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1753 Collection (#2)

"1753: A Satirical Journey through Art, History, and Perspective" Step into the world of 1753

Background image1753 Collection: Parade of St, James Park, London, 18th century

Parade of St, James Park, London, 18th century
6118770 Parade of St, James Park, London, 18th century by Bowles, Thomas (c.1712-53) (after); (add.info.: A view of the Parade of St)

Background image1753 Collection: The Rialto Bridge, venice, from the North, 1753 (oil on canvas)

The Rialto Bridge, venice, from the North, 1753 (oil on canvas)
827830 The Rialto Bridge, venice, from the North, 1753 (oil on canvas) by Venetian School, (18th century); 186.7x306 cm; Private Collection; (add.info.: The Rialto Bridge, venice, from the North)

Background image1753 Collection: The Inauguration of Leicester Square (engraving)

The Inauguration of Leicester Square (engraving)
1052962 The Inauguration of Leicester Square (engraving) by English School, (19th century); Private Collection; (add.info.: The Inauguration of Leicester Square)

Background image1753 Collection: Magnificent Bridge with Loggia, 1753-1837 (etching and engraving)

Magnificent Bridge with Loggia, 1753-1837 (etching and engraving)
986173 Magnificent Bridge with Loggia, 1753-1837 (etching and engraving) by Piranesi, Giovanni Battista (1720-78); about 40x60 cm; Private Collection; (add.info)

Background image1753 Collection: Interior of St. Pauls basilica outside the walls, 1753-1837 (etching and engraving)

Interior of St. Pauls basilica outside the walls, 1753-1837 (etching and engraving)
986172 Interior of St. Pauls basilica outside the walls, 1753-1837 (etching and engraving) by Piranesi, Giovanni Battista (1720-78); about 40x60. cm; Private Collection; (add.info.: Interior of St)

Background image1753 Collection: London from Islington, city and east end, from a view by Canaletti, published in 1753 (engraving)

London from Islington, city and east end, from a view by Canaletti, published in 1753 (engraving)
3636348 London from Islington, city and east end, from a view by Canaletti, published in 1753 (engraving) by English School, (19th century); Private Collection; (add.info.: London from Islington)

Background image1753 Collection: The London Hospital in 1753 (engraving)

The London Hospital in 1753 (engraving)
606477 The London Hospital in 1753 (engraving) by English School, (19th century); Private Collection; (add.info.: The London Hospital in 1753, from an old print; from The Illustrated London News)

Background image1753 Collection: A north view of London in the 18th century

A north view of London in the 18th century
6118792 A north view of London in the 18th century by Canaleti, (fl.18th century) (after); (add.info.: A north view of London. After a print dated 1753 from a work by Caneletto)

Background image1753 Collection: The canal in St, Jamess Park, Buckingham House

The canal in St, Jamess Park, Buckingham House
6118776 The canal in St, Jamess Park, Buckingham House by Canaleti, (fl.18th century) (after); (add.info.: A view of the canal in St. Jamess Park, Buckingham House, &c)

Background image1753 Collection: A View of Northumberland House, Charing Cross, in 1753 (engraving)

A View of Northumberland House, Charing Cross, in 1753 (engraving)
1052763 A View of Northumberland House, Charing Cross, in 1753 (engraving) by Canaletto, Antonio (1697-1768) (after); Private Collection; (add.info.: A View of Northumberland House, Charing Cross)

Background image1753 Collection: The London Hospital in 1753 (engraving)

The London Hospital in 1753 (engraving)
1105949 The London Hospital in 1753 (engraving) by English School, (19th century); Private Collection; (add.info.: The London Hospital in 1753)

Background image1753 Collection: Sciurnus Niger (Fox squirrel) (with) Calceolus (lady s-slipper orchid), plate 73

Sciurnus Niger (Fox squirrel) (with) Calceolus (lady s-slipper orchid), plate 73
986392 Sciurnus Niger (Fox squirrel) (with) Calceolus (lady s-slipper orchid), plate 73, 1754 (hand-coloured engraving) by Catesby

Background image1753 Collection: Carcere V (the lion bas-reliefs), 1753-1837 (etching and engraving)

Carcere V (the lion bas-reliefs), 1753-1837 (etching and engraving)
986171 Carcere V (the lion bas-reliefs), 1753-1837 (etching and engraving) by Piranesi, Francesco (c.1756-1810); about 60x40 cm; Private Collection; (add.info.: Carcere V (the lion bas-reliefs)

Background image1753 Collection: L Hotel de Ville et la place de Greve, 1753. Creator: Raguenet

L Hotel de Ville et la place de Greve, 1753. Creator: Raguenet
L Hotel de Ville et la place de Greve, 1753. Found in the collection of Musee Carnavalet, Paris

Background image1753 Collection: ANALYSIS OF BEAUTY (1)

ANALYSIS OF BEAUTY (1)
Plate 1 from Hogarths Analysis of Beauty illustrates the artists theories of aesthetics in art and nature, particularly his admiration of the serpentine form. Date: 1753

