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1753 Collection (#8)

"1753: A Satirical Journey through Art, History, and Perspective" Step into the world of 1753

Background image1753 Collection: 1753, Homann Heirs Solar System Astronomical Chart, topography, cartography, geography

1753, Homann Heirs Solar System Astronomical Chart, topography, cartography, geography
1753, Homann Heirs Solar System Astronomical Chart

Background image1753 Collection: 1753, Vaugondy Map of Persia, Arabia and Turkey, topography, cartography, geography

1753, Vaugondy Map of Persia, Arabia and Turkey, topography, cartography, geography
1753, Vaugondy Map of Persia, Arabia and Turkey

Background image1753 Collection: Source Size = 3806 x 1709

Source Size = 3806 x 1709
The Square in 1753, the Inauguration of Leicester Square

Background image1753 Collection: The physicist Richmann is struck in his Physics Labaratory in St

The physicist Richmann is struck in his Physics Labaratory in St. Petersburg, by the electricity from a thundercloud on 6 August 1753

Background image1753 Collection: The experiment of the electric kite conducted by Romas, June 7, 1753, in the alleys

The experiment of the electric kite conducted by Romas, June 7, 1753, in the alleys of the city of Na© rac

Background image1753 Collection: Alexandre Chaponniere after Jean-Baptiste HaOEet, I, French (1753-1806), Ce qui est

Alexandre Chaponniere after Jean-Baptiste HaOEet, I, French (1753-1806), Ce qui est bon a prendre est bon a garder, stipple engraving

Background image1753 Collection: Maurice Blot after Jean-Honora Fragonard, French (1753-1818), Le Verrou, engraving

Maurice Blot after Jean-Honora Fragonard, French (1753-1818), Le Verrou, engraving
Maurice Blot after Jean-Honora© Fragonard, French (1753-1818), Le Verrou, engraving

Background image1753 Collection: Adrien Manglard, French (1695-1760), Harbor by Moonlight, 1753, etching and engraving

Adrien Manglard, French (1695-1760), Harbor by Moonlight, 1753, etching and engraving in black with scraping on laid paper

Background image1753 Collection: Henri-Pierre Danloux, French (1753-1809), Two Figures in Classical Dress, pen

Henri-Pierre Danloux, French (1753-1809), Two Figures in Classical Dress, pen and black ink with black wash over black chalk on laid paper

Background image1753 Collection: Benjamin Thompson, Harpsichord Recital at Count Rumfords, Concord, New Hampshire

Benjamin Thompson, Harpsichord Recital at Count Rumfords, Concord, New Hampshire
Benjamin Thompson, Harpsichord Recital at Count Rumford s, Concord, New Hampshire, American, 1753-1814, c. 1800, watercolor on laid paper

Background image1753 Collection: Georg Anton Urlaub (German, 1713 - 1759), Saint John the Evangelist, c. 1753, pen

Georg Anton Urlaub (German, 1713 - 1759), Saint John the Evangelist, c. 1753, pen and brown ink with brown wash, heightened with white, on blue paper

Background image1753 Collection: Christoph Nathe (German, 1753 - 1806), Landeskrone Mountain near Gaorlitz, c. 1795

Christoph Nathe (German, 1753 - 1806), Landeskrone Mountain near Gaorlitz, c. 1795, etching on wove paper

Background image1753 Collection: Nicolas de Larmessin IV after Nicolas Lancret (French, 1684 - 1753 or 1755), Le matin

Nicolas de Larmessin IV after Nicolas Lancret (French, 1684 - 1753 or 1755), Le matin, 1741, engraving and etching

Background image1753 Collection: Nicolas de Larmessin IV after Jean-Baptiste Van Loo (French, 1684 - 1753 or 1755)

Nicolas de Larmessin IV after Jean-Baptiste Van Loo (French, 1684 - 1753 or 1755), Marie Therese of Spain, Dauphine of France, engraving and etching

Background image1753 Collection: Charles-Melchior Descourtis after Jean Frederic Schall (French, 1753 - 1820), L Amant

Charles-Melchior Descourtis after Jean Frederic Schall (French, 1753 - 1820), L Amant surpris, color aquatint and roulette

Background image1753 Collection: Maurice Blot after Jean-Honora Fragonard (French, 1753 - 1818), Le Contrat, engraving

Maurice Blot after Jean-Honora Fragonard (French, 1753 - 1818), Le Contrat, engraving
Maurice Blot after Jean-Honora© Fragonard (French, 1753 - 1818), Le Contrat, engraving

Background image1753 Collection: Nicolas de Larmessin IV after Hyacinthe Rigaud (French, 1684 - 1753 or 1755), Louis XV, c

Nicolas de Larmessin IV after Hyacinthe Rigaud (French, 1684 - 1753 or 1755), Louis XV, c. 1720, engraving on laid paper

Background image1753 Collection: Charles-Melchior Descourtis after Nicolas Antoine Taunay (French, 1753 - 1820), Noce

