1753 Collection (#4)

Woman Carrying Child 1753-1806 Kitagawa Utamaro
Woman Carrying a Child, 1753-1806. Kitagawa Utamaro (Japanese, 1753?-1806). Color woodblock print; sheet: 37.2 x 24.8 cm (14 5/8 x 9 3/4 in.)

Two Courtesans 1753-1806 Kitagawa Utamaro Japanese
Two Courtesans, 1753-1806. Kitagawa Utamaro (Japanese, 1753?-1806). Color woodblock print; sheet: 38.2 x 25.8 cm (15 1/16 x 10 3/16 in.)

Courtesans Attendants 1753-1806 Kitagawa Utamaro
Courtesans and Attendants, 1753-1806. Kitagawa Utamaro (Japanese, 1753?-1806). Color woodblock print; sheet: 31.8 x 22.3 cm (12 1/2 x 8 3/4 in.)

Lovers Ohan Choemon series Joruri Ballads Tokiwazu
The Lovers Ohan and Choemon (from the series Joruri Ballads in the Tokiwazu and Tomimoto Styles), early or mid 1800s. Kitagawa Utamaro (Japanese, 1753?-1806)

Daimio Retinue Crossing Stream Plain Fuji 1753-1806
Daimio and his Retinue Crossing a Stream in Plain Near Fuji, 1753-1806. Kitagawa Utamaro (Japanese, 1753?-1806). Color woodblock print; sheet: 38.4 x 24.8 cm (15 1/8 x 9 3/4 in.)

Woman Reading Letter series Seven Episodes Life
Woman Reading a Letter (from the series Seven Episodes in the Life of Komachi in the Floating World), 1806. Kitagawa Utamaro (Japanese, 1753?-1806)

Woman Writing 1753-1806 Kitagawa Utamaro Japanese
Woman Writing, 1753-1806. Kitagawa Utamaro (Japanese, 1753?-1806). Color woodblock print; sheet: 36.6 x 24.8 cm (14 7/16 x 9 3/4 in.)

Man Woman 1753-1806 Kitagawa Utamaro Japanese
Man and Woman, 1753-1806. Kitagawa Utamaro (Japanese, 1753?-1806). Color woodblock print; sheet: 38.3 x 21.4 cm (15 1/16 x 8 7/16 in.)

Serenade 1753-1806 Kitagawa Utamaro Japanese
Serenade, 1753-1806. Kitagawa Utamaro (Japanese, 1753?-1806). Color woodblock print; sheet: 36.2 x 25.2 cm (14 1/4 x 9 15/16 in.)

Woman Yoshiwara Reading Scroll 1753-1806 Kitagawa Utamaro
Woman of the Yoshiwara Reading Scroll, 1753-1806. After Kitagawa Utamaro (Japanese, 1753?-1806). Color woodblock print; sheet: 35 x 22.3 cm (13 3/4 x 8 3/4 in.)

Courtesan Hana-ogi Ogiya Sennin Tekkai series
The Courtesan Hana-ogi of Ogiya as the Sennin Tekkai (from the series Eight Immortals of Sensuality), mid 1790s. Kitagawa Utamaro (Japanese, 1753?-1806)

Yoshiwara Women Looking Street Springtime 1753-1806
Yoshiwara Women Looking into the Street at Springtime, 1753-1806. After Kitagawa Utamaro (Japanese, 1753?-1806). Color woodblock print; sheet: 36.9 x 24.8 cm (14 1/2 x 9 3/4 in.)

Couple Boat 1799 Kitagawa Utamaro Japanese 1753
Couple in a Boat, c. 1799. Kitagawa Utamaro (Japanese, 1753?-1806). Color woodblock print; image: 52.1 x 17.8 cm (20 1/2 x 7 in.)

Scene Adapted play Treasury Loyal Retainers Chushingura
Scene Adapted from the play The Treasury of Loyal Retainers (Chushingura), late 1790s. Kitagawa Utamaro (Japanese, 1753?-1806). Color woodblock print; sheet: 36.9 x 75 cm (14 1/2 x 29 1/2 in.)

Woman Yoshiwara Girl 1753-1806 Kitagawa Utamaro
Woman of the Yoshiwara with Girl, 1753-1806. Kitagawa Utamaro (Japanese, 1753?-1806). Color woodblock print; sheet: 37.8 x 26.1 cm (14 7/8 x 10 1/4 in.)

Love 1753-1806 Kitagawa Utamaro Japanese 1753
Making Love, 1753-1806. Kitagawa Utamaro (Japanese, 1753?-1806). Color woodblock print; sheet: 36 x 23.8 cm (14 3/16 x 9 3/8 in.)

