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Poster Print : Our Siamese Twins, 1869. Artist: John Tenniel

Our Siamese Twins, 1869. Artist: John Tenniel




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Our Siamese Twins, 1869. Artist: John Tenniel

Our Siamese Twins, 1869. Mr Gladstone was the new Prime Minister following 1868s late General Election. One of his first acts was to start preparing for the disestablishment of the Irish Church. Many feared that this would lead to attempts to disestablish the English Church but Gladstone and his supporters denied that the English Church would suffer in any way. Here, then, Mr Gladstone prepares to sever the bond between the two Churches as Mr Bull watches anxiously. From Punch, or the London Charivari, February 13, 1869

Heritage Images features heritage image collections

Media ID 14831188

© The Print Collector / Heritage-Images

Conjoined Twins Famous People Gladstone Heritage Image Partnership Ireland Irish John Bull John Tenniel Knife Knives Prime Minister Sir John Tenniel Tenniel Twin Twins William Ewart William Ewart Gladstone Allegorical Figure Siamese Twins


18x24 inch Poster Print

Step back in time with our captivating poster print of "Our Siamese Twins, 1869" by renowned artist John Tenniel, from Heritage Images. This intriguing image features the famous conjoined twins, Chang and Eng Bunker, who gained international fame during the Victorian era. An intriguing historical moment is brought to life as new Prime Minister, William Ewart Gladstone, is depicted in the background, preparing for the disestablishment of the Irish Church following the 1868 late General Election. Add a touch of history to your space with this exquisitely detailed and captivating poster print.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > I > William Ireland

> Arts > Artists > T > John Tenniel

> Arts > Artists > W > John White

> Arts > Artists > W > William White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Asia > Thailand > Related Images

> Europe > United Kingdom > England > London > Politics > Related Images

> Europe > United Kingdom > England > London > Politics > William Ewart Gladstone

> Europe > United Kingdom > England > London > Related Images


EDITORS COMMENTS
In this print titled "Our Siamese Twins, 1869" artist John Tenniel skillfully captures the political climate of the time. The year marked a significant moment in British history as William Ewart Gladstone took office as the new Prime Minister after a late General Election in 1868. One of his first actions was to prepare for the disestablishment of the Irish Church, causing widespread concern among many who feared that it would lead to similar attempts against the English Church. In this allegorical depiction, Mr. Gladstone is seen preparing to sever the bond between these two Churches while an anxious Mr. Bull watches closely. Published in Punch, or the London Charivari on February 13th, 1869, Tenniel's cartoon serves as a satirical commentary on religion and politics during that era. The image showcases not only Tenniel's artistic prowess but also his ability to convey complex ideas through visual representation. The monochrome engraving adds depth and intensity to this thought-provoking piece. As we delve into this heritage image partnership with print collector1, we are reminded of how art can serve as a powerful tool for social commentary and historical documentation. This print immortalizes an important moment in British history and allows us to reflect upon the intricate relationship between religion, politics, and society during the nineteenth century.

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