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Binding Collection (#3)

"Binding: From Ancient Techniques to Modern Science" Step into the world of binding, where artistry and science intertwine

Background imageBinding Collection: Un atelier de relieur au moyen age (engraving)

Un atelier de relieur au moyen age (engraving)
3629508 Un atelier de relieur au moyen age (engraving) by French School, (19th century); Private Collection; (add.info.: Un atelier de relieur au moyen age)

Background imageBinding Collection: Sewing Press (engraving)

Sewing Press (engraving)
3654619 Sewing Press (engraving) by English School, (19th century); Private Collection; (add.info.: Sewing Press. Illustration for The Penny Magazine (1842).); © Look and Learn

Background imageBinding Collection: Extra-Finisher at work (engraving)

Extra-Finisher at work (engraving)
3654618 Extra-Finisher at work (engraving) by English School, (19th century); Private Collection; (add.info.: Extra-Finisher at work)

Background imageBinding Collection: The Prince of Wales hunting in the Terai, binding a Wild Elephant (engraving)

The Prince of Wales hunting in the Terai, binding a Wild Elephant (engraving)
1059242 The Prince of Wales hunting in the Terai, binding a Wild Elephant (engraving) by English School, (19th century); Private Collection; (add.info.: The Prince of Wales hunting in the Terai)

Background imageBinding Collection: Corinne ou l Italie (leather & marbled paper)

Corinne ou l Italie (leather & marbled paper)
698763 Corinne ou l Italie (leather & marbled paper) by Stael, Germaine de (1766-1817); 17.1x10.7x2.5 cm; BibliothAque Paul-Marmottan, Ville de Boulogne-Billancourt, Academie des Beaux-Arts

Background imageBinding Collection: The Sacrifice of Isaac, c. 1659 (oil on canvas)

The Sacrifice of Isaac, c. 1659 (oil on canvas)
1069777 The Sacrifice of Isaac, c.1659 (oil on canvas) by Pereda y Salgado, Antonio (1611-78); 215.3x158.1 cm; Dallas Museum of Art, Texas, USA; (add.info.: Abraham prepares to sacrifice his son)

Background imageBinding Collection: Assault of a famous convent in Russia by a large band of evildoers (Colour Litho)

Assault of a famous convent in Russia by a large band of evildoers (Colour Litho)
2814970 Assault of a famous convent in Russia by a large band of evildoers (Colour Litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info)

Background imageBinding Collection: Reliure, Cousage des cahiers (engraving)

Reliure, Cousage des cahiers (engraving)
2781336 Reliure, Cousage des cahiers (engraving) by French School, (19th century); Private Collection; (add.info.: Reliure, Cousage des cahiers)

Background imageBinding Collection: The Binding of Fenris (litho)

The Binding of Fenris (litho)
2792524 The Binding of Fenris (litho) by English School, (20th century); Private Collection; (add.info.: The Binding of Fenris)

Background imageBinding Collection: Cover of a book, possibly Cato Major de Senectute by Cicero (leather)

Cover of a book, possibly Cato Major de Senectute by Cicero (leather)
XCF291076 Cover of a book, possibly Cato Major de Senectute by Cicero (leather) by English School; Private Collection; (add.info.: Cato the Elder On Old Age by Cicero)

Background imageBinding Collection: Front Cover of Description de l Egypte, Book 1, Volume II, Antiquities

Front Cover of Description de l Egypte, Book 1, Volume II, Antiquities
XCF291075 Front Cover of Description de l Egypte, Book 1, Volume II, Antiquities, and back cover of Book 8, Volume I, Histoire Naturelle, 1809 (leather) by French School

Background imageBinding Collection: Cover of a book

Cover of a book
FSG348651 Cover of a book by Chinese School; Freer Gallery of Art, Smithsonian Institution, USA; Freer Gallery of Art, Smithsonian Institution; Gift of Charles Lang Freer; Chinese, out of copyright

Background imageBinding Collection: Aristeus Compels Proteus to Reveal his Oracles, 1731 (engraving)