Background image1753 Collection: PERU IN 1753

PERU IN 1753
A typical scene in the Peruvian countryside, with a Mulatto woman on a horse, a caleche (coach) a llama, a vicuna, a huanaco, and various racial types Date: 1753

Background image1753 Collection: PICNIC / VERNET FAMILY

PICNIC / VERNET FAMILY
Joseph Vernet and his family at a picnic, near Marseille Date: 1753

Background image1753 Collection: BEWICK AT WORK

BEWICK AT WORK
THOMAS BEWICK The eminent engraver and his assistants making woodcuts of stuffed birds. Date: 1753 - 1828

Background image1753 Collection: View of London

View of London
Engaving depicting London from Clerkenwell (City & East End). From a view by Canaletto published in 1753. Date: 1753

Background image1753 Collection: Saint Clotilde praying by the tomb of Saint Martin, 1753. Creator: Van Loo, Carle (1705-1765)

Saint Clotilde praying by the tomb of Saint Martin, 1753. Creator: Van Loo, Carle (1705-1765)
Saint Clotilde praying by the tomb of Saint Martin, 1753. Found in the Collection of Musee des beaux-arts, Brest

Background image1753 Collection: La Renommee statue par M Dejoux Annales du musee

La Renommee statue par M Dejoux Annales du musee
La Renommee, statue par M. Dejoux, Annales du musee et de l ecole moderne des beaux-arts: recueil de gravures au trait, d apres les principaux ouvrages de peinture, sculpture

Background image1753 Collection: Design for a China Case, pub. 1753 (engraving). Creator: Thomas Chippendale (1718 - 1779) after

Design for a China Case, pub. 1753 (engraving). Creator: Thomas Chippendale (1718 - 1779) after
Design for a China Case, pub. 1753 (engraving)

Background image1753 Collection: Portrait of the Sculptor Lambert-Sigisbert Adam (1700-1759), 1753

Portrait of the Sculptor Lambert-Sigisbert Adam (1700-1759), 1753. Found in the Collection of Muse e du Louvre, Paris

Background image1753 Collection: Reign of Ferdinand VI, onza or eight-escudos doubloon for America, 1753

Reign of Ferdinand VI, onza or eight-escudos doubloon for America, 1753

Background image1753 Collection: Samuel Crompton - 2

Samuel Crompton - 2
SAMUEL CROMPTON Engineer, inventor of the spinning mule. Date: 1753 - 1827

Background image1753 Collection: Charlotte Buff

Charlotte Buff
CHARLOTTE BUFF (KESTNER) Goethe fell in love with Charlotte in 1772, although she was engaged to a friend of his at the time Date: 1753 - 1828

Background image1753 Collection: Georg Christian Knapp

Georg Christian Knapp
GEORG CHRISTIAN KNAPP German theologian Date: 1753 - 1825

Background image1753 Collection: Christian Fried. Boerner

Christian Fried. Boerner
CHRISTIAN FRIEDRICH BOERNER German churchman, educator and classical scholar. Date: 1683 - 1753

Background image1753 Collection: Ball lightning kills Richmann, 1753

Ball lightning kills Richmann, 1753. Artwork of the German physicist Georg Wilhelm Richmann (left, 1722-1753), of Saint Petersburg, Russia

Background image1753 Collection: West view of the city of Edinburgh. After a work dated 1753 by Paul Sandby. Later colourization

West view of the city of Edinburgh. After a work dated 1753 by Paul Sandby. Later colourization. Edinburgh, Scotland

Background image1753 Collection: East view of the city of Edinburgh. After a work dated 1753 by Paul Sandby

East view of the city of Edinburgh. After a work dated 1753 by Paul Sandby, later colourization; Edinburgh, Scotland

Background image1753 Collection: A View of the Tower, with the Bridge and Part of the City of London, from the River

A View of the Tower, with the Bridge and Part of the City of London, from the River. From an engraving by J. M
A View of the Tower, with the Bridge and Part of the City of London, from the River. From an engraving by J.M. Muller dated 1753 after a work by Jacob Maurer. Later colourization

Background image1753 Collection: Ironmongers Hall with a view of Fenchurch Street. London, England

Ironmongers Hall with a view of Fenchurch Street. London, England. After a print dated 1753 from a work by John Donowell. Published by Robert Sayer. Later colourization

Background image1753 Collection: A view of the Parade of St. James Park, the new buildings for the horse guards

A view of the Parade of St. James Park, the new buildings for the horse guards, the Admiralty with His Majesty going to the House of Lords Etc

Background image1753 Collection: A view of Northumberland House, Charing Cross, 18th century. From an engraving dated 1753 by

A view of Northumberland House, Charing Cross, 18th century. From an engraving dated 1753 by Thomas Bowles after a work by Canaletto. Later colourization

Background image1753 Collection: A north view of London. After a print dated 1753 from a work by Caneletto. Published by Robert Sayer

A north view of London. After a print dated 1753 from a work by Caneletto. Published by Robert Sayer. Later colourization

Background image1753 Collection: A view of the canal in St. Jamess Park, Buckingham House, &c. taken from the parade, London, England

