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Fine Art Print : The Art of Making Oneself Loved by Ones Wife, c. 1825 (colour litho)

The Art of Making Oneself Loved by Ones Wife, c. 1825 (colour litho)



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The Art of Making Oneself Loved by Ones Wife, c. 1825 (colour litho)

CHT221648 The Art of Making Oneself Loved by Ones Wife, c.1825 (colour litho) by Hippolyte (fl.1825); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; (add.info.: L Art de se faire aimer de sa femme; ); © Archives Charmet

Media ID 25456090

© Archives Charmet / Bridgeman Images

Beating Domestic Violence Ironical Irony Quarrel Sexes Violent Whipping


20"x20" (+3" Border) Fine Art Print

Experience the captivating allure of Hippolyte's masterpiece, "The Art of Making Oneself Loved by One's Wife," from our Media Storehouse range of Fine Art Prints. This exquisite 1825 color lithograph, sourced from Bridgeman Images and the Musee Carnavalet in Paris, invites you to explore the intricacies of human emotion and connection. Add this stunning work of art to your home or office, and let its timeless charm inspire and delight you every day.

20x20 image printed on 26x26 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 46.8cm x 50.8cm (18.4" x 20")

Estimated Product Size is 66cm x 66cm (26" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Ferdinand Victor Eugene Delacroix

> Fine Art Finder > Artists > Hippolyte (1797-1856) Delaroche

> Fine Art Finder > Cartoons, Caricatures & Humour

> Arts > Pop art > Irony and satire > Satirical artwork

> Arts > Pop art > Irony > Satirical artwork

> Arts > Pop art > Satire > Satirical artwork

> Europe > France > Paris > Museums > Musee Carnavalet

> Europe > France > Paris > Related Images


EDITORS COMMENTS
This vibrant lithograph from 1825, titled "The Art of Making Oneself Loved by One's Wife" captures a scene filled with irony and satire. Created by the artist Hippolyte, this artwork is housed in the Musee Carnavalet in Paris, France. In this image, we witness a quarrel between a husband and wife. The composition is laced with elements of violence and domestic discord, as the man appears to be whipping his wife while she defends herself. However, upon closer inspection, it becomes clear that this depiction is meant to be ironic and satirical. Through clever caricature and biting humor, Hippolyte exposes societal norms surrounding gender roles and power dynamics within marriage. This satirical cartoon challenges traditional notions of male dominance while shedding light on the issue of domestic violence. With its scathing commentary on marital relationships during the early 19th century, this print serves as a powerful reminder of how art can provoke thought and spark conversations about important social issues. It stands as an enduring testament to the artist's ability to use satire to critique prevailing attitudes towards women at that time. As we gaze upon this piece today, let us reflect on how far society has come in addressing such matters while acknowledging that there is still work to be done in creating equal partnerships based on love and respect.

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Related Images


COLONIAL FLOGGING, c1633. The flogging of Adam Roelandsen, the first schoolmaster at Fort Amsterdam (later New Amsterdam), c1633. Line engraving, American, 19th century
COLONIAL FLOGGING, c1633. The flogging of Adam Roelandsen, the first schoolmaster at Fort Amsterdam (later New Amsterdam), c1633. Line engraving, American, 19th century
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