1753 Collection (#9)

Balthasar Neumann (German, 1687 - 1753), Design for a City Gate in Trier, 1746, pen and gray ink with gray and pink wash over graphite on laid paper

MIDNIGHT AND CORNWALLIS IS TAKEN. Charles Cornwallis, 1st Marquess Cornwallis KG (31 December 1738 a 5 October 1805), styled Viscount Brome between 1753 and 1762

Portrait of Samuel Richardson (1689-1761) 1750 (oil on canvas)
XCF267498 Portrait of Samuel Richardson (1689-1761) 1750 (oil on canvas) by Highmore, Joseph (1692-1780); 52.7x36.8 cm; National Portrait Gallery, London

Portrait of Joost van den Vondel, Albertus Besseling, Hermanus & Johannes Besseling, 1753

Portrait of Anna Maria Hoeufft 91646-1715, wife of Jan Boudaen Courten, Philip van Dijk, 1690 - 1753

Portrait of Adriaen Caspar Parduyn, Councilor and Alderman of Middelburg, Son of Caspar Adriaen Parduyn and Maria van Citters, Philip van Dijk, 1735 - 1753

Portrait of Maria van Citters, Wife of Caspar Adriaen Parduyn, Philip van Dijk, 1725 - 1753

Portrait of Aernout van Citters, Lord of Gapinge, Philip van Dijk, 1700 - 1753

Cornelis van Ceters, 1503-99, Philip van Dijk, 1700 - 1753

Anne, Princess Royal and Princess of Orange, Anna van Hannover, 1709-59, wife of prins Willem IV, attributed to Gerrit Kamphuysen, 1753 - 1760, Portrait miniature

Portrait of Richard Leveridge, Andreas van der Myn, 1753

Christ on the donkey, the Pope on a horse, print maker: Anonymous, Jan van der Heyden II, 1753

Charles-Melchior Descourtis (French, 1753-1820) after Nicolas-Antoine Taunay (French, 1755-1830). Village Wedding (Noce de Village), 1785

LONDON FROM ISLINGTON, 1753, London, UK, 19th century engraving

London from Islington, West End, by Canaletti in 1753, UK, 19th century engraving

THE NEW RIVER HEAD, 1753, London, UK, 19th century engraving

THE OLD CUSTOM HOUSE in 1753. London, UK, 19th century engraving. 18th century view by Maurer

Pair of Wine Bottle Coolers (seaux a demi-bouteilles ordinaires); Model originally designed in 1753 by Jean-Claude Duplessis pere, French, about 1695 - 1774, active Sevres, France 1745/1748 - 1774

Pair of Commodes; Carving attributed to Joachim Dietrich, German, 1690 - 1753, active 1736 - 1753, and sides after engravings by Francois de Cuvillies, French, 1695 - 1768; Munich, Germany

Torchere; Pieter de Swart, Dutch, 1702 - 1772, probably carved by Agostino Carlini, Italian, about 1718 - 1790; The Hague (possibly), Netherlands, Europe; about 1748 - 1753; Gessoed, painted

Cup and Saucer (gobelet litron et soucoupe, deuxieme grandeur); Painted by Etienne-Jean Chabry fils, French, active 1765 - 1787, Gilded by Michel-Barnabe Chauvaux, aine, French, active 1753 - 1788

Writing Table (bureau plat); By Martin Carlin, French, born Germany, about 1730 - 1785, master 1766, At least seven plaques gilded by Jean-Baptiste-Emmanuel Vande, French, 1716 - 1779

Carved Relief; Aubert-Henri-Joseph Parent, French, 1753 - 1835; Paris, France, Europe; 1791; Limewood; Object: H: 58.7 x W: 39.7 x D: 5.7 cm (H: 1 ft. 11 1/8 in. x W: 1 ft. 3 5/8 in. x D: 2 1/4 in.)

Pair of Vases (vases Bolvry a perles or vases a cartels Bolvry); Vincent Taillandier, French, 1736 - 1790, active 1753 - 1790, and Genevieve Taillandier, French, active 1780 - 1798

Vase (vase a chaine or vase a cote de melon); Sevres Manufactory, French, active 1756 - present, Design attributed to Jean-Claude Duplessis pere, French, about 1695 - 1774, active Sevres

Lidded Bowl and Dish (Ecuelle ronde et plateau rond); Vincennes Porcelain Manufactory, French, active about 1740 - 1756; Vincennes, France

Portrait of a Young Lady in Profile; Henri-Pierre Danloux, French, 1753 - 1809; France, Europe; about 1783 - 1785; Black chalk and gray wash; 23.7 x 20.5 cm (9 5/16 x 8 1/16 in.)

Frame for a Mirror with Two Parcloses; Unknown; Paris, France, Europe; 1751 - 1753; Oak, carved, gilded and painted; modern mirror glass; Object: 329.6 x 197.5 cm (10 ft. 9 3/4 in. x 6 ft. 5 3/4 in.)

