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Poster Print : Renaud. Jules. 41 ans, ne a Anteuil (Doubs). Cordonnier. Anarchiste. 27 / 2 / 94

Renaud. Jules. 41 ans, ne a Anteuil (Doubs). Cordonnier. Anarchiste. 27  /  2  /  94




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Renaud. Jules. 41 ans, ne a Anteuil (Doubs). Cordonnier. Anarchiste. 27 / 2 / 94

Renaud. Jules. 41 ans, ne a Anteuil (Doubs). Cordonnier. Anarchiste. 27/2/94. 1894

Heritage Images features heritage image collections

Media ID 20138264

© Heritage Art/Heritage Images

Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Cobbler Criminal Identification Mug Shot Mugshot Physical Anthropology Shoemaker Albumen Silver Print


18x24 inch Poster Print

Step back in time with our captivating Renaud Jules poster print from the Media Storehouse archive. This vintage photograph, taken by renowned French photographer Alphonse Bertillon in 1894, captures a 41-year-old Jules Renaud from Anteuil, Doubs, in an intimate moment. Known as a cobbler and an anarchist, this striking image offers a glimpse into the past, showcasing the character and essence of a bygone era. Add this unique piece to your wall and bring a touch of history into your home or office.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Canton > Doubs

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Politics


EDITORS COMMENTS
This print by Alphonse Bertillon captures the essence of Renaud Jules, a 41-year-old cobbler from Anteuil (Doubs), France. Taken in 1894, this albumen silver print showcases the meticulous anthropometric techniques employed by Bertillon to document individuals for identification purposes. Renaud Jules stands before us with an air of defiance, his anarchist beliefs evident in his piercing gaze and determined expression. The photograph not only serves as a mugshot but also delves into the realm of science and politics, reflecting the era's fascination with physical anthropology and its application to criminal investigation. Bertillon's expertise in capturing minute details is evident in this portrait. Every line on Renaud's face tells a story - perhaps one of rebellion against societal norms or resistance towards oppressive systems. The image transports us back to a time when photography was still emerging as an art form while simultaneously serving practical purposes within law enforcement. As we observe Renaud Jules' arresting presence frozen in time, we are reminded of the power that images hold - not just as historical artifacts but also as windows into individual lives shaped by their profession, political beliefs, and country of origin. This thought-provoking piece invites us to contemplate how identity can be captured through visual representation and how it intertwines with broader social narratives.

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