Metal Print : The State of the Church divided into its provinces, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1780 by Antonio Zatta, Private Collection

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Metal Prints from Fondazione Alinari per la Fotografia

The State of the Church divided into its provinces, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1780 by Antonio Zatta, Private Collection

The State of the Church divided into its provinces, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1780 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1780. Artist:Zuliani G

Alinari
PDP-A-ZATTA2-0018

Media ID 33187697

© Alinari Archives, Florence

Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Modern History Of Nations Peoples Scene Means Of Communication Seaeighteenth Century Territories Territory Abstract Concept And Symbol Concept Or Subject Expressed

16"x20" (51x41cm) Metal Print

Step back in time with our exquisite Metal Print of The State of the Church, an engraving by G. Zuliani from Tome II of the 'Newest Atlas' published in Venice in 1780 by Antonio Zatta. This intricately detailed work of art depicts the divisions of the Church as they existed during that era, a fascinating historical snapshot. Our high-quality Metal Prints bring out the rich textures and intricacies of this engraving, making it a stunning addition to any home or office. With its vintage charm and timeless appeal, this piece is sure to be a conversation starter and a source of pride for history enthusiasts and art collectors alike.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.

FEATURES IN THESE COLLECTIONS

> Abstract Art > Painting > Related Images

> Arts > Abstract art

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Arts > Contemporary art > Modern art > Abstract art

> Arts > Cubist sculptures > Abstract art > Modern art

> Arts > Still life artwork > Abstract art > Fine art

> Arts > Still life artwork > Abstract art > Modern art

> Arts > Minimalist artwork > Abstract art > Fine art

> Arts > Minimalist artwork > Abstract art > Modern art

EDITORS COMMENTS
This print showcases an exquisite engraving titled "The State of the Church divided into its provinces" by G. Zuliani, taken from Tome II of the renowned "Newest Atlas" published in Venice in 1780 by Antonio Zatta. Housed in a private collection, this artwork represents the epitome of eighteenth-century Renaissance-Baroque styles and periods. Captured with precision and finesse, this engraving is a testament to the mastery of both cartography and graphics. It portrays an abstract concept and symbol through a geographical or topographical map, serving as an essential instrument and document for understanding the history and territories it depicts. Dating back to 1780, during Europe's first millennium A. D. , this remarkable piece offers insights into the modern history of nations, peoples, and territories. Its intricate details transport us to a time when maps were not only means of communication but also works of art that conveyed profound messages. The allegorical representation beautifully captures the complex relationship between church and state during the Renaissance-Baroque era. The meticulous craftsmanship brings forth a scene that evokes contemplation on power dynamics within society. As we delve into this photograph taken in 2009 by Alinari, we are reminded once again how art transcends time. The fusion between past and present allows us to appreciate historical artifacts like these engravings while contemplating their relevance today. Whether you are drawn to its historical significance or simply captivated by its aesthetic beauty, this print invites you on a journey through centuries past – offering glimpses into Europe's rich cultural heritage while celebrating human ingenuity in capturing our world through drawings and graphics.

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