a candle and a stick. Home! Sweet Home! Handcoloured wood engraving after an illustration by Thomas Rowlandson from W. H. Harrisons The Humourist, a Companion for the Christmas Fireside, Rudolph Ackermann, 19 Strand, London, 1831.); © Florilegius

Media ID 25908604

© Florilegius / Bridgeman Images

Abuse Acouple Alcoholic Alcoholism Candle Common Life Conjugal Violence Couples Customary Customs Daily Routine Day To Day Domestic Violence Drunkard Drunkedness Drunkenness Ethnicity Every Day Life Everyday Life Everyday Live Fact Of Society Generalife Getting Married Holy Sacrament Humdrum Life Marriage Register Remarriage Sacrement Spouse Violated Violent Wedded Wedding Ceremony Daily Life Scene Ethnography Inhabitant Several People Several Persons


20x30 inch Poster Print

Add a bold statement to your walls with the Media Storehouse range of Poster Prints featuring the iconic engraving, "A Wife Taking a Stick to Her Drunken Husband," by Thomas Rowlandson. This thought-provoking image from 1831 captures a moment of raw emotion and determination, as a wife stands her ground against her husband's intoxication. With intricate details and stunning visual depth, this fine art print brings a touch of history and drama to any space. Perfect for those who appreciate the power of a powerful image, this print is a must-have for art enthusiasts and collectors alike.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 51.4cm x 76.8cm (20.2" x 30.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > A > Rudolph Ackermann

> Arts > Artists > D > Thomas Day

> Arts > Artists > R > Thomas Rowlandson

> Arts > Artists > W > Thomas W. Wood

> Arts > Pop art > Satire > Satirical artwork

> Arts > Realistic drawings > Still life artwork > Fine art

> Arts > Realistic drawings > Still life artwork > Life drawings

> Arts > Realistic drawings > Still life drawings > Life drawings

> Special Days > Christmas > Related Images


EDITORS COMMENTS
This engraving by Thomas Rowlandson, titled "A wife taking a stick to her drunken husband" offers a humorous yet thought-provoking glimpse into domestic life in 19th-century England. The scene depicts a rustic man stumbling home in an intoxicated state, only to be met by his disgruntled wife wielding both a candle and a stick. The artist's satirical touch is evident as he captures the comical absurdity of the situation. The title itself hints at the underlying theme of alcoholism and its consequences within society. Rowlandson's illustration serves as a scathing satire, shedding light on the prevalent issue of drunkenness during this era. Handcolored with meticulous attention to detail, this wood engraving was originally featured in W. H. Harrison's publication, "The Humourist: A Companion for the Christmas Fireside". It showcases Rowlandson's exceptional talent for capturing human emotions and societal customs through his art. Beyond its comedic value, however, this print also raises awareness about domestic violence and abuse that may have been prevalent during that time period. By juxtaposing humor with social critique, Rowlandson invites viewers to reflect upon these serious issues while appreciating his artistic skill. As we gaze upon this intriguing piece from our private collection, it serves as a reminder of how art can simultaneously entertain and provoke meaningful conversations about important aspects of our shared history.

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