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Canvas Print : The Entry of Christ into Brussels in 1889, 1888. Creator: Ensor, James (1860-1949)
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The Entry of Christ into Brussels in 1889, 1888. Creator: Ensor, James (1860-1949)
The Entry of Christ into Brussels in 1889, 1888. Found in the Collection of J. Paul Getty Museum, Los Angeles
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Media ID 19778647
© Fine Art Images/Heritage Images
Ensor James 1860 1949 Los Angeles Symbolism
30"x20" (76x51cm) Canvas Print
Introducing the Media Storehouse Canvas Print of "The Entry of Christ into Brussels in 1889, 1888" by James Ensor. This stunning art print showcases the masterpiece held in the collection of the J. Paul Getty Museum in Los Angeles. Immerse yourself in the intricate details and vibrant colors of this iconic work, as Ensor captures the entry of Christ into Brussels with a unique and thought-provoking perspective. Each canvas print is meticulously crafted using premium materials and high-definition printing techniques to bring the art to life in your home or office. Elevate your decor with this beautiful and inspiring piece of art history.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 76.2cm x 50.8cm (30" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Entry of Christ into Brussels in 1889
EDITORS COMMENTS
is a captivating oil on canvas painting created by James Ensor in 1888. This thought-provoking artwork, housed in the prestigious J. Paul Getty Museum in Los Angeles, Belgium, combines elements of biblical symbolism and mythology to create a powerful allegory. In this mesmerizing scene, we witness the grand arrival of Christ into the bustling streets of Brussels. Ensor's masterful use of color and composition draws our attention to the central figure of Jesus, who stands tall amidst a sea of chaotic characters. The artist skillfully captures both the awe and skepticism that surround this divine event. The painting not only reflects Ensor's deep religious beliefs but also serves as a commentary on societal issues prevalent during his time. Through his meticulous brushwork and intricate details, he highlights themes such as hypocrisy, corruption, and moral decay. As we delve deeper into "The Entry of Christ into Brussels" we are reminded that art has always been a medium for social critique and introspection. It prompts us to question our own values and actions while encouraging dialogue about faith, humanity, and spirituality. This remarkable piece continues to captivate viewers with its rich symbolism and profound narrative. It stands as a testament to James Ensor's artistic genius while inviting us to explore the complex intersections between religion, mythology, literature, and society itself.
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