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Fine Art Print : Les Deux eglises venitiennes atteintes par les bombes des aviateurs autrichiens, 1916. Creator: Unknown

Les Deux eglises venitiennes atteintes par les bombes des aviateurs autrichiens, 1916. Creator: Unknown



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Les Deux eglises venitiennes atteintes par les bombes des aviateurs autrichiens, 1916. Creator: Unknown

Les Deux eglises venitiennes atteintes par les bombes des aviateurs autrichiens; Santa-Maria Formosa, qui a ete completement detruite, 1916. From "Collection de la Guerre IV. L'Illustration Tome CXLVIII. La Guerre Juillet, Aout, Septembre, Octobre, Novembre, Decembre 1916"

Heritage Images features heritage image collections

Media ID 36289260

© The Print Collector/Heritage Images

Aerial Warfare Austria Hungary Austro Hungarian Bombed Canal Destroyed Destruction Italian Front Venetian Venice Italy Europe Santa Maria Formosa


20"x20" (+3" Border) Fine Art Print

Experience the poignant history of World War I with our exquisite Fine Art Print from Media Storehouse. This captivating image, titled 'Les Deux eglises venitiennes atteintes par les bombes des aviateurs autrichiens' (The Two Venetian Churches Hit by Austrian Aviators' Bombs), dates back to 1916. The photograph, of unknown origin and creator, captures the aftermath of the bombing of Santa Maria Formosa and another church in Venice, Italy. The haunting image serves as a poignant reminder of the devastating impact of war. Add this evocative piece to your collection and bring a piece of history into your home.

20x20 image printed on 26x26 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 47.1cm x 50.8cm (18.5" x 20")

Estimated Product Size is 66cm x 66cm (26" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Aerial Photography > Austria

> Aerial Photography > Hungary

> Aerial Photography > Italy

> Aerial Photography > Related Images

> Animals > Mammals > Didelphidae > Formosa

> Architecture > Churches

> Architecture > Country > Austria

> Architecture > Country > Hungary

> Architecture > Country > Italy > Related Images

> Architecture > Country > Italy > Venice


EDITORS COMMENTS
This evocative photograph, titled 'Les Deux eglises venitiennes atteintes par les bombes des aviateurs autrichiens' (The Two Churches of Venice Hit by Austrian Aviators' Bombs), dates back to 1916 during the First World War. The image is part of the 'Collection de la Guerre IV' from the French publication 'L'Illustration' and showcases the devastating impact of aerial warfare on the historic city of Venice, Italy. Two prominent churches, Santa Maria Formosa and another unidentified one, are depicted in ruins, their once grand facades reduced to rubble. The serene canal water that once reflected the beautiful architectural structures is now disturbed, with debris floating on its surface. The destruction is a stark contrast to the tranquility and beauty Venice was renowned for. The Austro-Hungarian forces, who controlled much of the Italian peninsula during the war, are believed to have carried out the bombing raids. The print captures the destruction of Santa Maria Formosa, which was completely destroyed, leaving only the bell tower standing. The image serves as a poignant reminder of the devastating effects of war on cultural heritage. The photograph, taken from an aerial perspective, offers a unique view of the destruction. The use of black and white adds to the somber mood, emphasizing the stark reality of the situation. The image transports us back to a time when warfare took a dramatic turn with the advent of aerial bombing, forever changing the landscape of war and its impact on civilians and cultural heritage.

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