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Premium Framed Print : The Entry of Christ into Brussels in 1889, 1888. Creator: Ensor, James (1860-1949)
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The Entry of Christ into Brussels in 1889, 1888. Creator: Ensor, James (1860-1949)
The Entry of Christ into Brussels in 1889, 1888. Found in the Collection of J. Paul Getty Museum, Los Angeles
Heritage Images features heritage image collections
Media ID 19778647
© Fine Art Images/Heritage Images
Ensor James 1860 1949 Los Angeles Symbolism
14"x18" Premium Frame
Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 30.4cm x 20.3cm (12" x 8")
Estimated Product Size is 45.8cm x 35.6cm (18" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Entry of Christ into Brussels in 1889
EDITORS COMMENTS
is a captivating oil on canvas painting created by James Ensor in 1888. This thought-provoking artwork, housed in the prestigious J. Paul Getty Museum in Los Angeles, Belgium, combines elements of biblical symbolism and mythology to create a powerful allegory. In this mesmerizing scene, we witness the grand arrival of Christ into the bustling streets of Brussels. Ensor's masterful use of color and composition draws our attention to the central figure of Jesus, who stands tall amidst a sea of chaotic characters. The artist skillfully captures both the awe and skepticism that surround this divine event. The painting not only reflects Ensor's deep religious beliefs but also serves as a commentary on societal issues prevalent during his time. Through his meticulous brushwork and intricate details, he highlights themes such as hypocrisy, corruption, and moral decay. As we delve deeper into "The Entry of Christ into Brussels" we are reminded that art has always been a medium for social critique and introspection. It prompts us to question our own values and actions while encouraging dialogue about faith, humanity, and spirituality. This remarkable piece continues to captivate viewers with its rich symbolism and profound narrative. It stands as a testament to James Ensor's artistic genius while inviting us to explore the complex intersections between religion, mythology, literature, and society itself.
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