Caricature of a Man Wearing an Overcoat; Giovanni Battista Tiepolo, Italian, 1696 - 1770; about 1753 - 1762; Pen and black ink and brush with gray wash; 21 x 14 cm (8 1/4 x 5 1/2 in.)

Portrait of Louis de Silvestre; Maurice-Quentin de La Tour, French, 1704 - 1788; about 1753; Black and white chalk, blue and rose pastel on faded blue paper; 32.5 x 21.4 cm (12 13/16 x 8 7/16 in.)

A Race of Chimney-sweeps on Donkeys, Samuel Percy, 1753-1819, British

Conway Castle, George Howland Beaumont, 1753-1827, British

Landscape with Figures in the Foreground, George Howland Beaumont, 1753-1827, British

Rome from the Villa Madama A View of Rome from the Villa Madama Signed and dated
Rome from the Villa Madama A View of Rome from the Villa Madama" Signed and dated, lower center: " [?] W | 1753", Richard Wilson, 1714-1782, British

Scipio, a spotted hunter, the property of Colonel Roche Scipio, Colonel Roche s
Scipio, a spotted hunter, the property of Colonel Roche Scipio, Colonel Roches Spotted Hunter Scipio, property of Colonel Roche ()

A Bay Horse in a Field Horse in a Landscape Signed and dated, lower right: JB
A Bay Horse in a Field Horse in a Landscape Signed and dated, lower right: " JB [in monogram] 1778", John Boultbee, 1753-1812, British

A Grey Arab Stallion in a Desert Landscape, John Boultbee, 1753-1812, British

Edward George Lind and His Son, Montague, Sir William Beechey, 1753-1839, British

John Michael Rysbrack Modelling His Terra-Cotta Statue of Hercules John Michael Rysbrack The Sculptor John Michael Rysbrack with his Terra-Cotta Statue of Hercules Signed and dated

Reverend Dr. Charles Symmons Inscribed, lower left: Rev Doc [??] | [?] Symmons"
Reverend Dr. Charles Symmons Inscribed, lower left: " Rev Doc [??] | [?] Symmons" Signed and dated, lower left: " W Beechy Pinxit | 1794", Sir William Beechey, 1753-1839, British

Portrait of a Girl An Unknown Girl, Sir William Beechey, 1753-1839, British

Portrait of a Boy An Unknown Boy, Sir William Beechey, 1753-1839, British

Henry Woodward as Petruchio in Catherine and Petruchio, a version by Garrick of The
Henry Woodward as Petruchio in Catherine and Petruchio, a version by Garrick of " The Taming of the Shrew" Henry Woodward as Petruchio, Benjamin van der Gucht, 1753-1794, British

Jean-Honore Fragonard, Diana and Endymion, French, 1732-1806, c. 1753-1756, oil on canvas

John Johnston (American, c. 1753-1818), John Peck, c. 1795, oil on canvas

Giovanni Domenico Tiepolo (Italian, 1727-1804), Joseph Kneels with the Child before Mary on the Donkey, published 1753, etching

Giuseppe Antonio Landi (Italian, 1713-1791), Fantastic Townscape with Ruins, before 1753, etching and engraving on laid paper

GEORG WILHELM RICHMANN (1711-1753). German-born Russian physicist. Richmann struck dead by a lightning ball while conducting an experiment during a storm, with his engraver. Engraving, 19th century

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"1753: A Satirical Journey through Art, History, and Perspective" Step into the world of 1753, where William Hogarth's satirical masterpiece challenges our understanding of perspective. In this steel engraving from c1860, Hogarth cleverly mocks those who dare to create designs without the knowledge of perspective, exposing their absurdities for all to see. As we delve deeper into this captivating era, we encounter Tippoos Tiger - an organ that mesmerizes with its melodic tunes. Bewick's Workshop comes alive with the meticulous craftsmanship of Thomas Bewick himself as he passionately carves intricate details onto woodblocks. The enigmatic Tipu Sultan captures our attention next. Known for his fierce resistance against British colonization in India during the late 18th century, Tipu Sultan's legacy is shrouded in both admiration and controversy. Peter Burrowes emerges as a prominent figure amidst these historical events. His contributions to horology revolutionize timekeeping mechanisms and leave an indelible mark on society. Meanwhile, Josef Stalin looms large on the global stage. The controversial Soviet leader shapes history with his iron fist and leaves a lasting impact on countless lives. Thomas Bewick continues to captivate us as he diligently works at his craft. His artistic prowess shines through every stroke as he immortalizes nature's beauty in stunning detail. Charlotte Buff adds a touch of romance to this narrative. As one half of Goethe's inspiration for "The Sorrows of Young Werther, " she embodies passion and longing within her very being. We journey further back in time to Bewick's Birthplace – a place that nurtured his talent and set him on a path towards greatness. Neville Hall stands tall in Ulverston, bearing witness to centuries gone by while preserving history within its walls. Hans Sloane takes center stage alongside W Holl Eng – their collaboration capturing moments frozen in time through artistry beyond compare.