Charles-Melchior Descourtis after Nicolas Antoine Taunay (French, 1753 - 1820), Noce de Village (Village Wedding), 1785, wash manner and etching, printed in black ink

Background image1753 Collection: Thomas Bewick (British, 1753 - 1828), The Boasting Traveler, 1818, wood engraving

Thomas Bewick (British, 1753 - 1828), The Boasting Traveler, 1818, wood engraving on China paper

Background image1753 Collection: Catherine Lusurier (French, 1753 - 1781), Portrait of a Young Boy, red and black

Catherine Lusurier (French, 1753 - 1781), Portrait of a Young Boy, red and black chalk on heavy brown laid paper

Background image1753 Collection: Gaetano Zompini (Italian, 1700 - 1778), Marcer (Draper), published 1753, engraving

Gaetano Zompini (Italian, 1700 - 1778), Marcer (Draper), published 1753, engraving and etching on laid paper

Background image1753 Collection: Balthasar Neumann (German, 1687 - 1753), Design for a City Gate in Trier, 1746, pen

Balthasar Neumann (German, 1687 - 1753), Design for a City Gate in Trier, 1746, pen and gray ink with gray and pink wash over graphite on laid paper

Background image1753 Collection: MIDNIGHT AND CORNWALLIS IS TAKEN. Charles Cornwallis, 1st Marquess Cornwallis KG

MIDNIGHT AND CORNWALLIS IS TAKEN. Charles Cornwallis, 1st Marquess Cornwallis KG (31 December 1738 a 5 October 1805), styled Viscount Brome between 1753 and 1762

Background image1753 Collection: Portrait of Samuel Richardson (1689-1761) 1750 (oil on canvas)

Portrait of Samuel Richardson (1689-1761) 1750 (oil on canvas)
XCF267498 Portrait of Samuel Richardson (1689-1761) 1750 (oil on canvas) by Highmore, Joseph (1692-1780); 52.7x36.8 cm; National Portrait Gallery, London

Background image1753 Collection: Portrait of Joost van den Vondel, Albertus Besseling, Hermanus & Johannes Besseling, 1753

Portrait of Joost van den Vondel, Albertus Besseling, Hermanus & Johannes Besseling, 1753

Background image1753 Collection: Portrait of Anna Maria Hoeufft 91646-1715, wife of Jan Boudaen Courten, Philip van Dijk

Portrait of Anna Maria Hoeufft 91646-1715, wife of Jan Boudaen Courten, Philip van Dijk, 1690 - 1753

Background image1753 Collection: Portrait of Adriaen Caspar Parduyn, Councilor and Alderman of Middelburg, Son of

Portrait of Adriaen Caspar Parduyn, Councilor and Alderman of Middelburg, Son of Caspar Adriaen Parduyn and Maria van Citters, Philip van Dijk, 1735 - 1753

Background image1753 Collection: Portrait of Maria van Citters, Wife of Caspar Adriaen Parduyn, Philip van Dijk, 1725

Portrait of Maria van Citters, Wife of Caspar Adriaen Parduyn, Philip van Dijk, 1725 - 1753

Background image1753 Collection: Portrait of Aernout van Citters, Lord of Gapinge, Philip van Dijk, 1700 - 1753

Portrait of Aernout van Citters, Lord of Gapinge, Philip van Dijk, 1700 - 1753

Background image1753 Collection: Cornelis van Ceters, 1503-99, Philip van Dijk, 1700 - 1753

Cornelis van Ceters, 1503-99, Philip van Dijk, 1700 - 1753

Background image1753 Collection: Anne, Princess Royal and Princess of Orange, Anna van Hannover, 1709-59, wife of

Anne, Princess Royal and Princess of Orange, Anna van Hannover, 1709-59, wife of prins Willem IV, attributed to Gerrit Kamphuysen, 1753 - 1760, Portrait miniature

Background image1753 Collection: Portrait of Richard Leveridge, Andreas van der Myn, 1753

Portrait of Richard Leveridge, Andreas van der Myn, 1753

Background image1753 Collection: Christ on the donkey, the Pope on a horse, print maker: Anonymous, Jan van der Heyden II

Christ on the donkey, the Pope on a horse, print maker: Anonymous, Jan van der Heyden II, 1753

Background image1753 Collection: Charles-Melchior Descourtis (French, 1753-1820) after Nicolas-Antoine Taunay (French

Charles-Melchior Descourtis (French, 1753-1820) after Nicolas-Antoine Taunay (French, 1755-1830). Village Wedding (Noce de Village), 1785

Background image1753 Collection: LONDON FROM ISLINGTON, 1753, London, UK, 19th century engraving

LONDON FROM ISLINGTON, 1753, London, UK, 19th century engraving

Background image1753 Collection: London from Islington, West End, by Canaletti in 1753, UK, 19th century engraving

London from Islington, West End, by Canaletti in 1753, UK, 19th century engraving

Background image1753 Collection: THE NEW RIVER HEAD, 1753, London, UK, 19th century engraving

