Canvas Print : Empress KAśmyAśgAś KAśmyAśgAś title object Three beauties

Add to Cart

Canvas Prints from Liszt Collection

Empress KAśmyAśgAś KAśmyAśgAś title object Three beauties

The Empress Komyogo Komyogo (title on object) Three beauties (series title) San bijin (series title on object), The Empress Komyogo wrapped in a summery kimono (yukata) looks at a large path. Komyogo was the wife of Emperor Shomu (701-756) and founded the public bathhouses in Japan. One day she was tested by Buddha when he appeared before her as a leper. The path refers to this incident. With two poems. Ryuryukyo Shinsai (mentioned on object), Japan, c. 1820 - c. 1825, paper, colour woodcut, h 205 mm × w 181 mm

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 19544428

© Artokoloro

1820 1825 Appeared Buddha Colour Woodcut Founded Incident Leper Ryuryukyo Shinsai Series Title Title Two Poems Wife Mentioned Tested

20"x16" (51x41cm) Canvas Print

Experience the timeless beauty of the Far East with our Media Storehouse Canvas Prints featuring the renowned "Three Beauties" series from the Liszt Collection. This captivating piece showcases Empress Komyogo Komyogo, elegantly draped in a summer kimono (yukata), admiring a tranquil path. Each canvas print is meticulously crafted with vibrant colors and high-quality materials, bringing the intricate details and rich history of this exquisite artwork to life in your home. Immerse yourself in the serene world of Japanese culture and artistry with this stunning addition to your decor.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 40.6cm x 50.8cm (16" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.

FEATURES IN THESE COLLECTIONS

> Arts > Artists > S > Ryuryukyo Shinsai

> Asia > Japan > Related Images

EDITORS COMMENTS
This print from the Liszt Collection showcases the Empress Komyogo, a prominent figure in Japanese history. Wrapped in a vibrant summery kimono known as yukata, she gazes intently at a vast path before her. The significance of this path lies in an extraordinary encounter with Buddha himself. Komyogo, wife of Emperor Shomu during the 8th century, is renowned for establishing public bathhouses throughout Japan. However, her true strength and character were tested when Buddha appeared before her disguised as a leper. This pivotal incident is symbolized by the expansive path captured in this artwork. The delicately crafted woodcut also features two poems that further enhance its beauty and narrative depth. Created by Ryuryukyo Shinsai around 1820-1825, it exemplifies the exquisite artistry prevalent during that era. As we admire this print, we are transported back to ancient Japan where powerful women like Komyogo shaped their nation's history. Her unwavering dedication to public welfare and her ability to overcome challenges make her an inspiration even today. This print serves as a reminder of both historical events and artistic excellence. It offers us a glimpse into the rich tapestry of Japanese culture while honoring an influential figure who left an indelible mark on society.

MADE IN THE USA
Safe Shipping with 30 Day Money Back Guarantee

FREE PERSONALISATION*
We are proud to offer a range of customisation features including Personalised Captions, Color Filters and Picture Zoom Tools

SECURE PAYMENTS
We happily accept a wide range of payment options so you can pay for the things you need in the way that is most convenient for you

* Options may vary by product and licensing agreement. Zoomed Pictures can be adjusted in the Cart.