A view of the canal in St. Jamess Park, Buckingham House, &c. taken from the parade, London, England. After a print dated 1753 from a work by Caneletto. Published by Robert Sayer. Later colourization

Background image1753 Collection: East View of Stirling Castle, Scotland. After a print dated 1753, published by Robert Sayer

East View of Stirling Castle, Scotland. After a print dated 1753, published by Robert Sayer. Later colourization

Background image1753 Collection: A view of the Custom House with part of The Tower, taken from ye river Thames, London

A view of the Custom House with part of The Tower, taken from ye river Thames, London. After an engraving dated 1753, by Thomas Bowles. Later colourization

Background image1753 Collection: A Prospect of the Custom House and Essex Bridge, Dublin. After an engraving dated 1753 by Remigius

A Prospect of the Custom House and Essex Bridge, Dublin. After an engraving dated 1753 by Remigius Parr after a work by Joseph Tudor. Later colourization

Background image1753 Collection: A Prospect of the Parliament House in College Green, Dublin, Ireland. From an engraving dated 1753

A Prospect of the Parliament House in College Green, Dublin, Ireland. From an engraving dated 1753

Background image1753 Collection: Portrait Leonhard Euler 1753 pastel paper 57 x 44 cm

Portrait Leonhard Euler 1753 pastel paper 57 x 44 cm
Portrait of Leonhard Euler, 1753, pastel on paper, 57 x 44 cm, signed and dated top right: E: Handmann, Pinx: 1753. Emanuel Handmann, Basel 1718-1781 Bern

Background image1753 Collection: Bath Diana 1753 oil canvas 53. 5 x 89. 5 cm signed

Bath Diana 1753 oil canvas 53. 5 x 89. 5 cm signed
The Bath of Diana, 1753, oil on canvas, 53.5 x 89.5 cm, signed and dated to the right of the arch on the rock: JHKeller [JHK ligiert], 1753, Johann Heinrich Keller d. J. Zurich 1692-1765 Den Haag

Background image1753 Collection: Johan Henrik Scheffel Johan RAafelt 1712-1763

Johan Henrik Scheffel Johan RAafelt 1712-1763
Johan Henrik Scheffel, Johan Rafelt, 1712-1763, painting, 1753, Oil, Height, 80 cm (31.4 inches), Width, 66 cm (25.9 inches), Signed

Background image1753 Collection: Johan Henrik Scheffel Maria Kristina Gyllenram

Johan Henrik Scheffel Maria Kristina Gyllenram
Johan Henrik Scheffel, Maria Kristina Gyllenram, 1716-1776, painting, 1753, Oil, Height, 70 cm (27.5 inches), Width, 66 cm (25.9 inches), Signed

Background image1753 Collection: Gustaf Lundberg King Karl XIII Karl XIII 1748-1818

Gustaf Lundberg King Karl XIII Karl XIII 1748-1818
Gustaf Lundberg, King Karl XIII, Karl XIII (1748-1818), King of Sweden and Norway, painting, portrait, Charles XIII of Sweden, 1753, Pastel, Height, 78.5 cm (30.9 inches), Width

Background image1753 Collection: Jonas Hoffman Danae Shower Gold Gold Count Copy

Jonas Hoffman Danae Shower Gold Gold Count Copy
Jonas Hoffman, Danae and the Shower of Gold, Danae and the Gold Count, Copy after Giovanno Battista Tiepolo, painting, mythological painting, 1753, Oil on canvas, Height, 41 cm (16.1 inches), Width




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"1753: A Satirical Journey through Art, History, and Perspective" Step into the world of 1753, where William Hogarth's satirical masterpiece challenges our understanding of perspective. In this steel engraving from c1860, Hogarth cleverly mocks those who dare to create designs without the knowledge of perspective, exposing their absurdities for all to see. As we delve deeper into this captivating era, we encounter Tippoos Tiger - an organ that mesmerizes with its melodic tunes. Bewick's Workshop comes alive with the meticulous craftsmanship of Thomas Bewick himself as he passionately carves intricate details onto woodblocks. The enigmatic Tipu Sultan captures our attention next. Known for his fierce resistance against British colonization in India during the late 18th century, Tipu Sultan's legacy is shrouded in both admiration and controversy. Peter Burrowes emerges as a prominent figure amidst these historical events. His contributions to horology revolutionize timekeeping mechanisms and leave an indelible mark on society. Meanwhile, Josef Stalin looms large on the global stage. The controversial Soviet leader shapes history with his iron fist and leaves a lasting impact on countless lives. Thomas Bewick continues to captivate us as he diligently works at his craft. His artistic prowess shines through every stroke as he immortalizes nature's beauty in stunning detail. Charlotte Buff adds a touch of romance to this narrative. As one half of Goethe's inspiration for "The Sorrows of Young Werther, " she embodies passion and longing within her very being. We journey further back in time to Bewick's Birthplace – a place that nurtured his talent and set him on a path towards greatness. Neville Hall stands tall in Ulverston, bearing witness to centuries gone by while preserving history within its walls. Hans Sloane takes center stage alongside W Holl Eng – their collaboration capturing moments frozen in time through artistry beyond compare.