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Metal Print : The Art of Making Oneself Loved by Ones Wife, c. 1825 (colour litho)

The Art of Making Oneself Loved by Ones Wife, c. 1825 (colour litho)



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The Art of Making Oneself Loved by Ones Wife, c. 1825 (colour litho)

CHT221648 The Art of Making Oneself Loved by Ones Wife, c.1825 (colour litho) by Hippolyte (fl.1825); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; (add.info.: L Art de se faire aimer de sa femme; ); © Archives Charmet

Media ID 25456090

© Archives Charmet / Bridgeman Images

Beating Domestic Violence Ironical Irony Quarrel Sexes Violent Whipping


20"x24" (61x51cm) Metal Print

Bring timeless charm into your home with our Media Storehouse Metal Print of The Art of Making Oneself Loved by One's Wife, an exquisite 1825 color lithograph by Hippolyte. This captivating piece, originally housed in Musee Carnavalet in Paris, showcases the delicate intricacies of human emotions and the beauty of romantic relationships. The high-quality metal print offers vibrant colors and stunning detail, ensuring a museum-quality display that will add character and elegance to any room. Experience the allure of fine art with our premium Metal Prints.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 60.9cm (20" x 24")

Estimated Product Size is 51.4cm x 61.5cm (20.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Ferdinand Victor Eugene Delacroix

> Fine Art Finder > Artists > Hippolyte (1797-1856) Delaroche

> Fine Art Finder > Cartoons, Caricatures & Humour

> Arts > Pop art > Irony and satire > Satirical artwork

> Arts > Pop art > Irony > Satirical artwork

> Arts > Pop art > Satire > Satirical artwork

> Europe > France > Paris > Museums > Musee Carnavalet

> Europe > France > Paris > Related Images


EDITORS COMMENTS
This vibrant lithograph from 1825, titled "The Art of Making Oneself Loved by One's Wife" captures a scene filled with irony and satire. Created by the artist Hippolyte, this artwork is housed in the Musee Carnavalet in Paris, France. In this image, we witness a quarrel between a husband and wife. The composition is laced with elements of violence and domestic discord, as the man appears to be whipping his wife while she defends herself. However, upon closer inspection, it becomes clear that this depiction is meant to be ironic and satirical. Through clever caricature and biting humor, Hippolyte exposes societal norms surrounding gender roles and power dynamics within marriage. This satirical cartoon challenges traditional notions of male dominance while shedding light on the issue of domestic violence. With its scathing commentary on marital relationships during the early 19th century, this print serves as a powerful reminder of how art can provoke thought and spark conversations about important social issues. It stands as an enduring testament to the artist's ability to use satire to critique prevailing attitudes towards women at that time. As we gaze upon this piece today, let us reflect on how far society has come in addressing such matters while acknowledging that there is still work to be done in creating equal partnerships based on love and respect.

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Related Images


COLONIAL FLOGGING, c1633. The flogging of Adam Roelandsen, the first schoolmaster at Fort Amsterdam (later New Amsterdam), c1633. Line engraving, American, 19th century
COLONIAL FLOGGING, c1633. The flogging of Adam Roelandsen, the first schoolmaster at Fort Amsterdam (later New Amsterdam), c1633. Line engraving, American, 19th century
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