Aristeus Compels Proteus to Reveal his Oracles, 1731 (engraving)
STC134119 Aristeus Compels Proteus to Reveal his Oracles, 1731 (engraving) by Picart, Bernard (1673-1733); Private Collection; (add.info)

Background imageBinding Collection: A bookmakers workshop, from the Encyclopedie des Sciences et Metiers

A bookmakers workshop, from the Encyclopedie des Sciences et Metiers
STC243958 A bookmakers workshop, from the Encyclopedie des Sciences et Metiers by Denis Diderot (1713-84) published c.1770 (engraving) by French School

Background imageBinding Collection: Book cover with the coat of arms of Armand-Jean du Plessis

Book cover with the coat of arms of Armand-Jean du Plessis
CHT191862 Book cover with the coat of arms of Armand-Jean du Plessis, Cardinal Richelieu (1585-1642) (red leather & gold) by French School, (17th century); Bibliotheque de la Sorbonne, Paris

Background imageBinding Collection: Front cover of an edition of Notre-Dame de Paris

Front cover of an edition of Notre-Dame de Paris
BMR179969 Front cover of an edition of Notre-Dame de Paris by Victor Hugo (1802-85) published by Editions Perrotin, Paris, 1844 (leather and gold) by French School

Background imageBinding Collection: Upper book cover, with semi-naturalistic design of lotuses and honeysuckle flowerheads

Upper book cover, with semi-naturalistic design of lotuses and honeysuckle flowerheads
985916 Upper book cover, with semi-naturalistic design of lotuses and honeysuckle flowerheads, 1886 (grey-brown crushed levant morocco over bevelled boards) by French School

Background imageBinding Collection: Book cover for The Diary of Samuel Pepys, with an oval portrait of Samuel Pepys

Book cover for The Diary of Samuel Pepys, with an oval portrait of Samuel Pepys
985831 Book cover for The Diary of Samuel Pepys, with an oval portrait of Samuel Pepys, 1927 (blue crushed levant morocco leather, gilt, oval portrait miniatu) by Currie, C. B

Background imageBinding Collection: A jewelled ornamental binding with stones, depicting several animals

A jewelled ornamental binding with stones, depicting several animals
985745 A jewelled ornamental binding with stones, depicting several animals, 1860 (green crushed levant morocco leather, red & blue morocco leather, gilt, moonstones, sapphires)

Background imageBinding Collection: Binding of the book The Gettysberg Speech and The Second Inaugural Address

Binding of the book The Gettysberg Speech and The Second Inaugural Address
985741 Binding of the book The Gettysberg Speech and The Second Inaugural Address, 1928 (union blue levant morocco leather, red and brown morocco leather)

Background imageBinding Collection: An oval portrait of Queen Elizabeth I (green levant morocco leather, cream watered silk

An oval portrait of Queen Elizabeth I (green levant morocco leather, cream watered silk
985727 An oval portrait of Queen Elizabeth I (green levant morocco leather, cream watered silk, sapphires, pai) by Sangorski & Sutcliffe; 27.2x19.9 cm; Private Collection; (add.info)

Background imageBinding Collection: Miniature of Saint Joan of Arc, 1905 (salmon & blue levant morocco leather, gilt fillet

Miniature of Saint Joan of Arc, 1905 (salmon & blue levant morocco leather, gilt fillet
985692 Miniature of Saint Joan of Arc, 1905 (salmon & blue levant morocco leather, gilt fillet, painted min) by Sangorski & Sutcliffe; 28.1x22.2 cm; Private Collection; (add.info)

Background imageBinding Collection: A book cover with twenty-five portrait miniatures of beautiful women

A book cover with twenty-five portrait miniatures of beautiful women
985691 A book cover with twenty-five portrait miniatures of beautiful women, after the Wards Engravings of Portraits by Celebrated Artists, 1904 (dark green crushed levant morocco leather, gilt)

Background imageBinding Collection: Doublure from Les Fleurs du Mal by Charles Baudelaire

Doublure from Les Fleurs du Mal by Charles Baudelaire
985598 Doublure from Les Fleurs du Mal by Charles Baudelaire, Depicting a Serpent Entwined Around an Iris, 1901 (moroccan leather) by Meunier

