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Premium Framed Print : The Two Young Girls - The Beautiful Rosine by Antoine Wiertz
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The Two Young Girls - The Beautiful Rosine by Antoine Wiertz
Reproduction of the painting The Two Young Girls or The Beautiful Rosine by Antoine Wiertz (1806-1865). A pretty girl confronts her stark (and dead!) future - an allegory on vanity and perceptions of transient beauty. Date: 1847
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Media ID 11581513
© Mary Evans / Grenville Collins Postcard Collection
Antoine Beautiful Belgian Easel Future Juxtaposition Naked Nude Perception Reproduction Rosine Skeleton Theme Unusual Vain Vanity Brevity Foresight Vanitas
14"x18" Premium Frame
Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 30.4cm (8" x 12")
Estimated Product Size is 35.6cm x 45.8cm (14" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This hauntingly beautiful reproduction of Antoine Wiertz's painting, "The Two Young Girls" or "The Beautiful Rosine," created in 1847, captures the fleeting nature of youth and beauty. Two young girls, dressed in elegant Victorian attire, are seen in a room filled with the trappings of luxury and vanity. One girl, Rosine, gazes intently at her reflection in a mirror, lost in admiration of her own beauty. The other girl, her back turned, looks on in contrast, revealing a skeletal figure clad only in a white sheet. The stark contrast between the living, pretty girl and the dead, naked skeleton serves as an allegory on the transience of beauty and the inevitability of death. Wiertz masterfully employs the Vanitas theme, a common motif in Flemish and Dutch art, to remind viewers of the brevity of life and the importance of foresight and introspection. The juxtaposition of the two girls and the unusual combination of beauty and death creates an odd yet thought-provoking scene. Antoine Wiertz, a Belgian artist, was known for his large-scale, highly detailed paintings that often dealt with the themes of death and the afterlife. This painting, "The Two Young Girls," is a testament to his skill in capturing the human condition and the complexities of perception and vanity. The painting invites viewers to ponder the fleeting nature of beauty and the importance of cherishing the present moment, as the future, represented by the skeleton, is both stark and unforgiving.
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