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Poster Print : The Art of Making Oneself Loved by Ones Wife, c. 1825 (colour litho)

The Art of Making Oneself Loved by Ones Wife, c. 1825 (colour litho)



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The Art of Making Oneself Loved by Ones Wife, c. 1825 (colour litho)

CHT221648 The Art of Making Oneself Loved by Ones Wife, c.1825 (colour litho) by Hippolyte (fl.1825); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; (add.info.: L Art de se faire aimer de sa femme; ); © Archives Charmet

Media ID 25456090

© Archives Charmet / Bridgeman Images

Beating Domestic Violence Ironical Irony Quarrel Sexes Violent Whipping


27x27 inch Poster Print

Bring timeless charm into your home with the Media Storehouse range of Poster Prints featuring "The Art of Making Oneself Loved by One's Wife," a captivating 1825 color lithograph by Hippolyte. This exquisite piece, originally housed in the Musee Carnavalet in Paris, showcases a tender moment between a couple, capturing the essence of love and devotion. Add this beautiful work of art to your decor and let it inspire romance and affection in your space.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 69.2cm x 69.2cm (27.2" x 27.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Ferdinand Victor Eugene Delacroix

> Fine Art Finder > Artists > Hippolyte (1797-1856) Delaroche

> Fine Art Finder > Cartoons, Caricatures & Humour

> Arts > Pop art > Irony and satire > Satirical artwork

> Arts > Pop art > Irony > Satirical artwork

> Arts > Pop art > Satire > Satirical artwork

> Europe > France > Paris > Museums > Musee Carnavalet

> Europe > France > Paris > Related Images


EDITORS COMMENTS
This vibrant lithograph from 1825, titled "The Art of Making Oneself Loved by One's Wife" captures a scene filled with irony and satire. Created by the artist Hippolyte, this artwork is housed in the Musee Carnavalet in Paris, France. In this image, we witness a quarrel between a husband and wife. The composition is laced with elements of violence and domestic discord, as the man appears to be whipping his wife while she defends herself. However, upon closer inspection, it becomes clear that this depiction is meant to be ironic and satirical. Through clever caricature and biting humor, Hippolyte exposes societal norms surrounding gender roles and power dynamics within marriage. This satirical cartoon challenges traditional notions of male dominance while shedding light on the issue of domestic violence. With its scathing commentary on marital relationships during the early 19th century, this print serves as a powerful reminder of how art can provoke thought and spark conversations about important social issues. It stands as an enduring testament to the artist's ability to use satire to critique prevailing attitudes towards women at that time. As we gaze upon this piece today, let us reflect on how far society has come in addressing such matters while acknowledging that there is still work to be done in creating equal partnerships based on love and respect.

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COLONIAL FLOGGING, c1633. The flogging of Adam Roelandsen, the first schoolmaster at Fort Amsterdam (later New Amsterdam), c1633. Line engraving, American, 19th century
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