THE NEW RIVER HEAD, 1753, London, UK, 19th century engraving

Background image1753 Collection: THE OLD CUSTOM HOUSE in 1753. London, UK, 19th century engraving

THE OLD CUSTOM HOUSE in 1753. London, UK, 19th century engraving. 18th century view by Maurer

Background image1753 Collection: Pair of Wine Bottle Coolers (seaux a demi-bouteilles ordinaires

Pair of Wine Bottle Coolers (seaux a demi-bouteilles ordinaires); Model originally designed in 1753 by Jean-Claude Duplessis pere, French, about 1695 - 1774, active Sevres, France 1745/1748 - 1774

Background image1753 Collection: Pair of Commodes

Pair of Commodes; Carving attributed to Joachim Dietrich, German, 1690 - 1753, active 1736 - 1753, and sides after engravings by Francois de Cuvillies, French, 1695 - 1768; Munich, Germany

Background image1753 Collection: Torchere

Torchere; Pieter de Swart, Dutch, 1702 - 1772, probably carved by Agostino Carlini, Italian, about 1718 - 1790; The Hague (possibly), Netherlands, Europe; about 1748 - 1753; Gessoed, painted

Background image1753 Collection: Cup and Saucer (gobelet litron et soucoupe, deuxieme grandeur)

Cup and Saucer (gobelet litron et soucoupe, deuxieme grandeur); Painted by Etienne-Jean Chabry fils, French, active 1765 - 1787, Gilded by Michel-Barnabe Chauvaux, aine, French, active 1753 - 1788

Background image1753 Collection: Writing Table (bureau plat)

Writing Table (bureau plat); By Martin Carlin, French, born Germany, about 1730 - 1785, master 1766, At least seven plaques gilded by Jean-Baptiste-Emmanuel Vande, French, 1716 - 1779

Background image1753 Collection: Carved Relief

Carved Relief; Aubert-Henri-Joseph Parent, French, 1753 - 1835; Paris, France, Europe; 1791; Limewood; Object: H: 58.7 x W: 39.7 x D: 5.7 cm (H: 1 ft. 11 1/8 in. x W: 1 ft. 3 5/8 in. x D: 2 1/4 in.)

Background image1753 Collection: Pair of Vases (vases Bolvry a perles or vases a cartels Bolvry

Pair of Vases (vases Bolvry a perles or vases a cartels Bolvry); Vincent Taillandier, French, 1736 - 1790, active 1753 - 1790, and Genevieve Taillandier, French, active 1780 - 1798

Background image1753 Collection: Vase (vase a chaine or vase a cote de melon)

Vase (vase a chaine or vase a cote de melon); Sevres Manufactory, French, active 1756 - present, Design attributed to Jean-Claude Duplessis pere, French, about 1695 - 1774, active Sevres

Background image1753 Collection: Lidded Bowl and Dish (Ecuelle ronde et plateau rond)

Lidded Bowl and Dish (Ecuelle ronde et plateau rond); Vincennes Porcelain Manufactory, French, active about 1740 - 1756; Vincennes, France

Background image1753 Collection: Portrait of a Young Lady in Profile

Portrait of a Young Lady in Profile; Henri-Pierre Danloux, French, 1753 - 1809; France, Europe; about 1783 - 1785; Black chalk and gray wash; 23.7 x 20.5 cm (9 5/16 x 8 1/16 in.)




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"1753: A Satirical Journey through Art, History, and Perspective" Step into the world of 1753, where William Hogarth's satirical masterpiece challenges our understanding of perspective. In this steel engraving from c1860, Hogarth cleverly mocks those who dare to create designs without the knowledge of perspective, exposing their absurdities for all to see. As we delve deeper into this captivating era, we encounter Tippoos Tiger - an organ that mesmerizes with its melodic tunes. Bewick's Workshop comes alive with the meticulous craftsmanship of Thomas Bewick himself as he passionately carves intricate details onto woodblocks. The enigmatic Tipu Sultan captures our attention next. Known for his fierce resistance against British colonization in India during the late 18th century, Tipu Sultan's legacy is shrouded in both admiration and controversy. Peter Burrowes emerges as a prominent figure amidst these historical events. His contributions to horology revolutionize timekeeping mechanisms and leave an indelible mark on society. Meanwhile, Josef Stalin looms large on the global stage. The controversial Soviet leader shapes history with his iron fist and leaves a lasting impact on countless lives. Thomas Bewick continues to captivate us as he diligently works at his craft. His artistic prowess shines through every stroke as he immortalizes nature's beauty in stunning detail. Charlotte Buff adds a touch of romance to this narrative. As one half of Goethe's inspiration for "The Sorrows of Young Werther, " she embodies passion and longing within her very being. We journey further back in time to Bewick's Birthplace – a place that nurtured his talent and set him on a path towards greatness. Neville Hall stands tall in Ulverston, bearing witness to centuries gone by while preserving history within its walls. Hans Sloane takes center stage alongside W Holl Eng – their collaboration capturing moments frozen in time through artistry beyond compare.