Background imageBinding Collection: First edition of Richard Francis Burton s, The Kama Sutra of Vatsyayana

First edition of Richard Francis Burton s, The Kama Sutra of Vatsyayana
1195414 First edition of Richard Francis Burton s, The Kama Sutra of Vatsyayana, 1883 (red half calf, red morocco clamshell case, miniature) by English School, (19th century); 25x15

Background imageBinding Collection: Polychrome lacquer binding with flap, for Amir Ali Shir Nawa i

Polychrome lacquer binding with flap, for Amir Ali Shir Nawa i
1196851 Polychrome lacquer binding with flap, for Amir Ali Shir Nawa is (1441-1501) Diwan (love poetry), painted with a forest scene

Background imageBinding Collection: Binding of The Birds of America; from Original Drawings by John James Audubon

Binding of The Birds of America; from Original Drawings by John James Audubon
3435206 Binding of The Birds of America; from Original Drawings by John James Audubon, London, 1838 (leather) by English School, (19th century); 99.3x65.5 cm; Private Collection; (add.info.: AUDUBON)

Background imageBinding Collection: Upper and lower covers, and spine, with oval portraits of Robert Burns and Jessie Lewars

Upper and lower covers, and spine, with oval portraits of Robert Burns and Jessie Lewars
1195364 Upper and lower covers, and spine, with oval portraits of Robert Burns and Jessie Lewars, 1860 (purple crushed levant morocco with gilt fillet, scroll border an) by English School

Background imageBinding Collection: Knight and Lady with Holy Grail, 1903 (transparent vellum over painted paper with

Knight and Lady with Holy Grail, 1903 (transparent vellum over painted paper with
1195361 Knight and Lady with Holy Grail, 1903 (transparent vellum over painted paper with mother-of-pearl and g) by English School

Background imageBinding Collection: The Song of Solomon, with lacquer by Jean Dunand (1877-1942), 1925 (morocco)

The Song of Solomon, with lacquer by Jean Dunand (1877-1942), 1925 (morocco)
CH438750 The Song of Solomon, with lacquer by Jean Dunand (1877-1942), 1925 (morocco) by Schmied, Francois-Louis (1873-1941) (after); 25x17 cm; Private Collection; (add.info)

Background imageBinding Collection: Silver Gilt Binding, Depicting the Crucifixion of Christ

Silver Gilt Binding, Depicting the Crucifixion of Christ
986210 Silver Gilt Binding, Depicting the Crucifixion of Christ, with the Holy Mother of God and Holy Mary on Either Side, 1669 (silver gilt repousse binding, red leather)

Background imageBinding Collection: Lewis E 161, Missal, back cover, Franconia, possibly Forchheim, Germany

Lewis E 161, Missal, back cover, Franconia, possibly Forchheim, Germany
5933021 Lewis E 161, Missal, back cover, Franconia, possibly Forchheim, Germany, 1500-25 (calfskin) (see also 5932317) by German School

Background imageBinding Collection: Lewis E 161, Missal, front cover, Franconia, possibly Forchheim, Germany

Lewis E 161, Missal, front cover, Franconia, possibly Forchheim, Germany
5932317 Lewis E 161, Missal, front cover, Franconia, possibly Forchheim, Germany, 1500-25 (calfskin) (see also 5933021) by German School

Background imageBinding Collection: Book plate of Carey Coke, wife of Edward Coke, and mother to Thomas Coke

Book plate of Carey Coke, wife of Edward Coke, and mother to Thomas Coke
3964038 Book plate of Carey Coke, wife of Edward Coke, and mother to Thomas Coke, 1st Earl of Leicester, 1701 (engraving) by English School

Background imageBinding Collection: Circular coiled basket (brown rush)

Circular coiled basket (brown rush)
AMQ107031 Circular coiled basket (brown rush) by Egyptian; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Egyptian, out of copyright

Background imageBinding Collection: Straw chair maker (colour litho)

Straw chair maker (colour litho)
703022 Straw chair maker (colour litho) by Italian School, (19th century); Gabinetto Comunale delle Stampe, Rome, Italy; Italian, out of copyright

