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Photographic Print : Les Deux eglises venitiennes atteintes par les bombes des aviateurs autrichiens, 1916. Creator: Unknown

Les Deux eglises venitiennes atteintes par les bombes des aviateurs autrichiens, 1916. Creator: Unknown




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Les Deux eglises venitiennes atteintes par les bombes des aviateurs autrichiens, 1916. Creator: Unknown

Les Deux eglises venitiennes atteintes par les bombes des aviateurs autrichiens; Santa-Maria Formosa, qui a ete completement detruite, 1916. From "Collection de la Guerre IV. L'Illustration Tome CXLVIII. La Guerre Juillet, Aout, Septembre, Octobre, Novembre, Decembre 1916"

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Media ID 36289260

© The Print Collector/Heritage Images

Aerial Warfare Austria Hungary Austro Hungarian Bombed Canal Destroyed Destruction Italian Front Venetian Venice Italy Europe Santa Maria Formosa


10"x10" Photo Print

Experience the poignant history of World War I with our exclusive Media Storehouse Photographic Print of 'Les Deux eglises venitiennes atteintes par les bombes des aviateurs autrichiens', 1916. This powerful image, captured from the Collection de la Guerre IV, depicts the devastating impact of war on the two churches of Santa Maria Formosa in Venice, Italy. The churches, which had stood for centuries, were completely destroyed by Austrian aviator bombs during the conflict. This haunting and unknown photograph is a poignant reminder of the destructive power of war and the enduring resilience of history. Add this historic print to your collection and bring a piece of the past into your home or office.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Image Size (if not cropped) is 23.5cm x 25.4cm (9.3" x 10")

Estimated Product Size is 25.4cm x 25.4cm (10" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Aerial Photography > Austria

> Aerial Photography > Hungary

> Aerial Photography > Italy

> Aerial Photography > Related Images

> Animals > Mammals > Didelphidae > Formosa

> Architecture > Churches

> Architecture > Country > Austria

> Architecture > Country > Hungary

> Architecture > Country > Italy > Related Images

> Architecture > Country > Italy > Venice


EDITORS COMMENTS
This evocative photograph, titled 'Les Deux eglises venitiennes atteintes par les bombes des aviateurs autrichiens' (The Two Churches of Venice Hit by Austrian Aviators' Bombs), dates back to 1916 during the First World War. The image is part of the 'Collection de la Guerre IV' from the French publication 'L'Illustration' and showcases the devastating impact of aerial warfare on the historic city of Venice, Italy. Two prominent churches, Santa Maria Formosa and another unidentified one, are depicted in ruins, their once grand facades reduced to rubble. The serene canal water that once reflected the beautiful architectural structures is now disturbed, with debris floating on its surface. The destruction is a stark contrast to the tranquility and beauty Venice was renowned for. The Austro-Hungarian forces, who controlled much of the Italian peninsula during the war, are believed to have carried out the bombing raids. The print captures the destruction of Santa Maria Formosa, which was completely destroyed, leaving only the bell tower standing. The image serves as a poignant reminder of the devastating effects of war on cultural heritage. The photograph, taken from an aerial perspective, offers a unique view of the destruction. The use of black and white adds to the somber mood, emphasizing the stark reality of the situation. The image transports us back to a time when warfare took a dramatic turn with the advent of aerial bombing, forever changing the landscape of war and its impact on civilians and cultural heritage.

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