1450 Collection (page 5)

Illustration of street view of San Vitale in northern Italy in 1450

JAN HUS (c1369-1415). Bohemian religious reformer. Hus at the stake: pen and ink drawing from Ulrich von Richenthals manuscript of " The Chronicle of the Council of Constance, " c1450

French 15th Century, Christ on a Goldsmiths Cross, c. 1450-1470, woodcut

Luca Signorelli, Italian (1445-1450-1523), Two Nude Figures [verso], c. 1500, black chalk on tan laid paper

Pietro Perugino, The Crucifixion with the Virgin, Saint John, Saint Jerome, and Saint Mary Magdalene [middle panel], Italian, c. 1450-1523, c. 1482-1485, oil on panel transferred to canvas

Olivetan Master, Coronation of the Virgin with the Trinity and Saints, Italian, active c. 1425-c. 1450, c. 1440, miniature on vellum

Giovanni di Paolo, Italian (c. 1403-1482), The Adoration of the Magi, c. 1450, tempera on panel

Hieronymus Bosch (Netherlandish, c. 1450-1516), Death and the Miser, c. 1485-1490, oil on panel

Luca Signorelli, The Marriage of the Virgin, Italian, 1445-1450-1523, c. 1490-1491, tempera on panel

Domenico Veneziano, Italian (c. 1410-1461), Saint John in the Desert, c. 1445-1450, tempera on panel

Fra Carnevale, Italian (active c. 1445-1484), The Annunciation, c. 1445-1450, tempera on panel

Pesellino, Italian (c. 1422-1457), The Crucifixion with Saint Jerome and Saint Francis, c. 1445-1450, tempera on panel

French 15th Century, The Expectant Madonna with Saint Joseph, c. 1425-1450, tempera on European walnut

Pietro Perugino, Italian (c. 1450-1523), Portrait of Lorenzo di Credi, 1488, oil on panel transferred to canvas

German 15th Century, Saint Onuphrius, c. 1450, woodcut, hand-colored in ochre, pink, gray, and red

Master with the Banderoles after Israhel van Meckenem (Netherlandish, active c. 1450 - active 1475), The Stoning of Saint Stephen, c. 1470-1475, engraving on laid paper

Master with the Banderoles (Netherlandish, active c. 1450 - active 1475), Saint Augustine, c. 1450-1460, engraving

The annunciation, Print showing Mary visited by an angel, woodcut, hand-colored, between 1450 and 1460

Frame depicting the Annunciation, Baptism of Christ, Entry into Jerusalem, Saints Cecilia and Catherine of Alexandria, Trinity (Gnadenstuhl, Mercy Seat), and four Music-making Angels

Darius Marching to the Battle of Issus, workshop of Apollonio di Giovanni, c. 1450 - c. 1455

The Sudarium of Saint Veronica, Anonymous, c. 1450

Portrait of a Woman, circle of Giovanni Bellini, 1450 - 1470

Legend of a Knight (end panel of a cassone), Anonymous, 1450 - 1474

Triptych with Scenes from the Life of the Virgin, Anonymous, , c. 1450

Study of an Angel; Mair von Landshut, German, about 1450 - 1504; Germany, Europe; 1498; Black ink and white tempera highlights on gray prepared paper; 12.4 x 9.5 cm (4 7/8 x 3 3/4 in.)

Portrait of Isabella of Portugal; Workshop of Rogier van der Weyden, Netherlandish, 1399/1400 - 1464; Netherlands, Europe; about 1450; later additions about 1500; Oil on panel; Unframed

Tile Floor; Unknown; Manises (probably), Valencia region, Spain, Europe; about 1425 - 1450; Tin-glazed earthenware; Object: 121.92 x 182.88cm (4 x 6 ft.)

Relief-Blue Jar with Rampant Lions; Unknown; Florence (probably), Tuscany, Italy, Europe; about 1425 - 1450; Tin-glazed earthenware; Object: H: 39.37 x Diam

Beaker (Maigelbecher); Unknown; Germany, Europe; 1450 - 1525; Mold-blown pale blue-green glass; Object: H: 8.73 x Diam.: 8.26cm (H: 3 7/16 x Diam.: 3 1/4 in.)

Two Kings of Ireland; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

The Wall of Heaven Where the Bad but Not Very Bad Are in Temporary Discomfort; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

Tondals Soul Enters Hell, Accompanied by his Guardian Angel; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint, and ink on parchment

The Good But Not Very Good are Nourished by a Fountain; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

The Torment of the Proud - Valley of Burning Sulphur; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint, and ink on parchment

The Beast Acheron; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint, and ink on parchment

Tondal Appears to be Dead; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint, and ink on parchment

Tondal Suffers a Seizure at Dinner; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint, and ink on parchment

The Torment of Unbelievers and Heretics; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint, and ink on parchment

The Gates of Hell and Lucifer; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

Demons Dragging Tondal into the Infernal Cistern; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

The Torment of Unchaste Monks and Nuns; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

The House of Phristinus; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

The Forge of Vulcan; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint, and ink on parchment; Leaf: 36.3 x 26.2 cm (14 5/16 x 10 5/16 in.)

The Torment of Thieves: Tondal Leads a Cow Across a Nail-studded Bridge; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

The Happy Crowds of the Faithfully Married; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

The Glory of Good Monks and Nuns; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

The Wall of Metals and Jewels Surrounding Angels and Saints; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

The Glory of Martyrs and the Pure; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

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"Exploring the Enigmatic World of 1450: Unveiling Art, Architecture, and Historical Events" Step into the captivating realm as we delve into a tapestry of intriguing elements that defined this era. On the left side of Hieronymus Bosch's masterpiece, "The Garden of Earthly Delights, " lies a mesmerizing tableau depicting an array of fantastical creatures and surreal landscapes. Amidst this artistic marvel, we encounter a humble 15th-century fisherman casting his net into the depths, symbolizing man's eternal quest for sustenance and connection with nature. The intricate Gothic architecture engraved in stone showcases the meticulous craftsmanship prevalent during this period. Venturing further back in time, we stumble upon the Chantry of Henry V, an exquisite testament to medieval devotion nestled within Westminster Abbey. Here, prayers were offered for England's beloved monarch who triumphed at Agincourt. In another corner of history, witness a griffon preaching to the Maronites atop Mount Lebanon—a powerful image representing faith transcending boundaries. Meanwhile, Hurstmonceaux Castle stands tall as a reminder of architectural grandeur amidst turbulent times like Jack Cade's Rebellion. Philosophy comes alive through "Consoling Boethius" while Fortune turns her wheel—depicting life's unpredictable nature—in yet another thought-provoking artwork from this era. All these masterpieces bear traces of their creator Bosch (1450-1516), whose genius continues to captivate audiences today. Traveling across borders brings us to Chateau d'Orguille—an imposing fortress guarding Jersey Island against potential invaders during these uncertain times. And let us not forget John Lydgate/Vertue—the poet whose words echoed through generations capturing both joy and sorrow alike. Finally, our journey concludes with canopic jars—a fascinating glimpse into ancient Egyptian burial practices that fascinated scholars during this period.