1450 Collection (page 7)

Initial O: The Virgin and Child Enthroned; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf, gold paint

Initial O: The Pieta with Saint John the Evangelist; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf

Office of the Dead; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf, gold paint

Jar; Unknown; Greece, Crete, Europe; 1450 - 1400 B.C.; Terracotta; Object: H: 10.2 x Diam.: 8.6 cm (4 x 3 3/8 in.)

Initial S: The Conversion of Saint Paul; Attributed to Pisanello, Italian, by 1395 - about 1455, Attributed to the Master of the Antiphonal Q of San Giorgio Maggiore, Italian

Pentecost; Girolamo da Cremona, Italian, active about 1450 - 1485; Mantua (possibly), Italy, Europe; about 1460 - 1470; Tempera colors and gold paint on parchment; Leaf (cutting)

Saint Bernards Vision of the Virgin and Child; Simon Marmion, Flemish, active 1450 - 1489; France, Northern France, Europe; about 1475 - 1480; Tempera colors and gold on parchment; Leaf

Philosophy Instructing Boethius on the Role of God; Coetivy Master (Henri de Vulcop?), French, active about 1450 - 1485; Paris, France, Europe; about 1460 - 1470; Tempera colors, gold leaf

Equestrian Combat with Lance; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Unarmed Combat; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Combat with Rondel and Dagger; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Four Allegorical Figures; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Aiming Points on the Body; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Combat with Dagger and Sword; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Four Figures with Swords; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Combat with Dagger; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Combat with Sword, Staff, and Lance; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Combat with Lance; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Combat with Sword; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Combat with Implements; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Equestrian Combat with Sword; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Combat with Pollaxe; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Equestrian Combat with Lance and Sword; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Combat against an Equestrian Opponent with Lance; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Two Horses; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Unarmed Equestrian Combat; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Equestrian Combat with Sword and Unarmed Equestrian Combat; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Equestrian Combat with Lance and Dagger; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

altarpiece, The Assumption of the Virgin Nottingham Alabaster, unknown artist, 15th century, (Nottinghamshire)

Fra Filippo Lippi, Saint Benedict Orders Saint Maurus to the Rescue of Saint Placidus, Italian, c. 1406-1469, c. 1445-1450, tempera on panel

Sassetta, Madonna of Humility, Italian, probably 1392-1450, c. 1435-1440, tempera on panel

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"Exploring the Enigmatic World of 1450: Unveiling Art, Architecture, and Historical Events" Step into the captivating realm as we delve into a tapestry of intriguing elements that defined this era. On the left side of Hieronymus Bosch's masterpiece, "The Garden of Earthly Delights, " lies a mesmerizing tableau depicting an array of fantastical creatures and surreal landscapes. Amidst this artistic marvel, we encounter a humble 15th-century fisherman casting his net into the depths, symbolizing man's eternal quest for sustenance and connection with nature. The intricate Gothic architecture engraved in stone showcases the meticulous craftsmanship prevalent during this period. Venturing further back in time, we stumble upon the Chantry of Henry V, an exquisite testament to medieval devotion nestled within Westminster Abbey. Here, prayers were offered for England's beloved monarch who triumphed at Agincourt. In another corner of history, witness a griffon preaching to the Maronites atop Mount Lebanon—a powerful image representing faith transcending boundaries. Meanwhile, Hurstmonceaux Castle stands tall as a reminder of architectural grandeur amidst turbulent times like Jack Cade's Rebellion. Philosophy comes alive through "Consoling Boethius" while Fortune turns her wheel—depicting life's unpredictable nature—in yet another thought-provoking artwork from this era. All these masterpieces bear traces of their creator Bosch (1450-1516), whose genius continues to captivate audiences today. Traveling across borders brings us to Chateau d'Orguille—an imposing fortress guarding Jersey Island against potential invaders during these uncertain times. And let us not forget John Lydgate/Vertue—the poet whose words echoed through generations capturing both joy and sorrow alike. Finally, our journey concludes with canopic jars—a fascinating glimpse into ancient Egyptian burial practices that fascinated scholars during this period.