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Mouse Mat : Empress KAśmyAśgAś KAśmyAśgAś title object Three beauties

Empress KAśmyAśgAś KAśmyAśgAś title object Three beauties




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Empress KAśmyAśgAś KAśmyAśgAś title object Three beauties

The Empress Komyogo Komyogo (title on object) Three beauties (series title) San bijin (series title on object), The Empress Komyogo wrapped in a summery kimono (yukata) looks at a large path. Komyogo was the wife of Emperor Shomu (701-756) and founded the public bathhouses in Japan. One day she was tested by Buddha when he appeared before her as a leper. The path refers to this incident. With two poems. Ryuryukyo Shinsai (mentioned on object), Japan, c. 1820 - c. 1825, paper, colour woodcut, h 205 mm × w 181 mm

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 19544428

© Artokoloro

1820 1825 Appeared Buddha Colour Woodcut Founded Incident Leper Ryuryukyo Shinsai Series Title Title Two Poems Wife Mentioned Tested


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > S > Ryuryukyo Shinsai

> Asia > Japan > Related Images


EDITORS COMMENTS
This print from the Liszt Collection showcases the Empress Komyogo, a prominent figure in Japanese history. Wrapped in a vibrant summery kimono known as yukata, she gazes intently at a vast path before her. The significance of this path lies in an extraordinary encounter with Buddha himself. Komyogo, wife of Emperor Shomu during the 8th century, is renowned for establishing public bathhouses throughout Japan. However, her true strength and character were tested when Buddha appeared before her disguised as a leper. This pivotal incident is symbolized by the expansive path captured in this artwork. The delicately crafted woodcut also features two poems that further enhance its beauty and narrative depth. Created by Ryuryukyo Shinsai around 1820-1825, it exemplifies the exquisite artistry prevalent during that era. As we admire this print, we are transported back to ancient Japan where powerful women like Komyogo shaped their nation's history. Her unwavering dedication to public welfare and her ability to overcome challenges make her an inspiration even today. This print serves as a reminder of both historical events and artistic excellence. It offers us a glimpse into the rich tapestry of Japanese culture while honoring an influential figure who left an indelible mark on society.

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