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Framed Print : Iceland divided into its districts, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta, Private Collection

Iceland divided into its districts, engraving by G. Zuliani taken from Tome III of the 'Newest Atlas' published in Venice in 1781 by Antonio Zatta, Private Collection




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Iceland divided into its districts, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta, Private Collection

Iceland divided into its districts, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1781. Artist:Zuliani G

Alinari
PDP-A-ZATTA3-0024

Media ID 33189687

© Alinari Archives, Florence

Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Islandeighteenth Century Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed


12"x10" Modern Frame

Introducing our latest addition to the Media Storehouse Framed Prints collection: An exquisite, antique engraving of Iceland, divided into its districts. This stunning piece, created by G. Zuliani and taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta, is now available in a beautifully framed print. The intricate details and historical significance of this engraving, from a private collection, make it a unique and captivating addition to any home or office space. Bring a touch of history and world culture into your decor with this elegant and timeless piece.

10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")

Estimated Product Size is 30.5cm x 25.4cm (12" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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> Abstract Art > Painting > Related Images

> Abstract Art > Water

> Arts > Abstract art

> Arts > Art Movements > Baroque

> Arts > Still life artwork > Abstract art > Fine art

> Arts > Minimalist artwork > Abstract art > Fine art

> Arts > Modern art pieces > Abstract art > Fine art

> Arts > Portraits > Abstract art > Abstract art gallery

> Arts > Portraits > Abstract art > Abstract paintings

> Arts > Portraits > Abstract art > Fine art gallery


EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, extracted from Tome III of the "Newest Atlas" published in Venice back in 1781 by Antonio Zatta. The artwork, now part of a private collection in Florence, depicts Iceland divided into its districts with remarkable precision and artistry. Transporting us back to the eighteenth century, this Renaissance-Baroque style engraving is a testament to the mastery of both cartography and graphics during that era. It serves as a visual time capsule, offering insights into Europe's geographical landscape during the first and second millennium A. D. The artist's attention to detail is truly commendable; every district is meticulously delineated on this topographical map. As we explore this intricate piece, we are reminded of the power maps hold as instruments for communication and documentation throughout history. Iceland's unique geography takes center stage here - surrounded by vast seas, it stands as an isolated island amidst nature's grandeur. This allegorical representation not only captures Iceland's physical attributes but also symbolizes its distinct identity within Europe. Beyond its technical brilliance lies a deeper meaning embedded within this artwork. It invites contemplation on concepts such as territory and abstract notions associated with maps – how they shape our understanding of places and foster connections between people across vast distances. With its rich historical context dating back to 1781 when it was created, this engraving continues to captivate viewers even today. Thanks to Alinari’s photographic expertise in capturing these timeless works of art like Zuliani G’s masterpiece, we can marvel at their beauty while appreciating their significance in shaping our collective understanding of the world around us.

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