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Poster Print : Harpy Secunda : Harpyae secunda icon, Egyptian harpy. Renaissance Woodcut monsters. From the 1642 book Monstrorum Historia by Ulisse Aldrovandi (Bologna, 1522-1605). He is considered the founder of modern Natural History

Harpy Secunda : Harpyae secunda icon, Egyptian harpy. Renaissance Woodcut monsters. From the 1642 book Monstrorum Historia by Ulisse Aldrovandi (Bologna, 1522-1605). He is considered the founder of modern Natural History




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Harpy Secunda : Harpyae secunda icon, Egyptian harpy. Renaissance Woodcut monsters. From the 1642 book Monstrorum Historia by Ulisse Aldrovandi (Bologna, 1522-1605). He is considered the founder of modern Natural History

UIG5327064 Harpy Secunda : Harpyae secunda icon, Egyptian harpy. Renaissance Woodcut monsters. From the 1642 book Monstrorum Historia by Ulisse Aldrovandi (Bologna, 1522-1605). He is considered the founder of modern Natural History. In Greek mythology and Roman mythology, a harpy was a female monster in the form of a bird with a human face. They steal food from their victims while they are eating and carry evildoers (especially those who have killed their family) to the Erinyes. They seem originally to have been wind spirits. Their name means "snatchers". Ulisse Aldrovandi, 1642 ©Buyenlarge/UIG/Leemage; Buyenlarge Archive/UIG

Media ID 38514374

© Buyenlarge Archive/UIG / Bridgeman Images

Do It Yourself Fantastic Animal Fantastic Creature Fantastic Creatures Internal Anatomy Monstruous Mythical Animal Mythical Beast Mythical Creature Mythical Creatures Science Fiction Skull Skulls Anatomist Monster


18x24 inch Poster Print

Unleash your fascination with mythical creatures! Our Media Storehouse range of Poster Prints features a stunning image of Harpy Secunda, an Egyptian harpy from the iconic book Monstrorum Historia by Ulisse Aldrovandi. This Renaissance woodcut masterpiece showcases the founder of modern Natural History's depiction of these legendary monsters. Bring a touch of ancient mythology to your walls with this unique and captivating print.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Hans Memling

> Africa > Egypt > Related Images

> Arts > Art Movements > Renaissance Art

> Arts > Artists > R > Roman Roman

> Arts > Modern art pieces

> Europe > Greece > Posters

> Europe > Greece > Related Images

> Europe > Italy > Bologna

> Europe > Italy > Emilia-Romagna > Bologna

> Historic > Ancient civilizations > Ancient Egypt > Egyptian mythology

> Historic > Ancient civilizations > Ancient Greece > Greek history


EDITORS COMMENTS
This stunning Renaissance woodcut print of Harpy Secunda from the 1642 book Monstrorum Historia by Ulisse Aldrovandi captures the essence of this mythical creature in all its terrifying glory. The Egyptian harpy, with its bird-like body and human face, is depicted in intricate detail, showcasing Aldrovandi's pioneering work in natural history. In Greek and Roman mythology, harpies were feared for their ability to steal food from their victims and carry evildoers to the Erinyes. Originally believed to be wind spirits, these "snatchers" were a symbol of vengeance and punishment. Aldrovandi's meticulous engraving brings this fantastical creature to life, highlighting his expertise as an anatomist and artist. The intricate details of the harpy's anatomy are both fascinating and eerie, drawing viewers into a world where mythical beasts roam freely. This print serves as a reminder of Aldrovandi's contributions to modern natural history and his dedication to capturing the wonders of the animal kingdom. It is a testament to his skill as an engraver and his passion for exploring the unknown through art. As we gaze upon this image of Harpy Secunda, we are transported back in time to an era where monsters roamed the earth and legends came alive. It is a true masterpiece that continues to captivate audiences centuries after its creation.

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