Background imageBinding Collection: Genie du Christianisme, 1802 (leather & marbled paper)

Genie du Christianisme, 1802 (leather & marbled paper)
698753 Genie du Christianisme, 1802 (leather & marbled paper) by Vicomte de Chateaubriand, Francois Rene (1768-1848); 20x13x3.5 cm; BibliothAque Paul-Marmottan, Ville de Boulogne-Billancourt

Background imageBinding Collection: Book cover (cloisonne enamel)

Book cover (cloisonne enamel)
BAL5978 Book cover (cloisonne enamel) by Russian School (17th century); Victoria & Albert Museum, London, UK; Russian, out of copyright

Background imageBinding Collection: Machine in a bookbinding workshop, City of London

Machine in a bookbinding workshop, City of London
Cloth embossing machine in a bookbinding workshop, Westley and Clark, Shoemaker Row, City of London. Date: 1842

Background imageBinding Collection: Board cutting in a bookbinding workshop, City of London

Board cutting in a bookbinding workshop, City of London
Board cutting machine in a bookbinding workshop, Westley and Clark, Shoemaker Row, City of London. Date: 1842

Background imageBinding Collection: Scene in a bookbinding workshop, City of London

Scene in a bookbinding workshop, City of London
Scene in a bookbinding workshop (roan binding shop), Westley and Clark, Shoemaker Row, City of London. Date: 1842

Background imageBinding Collection: Almanac of the agriculture bookshop La Maison Rustique, c

Almanac of the agriculture bookshop La Maison Rustique, c
CHT163149 Almanac of the agriculture bookshop La Maison Rustique, c.1860 (colour engraving) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Background imageBinding Collection: Book cover, Egypt or Syria, Mamluk period (leather over pasteboards)

Book cover, Egypt or Syria, Mamluk period (leather over pasteboards)
FSG348672 Book cover, Egypt or Syria, Mamluk period (leather over pasteboards) by Islamic School, (14th century); 37.5x28.5 cm; Arthur M. Sackler Gallery, Smithsonian Institution, USA; Arthur M

Background imageBinding Collection: Cloth-embossing Machine (engraving)

Cloth-embossing Machine (engraving)
3654614 Cloth-embossing Machine (engraving) by English School, (19th century); Private Collection; (add.info.: Cloth-embossing Machine)




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"Binding: From Ancient Techniques to Modern Science" Step into the world of binding, where artistry and science intertwine. Explore the delicate craft of bookbinding, as Bookbinding Tools from 1875 take center stage in preserving knowledge through time. Travel back in time with a Greek vase painting depicting Achilles and Patroclus, showcasing their unbreakable bond. Witness how even in ancient times, binding went beyond physical objects. Discover the microscopic realm where T lymphocytes bind to cancer cells, captured beautifully under SEM C001 / 1679. Marvel at the intricate dance between life and disease on a cellular level. Uncover the secrets behind anesthesia's power to inhibit ion channels with Anaesthetic inhibiting an ion channel C015 / 6718. See how this binding effect brings relief and comfort during medical procedures. Enter a bustling Bookbinding Workshop filled with artisans meticulously stitching pages together, breathing life into stories yet untold. Witness their dedication to preserving history one book at a time. Delve into Japanese culture as you admire Netsuke in the form of a demon queller and small demon from the Meiji Period (1868-1912). These tiny sculptures embody both beauty and protection through their bound forms. Marvel at EDTA crystals under a light microscope; these enchanting structures showcase nature's ability to create mesmerizing patterns when elements bind together harmoniously. Witness Achilles' unwavering loyalty as he binds Patroclus' wound on an ancient battlefield - an act that transcends mere friendship and symbolizes sacrifice for those we hold dear. Immerse yourself in artwork depicting cannabinoid receptor binding - a visual representation of how substances can interact with our bodies on molecular levels, unlocking new possibilities for medicine and wellness. Explore official wording within Apprenticeship Indenture documents that bind individuals to learn valuable skills from experienced masters - highlighting the importance of passing down knowledge through generations. Contemplate Chinese Foot-Binding, a practice that bound women's feet for centuries.