Woman Yoshiwara 1753-1806 Kitagawa Utamaro Japanese
Woman of the Yoshiwara, 1753-1806. Kitagawa Utamaro (Japanese, 1753?-1806). Color woodblock print; sheet: 32.4 x 22.6 cm (12 3/4 x 8 7/8 in.)

Ladies Playing Dolls 1753-1806 Kitagawa Utamaro
Ladies Playing with Dolls, 1753-1806. Kitagawa Utamaro (Japanese, 1753?-1806). Color woodblock print; sheet: 36 x 26.4 cm (14 3/16 x 10 3/8 in.)

Woman Holding Fan series Ten Aspects Physiognomy
Woman Holding a Fan (from the series Ten Aspects of the Physiognomy of Women), c. 1793. Kitagawa Utamaro (Japanese, 1753?-1806). Color woodblock print; sheet: 34.6 x 24.2 cm (13 5/8 x 9 1/2 in.)

Woman Representing Good Fortune 1753-1806 Kitagawa Utamaro
Woman Representing Good Fortune, 1753-1806. Kitagawa Utamaro (Japanese, 1753?-1806). Color woodblock print; sheet: 47 x 22.3 cm (18 1/2 x 8 3/4 in.)

Woman Drying Hands series Ten Aspects Physiognomy
Woman Drying Her Hands (from the series Ten Aspects of the Physiognomy of Women), c. 1793. Kitagawa Utamaro (Japanese, 1753?-1806). Color woodblock print; sheet: 36.9 x 25.4 cm (14 1/2 x 10 in.)

Courtesans Kasugano Utahama Tamaya series Mirror
The Courtesans Kasugano and Utahama of Tamaya (from the series A Mirror of Courtesans of the Green Houses), c. 1800. Kitagawa Utamaro (Japanese, 1753?-1806)

Courtesan Takigawa Ogiya series Selection Beautiful Women
The Courtesan Takigawa of Ogiya (from the series A Selection of Beautiful Women of the East), c. 1798. Kitagawa Utamaro (Japanese, 1753?-1806)

Cleaning Combs late 1790s Kitagawa Utamaro Japanese
Cleaning Combs, c. late 1790s. Kitagawa Utamaro (Japanese, 1753?-1806). Color woodblock print; sheet: 38.2 x 25.4 cm (15 1/16 x 10 in.)

Cake Basket Handle 1753 Samuel Herbert British
Cake Basket with Handle, 1753. Samuel Herbert (British), Henry Bailey (British). Silver;

Hanaōgi Ōgiya series Picture Puzzles
Hanaōgi of Ōgiya from the series Picture Puzzles, c. 1797. Kitagawa Utamaro (Japanese, 1753?-1806). Color woodblock print; ink and color on paper; sheet: 37.6 x 25.4 cm (14 13/16 x 10 in.)

Courtesan Takigawa Ogiya series Seven Aspects
The Courtesan Takigawa of Ogiya (from the series Seven Aspects of Komachi in the Green Houses), 1797 or 1798. Kitagawa Utamaro (Japanese, 1753?-1806)

Seven Komachi Episodes Woman Holding Outer Garment
Seven Komachi Episodes: A Woman Holding an Outer Garment for a Man, 1754-1806. Kitagawa Utamaro (Japanese, 1753?-1806). Color woodblock print; sheet: 35.6 x 24 cm (14 x 9 7/16 in.)

Catching Fireflies Willow Tree center 1796-1797
Catching Fireflies Beneath a Willow Tree (center), c. 1796-1797. Kitagawa Utamaro (Japanese, 1753?-1806). Triptych: color woodblock print; sheet: 38.2 x 76.8 cm (15 1/16 x 30 1/4 in.)

Catching Fireflies Willow Tree right 1796-1797
Catching Fireflies Beneath a Willow Tree (right), c. 1796-1797. Kitagawa Utamaro (Japanese, 1753?-1806). Triptych: color woodblock print; sheet: 38.2 x 76.8 cm (15 1/16 x 30 1/4 in.)

Catching Fireflies Willow Tree left 1796-1797
Catching Fireflies Beneath a Willow Tree (left), c. 1796-1797. Kitagawa Utamaro (Japanese, 1753?-1806). Triptych: color woodblock print; sheet: 38.2 x 76.8 cm (15 1/16 x 30 1/4 in.)

