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Fine Art Print : The State of the Church divided into its provinces, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1780 by Antonio Zatta, Private Collection
Fine Art Prints from Fondazione Alinari per la Fotografia
The State of the Church divided into its provinces, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1780 by Antonio Zatta, Private Collection
The State of the Church divided into its provinces, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1780 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1780. Artist:Zuliani G
Alinari
PDP-A-ZATTA2-0018
Media ID 33187697
© Alinari Archives, Florence
Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Modern History Of Nations Peoples Scene Means Of Communication Seaeighteenth Century Territories Territory Abstract Concept And Symbol Concept Or Subject Expressed
20"x16" (+3" Border) Fine Art Print
Step back in time with our exquisite Fine Art Print of 'The State of the Church Divided into Its Provinces,' an enchanting engraving by G. Zuliani from Tome II of the 'Newest Atlas,' published in Venice in 1780 by Antonio Zatta. This rare and intriguing work of art offers a captivating glimpse into the historical structure of the Catholic Church during the late 18th century. With meticulous attention to detail, this print showcases the Church's provinces and territories, transporting you to an era of grandeur and spiritual significance. Add this stunning piece to your home or office to inspire curiosity and ignite conversation. Private Collection by Alinari.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 40.6cm x 50.4cm (16" x 19.8")
Estimated Product Size is 55.9cm x 66cm (22" x 26")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases an exquisite engraving titled "The State of the Church divided into its provinces" by G. Zuliani, taken from Tome II of the renowned "Newest Atlas" published in Venice in 1780 by Antonio Zatta. Housed in a private collection, this artwork represents the epitome of eighteenth-century Renaissance-Baroque styles and periods. Captured with precision and finesse, this engraving is a testament to the mastery of both cartography and graphics. It portrays an abstract concept and symbol through a geographical or topographical map, serving as an essential instrument and document for understanding the history and territories it depicts. Dating back to 1780, during Europe's first millennium A. D. , this remarkable piece offers insights into the modern history of nations, peoples, and territories. Its intricate details transport us to a time when maps were not only means of communication but also works of art that conveyed profound messages. The allegorical representation beautifully captures the complex relationship between church and state during the Renaissance-Baroque era. The meticulous craftsmanship brings forth a scene that evokes contemplation on power dynamics within society. As we delve into this photograph taken in 2009 by Alinari, we are reminded once again how art transcends time. The fusion between past and present allows us to appreciate historical artifacts like these engravings while contemplating their relevance today. Whether you are drawn to its historical significance or simply captivated by its aesthetic beauty, this print invites you on a journey through centuries past – offering glimpses into Europe's rich cultural heritage while celebrating human ingenuity in capturing our world through drawings and graphics.
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