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Metal Print : Les Deux eglises venitiennes atteintes par les bombes des aviateurs autrichiens, 1916. Creator: Unknown
Metal Prints from Heritage Images
Les Deux eglises venitiennes atteintes par les bombes des aviateurs autrichiens, 1916. Creator: Unknown
Les Deux eglises venitiennes atteintes par les bombes des aviateurs autrichiens; Santa-Maria Formosa, qui a ete completement detruite, 1916. From "Collection de la Guerre IV. L'Illustration Tome CXLVIII. La Guerre Juillet, Aout, Septembre, Octobre, Novembre, Decembre 1916"
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Media ID 36289260
© The Print Collector/Heritage Images
Aerial Warfare Austria Hungary Austro Hungarian Bombed Canal Destroyed Destruction Italian Front Venetian Venice Italy Europe Santa Maria Formosa
20"x24" (61x51cm) Metal Print
Experience the historic impact of war through the hauntingly beautiful 'Les Deux eglises venitiennes atteintes par les bombes des aviateurs autrichiens' Metal Print. This evocative image, captured in 1916 during the Italian campaign of World War I, depicts the devastation of Santa Maria Formosa and another Venetian church, both reduced to ruins by Austrian air raids. The unknown creator masterfully captures the raw emotion and destruction of war in this powerful, timeless photograph. Bring this piece of history into your home or office with the vibrant colors and lasting durability of a Media Storehouse Metal Print.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 60.9cm (20" x 24")
Estimated Product Size is 51.4cm x 61.5cm (20.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This evocative photograph, titled 'Les Deux eglises venitiennes atteintes par les bombes des aviateurs autrichiens' (The Two Churches of Venice Hit by Austrian Aviators' Bombs), dates back to 1916 during the First World War. The image is part of the 'Collection de la Guerre IV' from the French publication 'L'Illustration' and showcases the devastating impact of aerial warfare on the historic city of Venice, Italy. Two prominent churches, Santa Maria Formosa and another unidentified one, are depicted in ruins, their once grand facades reduced to rubble. The serene canal water that once reflected the beautiful architectural structures is now disturbed, with debris floating on its surface. The destruction is a stark contrast to the tranquility and beauty Venice was renowned for. The Austro-Hungarian forces, who controlled much of the Italian peninsula during the war, are believed to have carried out the bombing raids. The print captures the destruction of Santa Maria Formosa, which was completely destroyed, leaving only the bell tower standing. The image serves as a poignant reminder of the devastating effects of war on cultural heritage. The photograph, taken from an aerial perspective, offers a unique view of the destruction. The use of black and white adds to the somber mood, emphasizing the stark reality of the situation. The image transports us back to a time when warfare took a dramatic turn with the advent of aerial bombing, forever changing the landscape of war and its impact on civilians and cultural heritage.
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