Laban Searching Stolen Gods 1753 Augustin de Saint-Aubin
Laban Searching for His Stolen Gods, 1753. Augustin de Saint-Aubin (French, 1736-1807). Oil on canvas; framed: 62 x 72 x 7.5 cm (24 7/16 x 28 3/8 x 2 15/16 in.); unframed

Franz Ernst Bruckmann
FRANZ ERNST BRUCKMANN German doctor and mineralogist Date: 1697 - 1753

George Berkeley (1685-1753), Irish bishop and philosopher, opposed materialism, and founded a form of Idealism. Date: circa 1740

George Marq Buckingham
GEORGE TEMPLE-NUGENT GRENVILLE, first marquess of BUCKINGHAM Statesman, viceroy of Ireland, with his wife, the comeley marchioness and vicereine. Date: 1753 - 1813

Circumcision, Africa
Circumcision ceremony in an African village : a line of youths await the ritual mutilation which will mark their initiation into the adults of the tribe

Soane / Lawrence / Thomson
SIR JOHN SOANE English architect

Statue of King Ferdinand III of Castile (1201-1252) by
Ferdinand III of Castile (1201-1252), called the Saint. King of Castile (1217-1252) and Leon (1230-1252). Sculpture by Giovanni Domenico Olivieri (1706-1762), 1753. Sabatini Gardens. Madrid. Spain

Cornet Thomas Boothby Parkyns, 15th (or the King?s) Regiment of (Light) Dragoons, 1780. Oil on canvas, signed and dated lower left ?J Boultbee, Pinx 1780?, by John Boultbee (1753-1812), 1780

Landscape with castle Devin at the outfall of the Morava int
Johann Christian Brand (1722-1795). Austrian painter. Landscape with castle Devin at the outfall of the Morava into the Danube, 1752-1753. National Gallery. Prague. Czech Republic

Spain. Barcelona. Church of Sant Miquel del Port, 1753-1755. Built by Pedro Martin Cermeno (1722-1790). Reformed by Elies Rogent (1821-1897). Baroque. Facade

Madame Ferrand meditating on Newton, 1753, by Maurice Quenti
Maurice Quentin de La Tour (1704-1788). French painter. Madame Ferrand meditating on Newton, 1753. Alte Pinakothek. Munich. Germany

Poppelsdorf Palace. 18th century. Bonn. Germany
Germany. Bonn. Poppelsdorf Palace. 1715-1753. Baroque style. Built by Robert de Cotte (1656-1735). Exterior

Spain. Region of Murcia. Totana. Baroque fountain (1753)
Spain. Region of Murcia. Totana. Baroque fountain made A?a?A?a?by Juan de Uceta, Pedro Litran and Juan Moreno in 1753. Topped by the coat of arms of the city and the Cross of the Order of Santiago

James Gregory - 2
JAMES GREGORY Scottish professor of medicine at Edinburgh, wearing his Volunteer uniform - a fine example of Kays portraiture. Date: 1753 - 1821

James Gregory - 1
JAMES GREGORY Scottish medical practitioner, professor of medicine at Edinburgh, walking with a stick. Date: 1753 - 1821

Sir Crisp Gascoyne
SIR CRISP GASCOYNE London alderman, Lord Mayor 1753 Date: 1700 - 1761

James Foster - 2
JAMES FOSTER Nonconformist churchman. Date: 1697 - 1753

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"1753: A Satirical Journey through Art, History, and Perspective" Step into the world of 1753, where William Hogarth's satirical masterpiece challenges our understanding of perspective. In this steel engraving from c1860, Hogarth cleverly mocks those who dare to create designs without the knowledge of perspective, exposing their absurdities for all to see. As we delve deeper into this captivating era, we encounter Tippoos Tiger - an organ that mesmerizes with its melodic tunes. Bewick's Workshop comes alive with the meticulous craftsmanship of Thomas Bewick himself as he passionately carves intricate details onto woodblocks. The enigmatic Tipu Sultan captures our attention next. Known for his fierce resistance against British colonization in India during the late 18th century, Tipu Sultan's legacy is shrouded in both admiration and controversy. Peter Burrowes emerges as a prominent figure amidst these historical events. His contributions to horology revolutionize timekeeping mechanisms and leave an indelible mark on society. Meanwhile, Josef Stalin looms large on the global stage. The controversial Soviet leader shapes history with his iron fist and leaves a lasting impact on countless lives. Thomas Bewick continues to captivate us as he diligently works at his craft. His artistic prowess shines through every stroke as he immortalizes nature's beauty in stunning detail. Charlotte Buff adds a touch of romance to this narrative. As one half of Goethe's inspiration for "The Sorrows of Young Werther, " she embodies passion and longing within her very being. We journey further back in time to Bewick's Birthplace – a place that nurtured his talent and set him on a path towards greatness. Neville Hall stands tall in Ulverston, bearing witness to centuries gone by while preserving history within its walls. Hans Sloane takes center stage alongside W Holl Eng – their collaboration capturing moments frozen in time through artistry beyond compare.