1450 Collection (page 8)

Four Figures with Swords; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Combat with Dagger; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Combat with Sword, Staff, and Lance; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Combat with Lance; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Combat with Sword; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Combat with Implements; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Equestrian Combat with Sword; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Combat with Pollaxe; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Equestrian Combat with Lance and Sword; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Combat against an Equestrian Opponent with Lance; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Two Horses; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Unarmed Equestrian Combat; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Equestrian Combat with Sword and Unarmed Equestrian Combat; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Equestrian Combat with Lance and Dagger; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

altarpiece, The Assumption of the Virgin Nottingham Alabaster, unknown artist, 15th century, (Nottinghamshire)

Fra Filippo Lippi, Saint Benedict Orders Saint Maurus to the Rescue of Saint Placidus, Italian, c. 1406-1469, c. 1445-1450, tempera on panel

Sassetta, Madonna of Humility, Italian, probably 1392-1450, c. 1435-1440, tempera on panel

Pietro Perugino, Madonna and Child, Italian, c. 1450-1523, c. 1500, oil on panel

Sassetta, Saint Apollonia, Italian, probably 1392-1450, c. 1435, tempera on panel

Sano di Pietro, The Crucifixion, Italian, 1405-1481, c. 1445-1450, tempera on panel

Bartolomeo Montagna, Madonna and Child, Italian, c. 1450-1454-1523, c. 1490, oil on panel

Giovanni d Alemagna, Saint Apollonia Destroys a Pagan Idol, German, active 1441-1450, c. 1442-1445, tempera on panel

Luca Signorelli, Madonna and Child with Saints and Angels, Italian, 1445-1450-1523, mid or late 1510s, oil on panel transferred to hardboard

Michele Giambono, Saint Peter, Italian, active 1420-1462, c. 1445-1450, tempera (?) on panel

Adriano Fiorentino, Elisabetta Gonzaga, died 1526, Duchess of Urbino, Wife of Guidobaldo I 1489 [obverse], Italian, c. 1450-1460-1499, probably after 1502, bronze

Matteo de Pasti, Leone Battista Alberti, 1404-1472, Architect and Writer on Art and Science [obverse], Italian, c. 1420-1467-1468, 1446-1450, bronze

Petrus Christus, The Nativity, Netherlandish, active 1444-1475-1476, c. 1450, oil on panel

Italian 15th Century, Saint Dominic, c. 1450, woodcut, hand-colored in brown, vermilion, orange, blue, olive, and ochre

German 15th Century, The Annunciation, c. 1450-1470, woodcut, hand-colored in red lake, green, yellow, tan, olive, and pink

German 15th Century, Saint Francis and Saint Clara, 1450-1470, woodcut, hand-colored in rose, red, gray, black, yellow, and gold

German 15th Century, Christ Carrying the Cross, 1425-1450, woodcut, hand-colored in red lake, green, yellow, tan, and orange

German 15th Century, The Descent of the Holy Ghost, c. 1450, woodcut, hand-colored in tan, brown, orange-red, green, rose, red lake, blue, and gold

German 15th Century, Madonna in a Closed Garden, 1450-1470, woodcut in brown, hand-colored in red lake, yellow, green, gray, and tan

German 15th Century, Pilate Washing His Hands [recto], c. 1440-1450, woodcut, hand-colored in lavender, rose, green, yellow, brown, blue, and red

German 15th Century, Christs Entry into Jerusalem, probably 1450, woodcut in light brown, hand-colored in red lake, green, black, tan, orange, and yellow

German 15th Century, Saint Apollonia, c. 1450, woodcut, hand-colored in red lake, green, yellow, and brown

German 15th Century, Madonna and Child with a Bell, c. 1450-1460, engraving

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"Exploring the Enigmatic World of 1450: Unveiling Art, Architecture, and Historical Events" Step into the captivating realm as we delve into a tapestry of intriguing elements that defined this era. On the left side of Hieronymus Bosch's masterpiece, "The Garden of Earthly Delights, " lies a mesmerizing tableau depicting an array of fantastical creatures and surreal landscapes. Amidst this artistic marvel, we encounter a humble 15th-century fisherman casting his net into the depths, symbolizing man's eternal quest for sustenance and connection with nature. The intricate Gothic architecture engraved in stone showcases the meticulous craftsmanship prevalent during this period. Venturing further back in time, we stumble upon the Chantry of Henry V, an exquisite testament to medieval devotion nestled within Westminster Abbey. Here, prayers were offered for England's beloved monarch who triumphed at Agincourt. In another corner of history, witness a griffon preaching to the Maronites atop Mount Lebanon—a powerful image representing faith transcending boundaries. Meanwhile, Hurstmonceaux Castle stands tall as a reminder of architectural grandeur amidst turbulent times like Jack Cade's Rebellion. Philosophy comes alive through "Consoling Boethius" while Fortune turns her wheel—depicting life's unpredictable nature—in yet another thought-provoking artwork from this era. All these masterpieces bear traces of their creator Bosch (1450-1516), whose genius continues to captivate audiences today. Traveling across borders brings us to Chateau d'Orguille—an imposing fortress guarding Jersey Island against potential invaders during these uncertain times. And let us not forget John Lydgate/Vertue—the poet whose words echoed through generations capturing both joy and sorrow alike. Finally, our journey concludes with canopic jars—a fascinating glimpse into ancient Egyptian burial practices that fascinated scholars during this period.