1450 Collection (page 6)

Study of an Angel; Mair von Landshut, German, about 1450 - 1504; Germany, Europe; 1498; Black ink and white tempera highlights on gray prepared paper; 12.4 x 9.5 cm (4 7/8 x 3 3/4 in.)

Portrait of Isabella of Portugal; Workshop of Rogier van der Weyden, Netherlandish, 1399/1400 - 1464; Netherlands, Europe; about 1450; later additions about 1500; Oil on panel; Unframed

Tile Floor; Unknown; Manises (probably), Valencia region, Spain, Europe; about 1425 - 1450; Tin-glazed earthenware; Object: 121.92 x 182.88cm (4 x 6 ft.)

Relief-Blue Jar with Rampant Lions; Unknown; Florence (probably), Tuscany, Italy, Europe; about 1425 - 1450; Tin-glazed earthenware; Object: H: 39.37 x Diam

Beaker (Maigelbecher); Unknown; Germany, Europe; 1450 - 1525; Mold-blown pale blue-green glass; Object: H: 8.73 x Diam.: 8.26cm (H: 3 7/16 x Diam.: 3 1/4 in.)

Two Kings of Ireland; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

The Wall of Heaven Where the Bad but Not Very Bad Are in Temporary Discomfort; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

Tondals Soul Enters Hell, Accompanied by his Guardian Angel; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint, and ink on parchment

The Good But Not Very Good are Nourished by a Fountain; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

The Torment of the Proud - Valley of Burning Sulphur; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint, and ink on parchment

The Beast Acheron; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint, and ink on parchment

Tondal Appears to be Dead; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint, and ink on parchment

Tondal Suffers a Seizure at Dinner; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint, and ink on parchment

The Torment of Unbelievers and Heretics; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint, and ink on parchment

The Gates of Hell and Lucifer; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

Demons Dragging Tondal into the Infernal Cistern; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

The Torment of Unchaste Monks and Nuns; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

The House of Phristinus; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

The Forge of Vulcan; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint, and ink on parchment; Leaf: 36.3 x 26.2 cm (14 5/16 x 10 5/16 in.)

The Torment of Thieves: Tondal Leads a Cow Across a Nail-studded Bridge; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

The Happy Crowds of the Faithfully Married; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

The Glory of Good Monks and Nuns; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

The Wall of Metals and Jewels Surrounding Angels and Saints; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

The Glory of Martyrs and the Pure; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

Saint Denis Holding His Head; Master of Sir John Fastolf, French, active before about 1420 - about 1450; or England, Europe; about 1430 - 1440; Tempera colors, gold leaf

A Patron and His Guardian Angel; Master of Sir John Fastolf, French, active before about 1420 - about 1450; or England, Europe; about 1430 - 1440; Tempera colors, gold leaf

Saint Anne Teaching the Virgin to Read; Master of Sir John Fastolf, French, active before about 1420 - about 1450; or England, Europe; about 1430 - 1440; Tempera colors, gold leaf

Saint Francis; Master of Sir John Fastolf, French, active before about 1420 - about 1450; or England, Europe; about 1430 - 1440; Tempera colors, gold leaf

Initial V: Job Derided by His Wife; Circle of Stefan Lochner, German, died 1451; Cologne, Germany, Europe; about 1450; Gold leaf, tempera

Initial O: The Martyrdom of Saint Erasmus; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf, gold paint

Initial V: The Virgin and Child with Saint Anne; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf

Initial O: The Martyrdom of Saint Sebastian; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf, gold paint

Initial O: Saint Christopher Carrying the Christ Child; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf

Initial V: Saint Apollonia with a Book and Tongs; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf

Initial E: Saint Margaret and a Dragon; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf, gold paint

Initial O: Saint Barbara before a Tower; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf, gold paint

Initial V: Saint Catherine Holding a Sword over a King; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf

The Nativity and The Annunciation to the Shepherds; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf

Initial O: The Virgin and Child Enthroned; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf, gold paint

Initial O: The Pieta with Saint John the Evangelist; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf

Office of the Dead; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf, gold paint

Jar; Unknown; Greece, Crete, Europe; 1450 - 1400 B.C.; Terracotta; Object: H: 10.2 x Diam.: 8.6 cm (4 x 3 3/8 in.)

Initial S: The Conversion of Saint Paul; Attributed to Pisanello, Italian, by 1395 - about 1455, Attributed to the Master of the Antiphonal Q of San Giorgio Maggiore, Italian

Pentecost; Girolamo da Cremona, Italian, active about 1450 - 1485; Mantua (possibly), Italy, Europe; about 1460 - 1470; Tempera colors and gold paint on parchment; Leaf (cutting)

Saint Bernards Vision of the Virgin and Child; Simon Marmion, Flemish, active 1450 - 1489; France, Northern France, Europe; about 1475 - 1480; Tempera colors and gold on parchment; Leaf

Philosophy Instructing Boethius on the Role of God; Coetivy Master (Henri de Vulcop?), French, active about 1450 - 1485; Paris, France, Europe; about 1460 - 1470; Tempera colors, gold leaf

Equestrian Combat with Lance; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Unarmed Combat; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

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"Exploring the Enigmatic World of 1450: Unveiling Art, Architecture, and Historical Events" Step into the captivating realm as we delve into a tapestry of intriguing elements that defined this era. On the left side of Hieronymus Bosch's masterpiece, "The Garden of Earthly Delights, " lies a mesmerizing tableau depicting an array of fantastical creatures and surreal landscapes. Amidst this artistic marvel, we encounter a humble 15th-century fisherman casting his net into the depths, symbolizing man's eternal quest for sustenance and connection with nature. The intricate Gothic architecture engraved in stone showcases the meticulous craftsmanship prevalent during this period. Venturing further back in time, we stumble upon the Chantry of Henry V, an exquisite testament to medieval devotion nestled within Westminster Abbey. Here, prayers were offered for England's beloved monarch who triumphed at Agincourt. In another corner of history, witness a griffon preaching to the Maronites atop Mount Lebanon—a powerful image representing faith transcending boundaries. Meanwhile, Hurstmonceaux Castle stands tall as a reminder of architectural grandeur amidst turbulent times like Jack Cade's Rebellion. Philosophy comes alive through "Consoling Boethius" while Fortune turns her wheel—depicting life's unpredictable nature—in yet another thought-provoking artwork from this era. All these masterpieces bear traces of their creator Bosch (1450-1516), whose genius continues to captivate audiences today. Traveling across borders brings us to Chateau d'Orguille—an imposing fortress guarding Jersey Island against potential invaders during these uncertain times. And let us not forget John Lydgate/Vertue—the poet whose words echoed through generations capturing both joy and sorrow alike. Finally, our journey concludes with canopic jars—a fascinating glimpse into ancient Egyptian burial practices that fascinated scholars during this period.