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Binding Collection (#5)

"Binding: From Ancient Techniques to Modern Science" Step into the world of binding, where artistry and science intertwine

Background imageBinding Collection: Upper cover and spine, with oval portrait miniature of Oliver Cromwell

Upper cover and spine, with oval portrait miniature of Oliver Cromwell
1195374 Upper cover and spine, with oval portrait miniature of Oliver Cromwell, 1899 (red crushed levant morocco, decorative roll tool border within g) by English School

Background imageBinding Collection: Upper and lower covers, with flowers in Art-Nouveau interlaced geometrical patterns

Upper and lower covers, with flowers in Art-Nouveau interlaced geometrical patterns
1195367 Upper and lower covers, with flowers in Art-Nouveau interlaced geometrical patterns, 1893 (light brown levant morocco with criss-crossed vari-coloured bord) by English School

Background imageBinding Collection: Four Cosway binding style covers including portrait miniatures of (from left to right)

Four Cosway binding style covers including portrait miniatures of (from left to right)
1195357 Four Cosway binding style covers including portrait miniatures of (from left to right), William Harrison Ainsworth, Charles Dickens, Clementina Walkinshaw and Nelson aged 39

Background imageBinding Collection: Pages from Kitab Durr Al-Munazzam Fi Al-Sirr Al-A zam

Pages from Kitab Durr Al-Munazzam Fi Al-Sirr Al-A zam
3281669 Pages from Kitab Durr Al-Munazzam Fi Al-Sirr Al-A zam by Kamal Al-Din Abu Salim Muhammad Bin Talha Al-Qurashi Al- Adawi Al-Rasibi Al-Halabi (d.1254)

Background imageBinding Collection: Farming in the Red River Valley (engraving)

Farming in the Red River Valley (engraving)
1060456 Farming in the Red River Valley (engraving) by Dollman, John Charles (1851-1934) (after); Private Collection; (add.info.: Farming in the Red River Valley)

Background imageBinding Collection: Rounding the Back of a Book (engraving)

Rounding the Back of a Book (engraving)
3654620 Rounding the Back of a Book (engraving) by English School, (19th century); Private Collection; (add.info.: Rounding the Back of a Book)

Background imageBinding Collection: Book cover with twenty-two portrait miniatures of Charles the II

Book cover with twenty-two portrait miniatures of Charles the II
985816 Book cover with twenty-two portrait miniatures of Charles the II and the beautiful women of his court, 1833 (mauve crushed levant morocco leather, gilded)

Background imageBinding Collection: Bookbinding, 16th Century (colour litho)

Bookbinding, 16th Century (colour litho)
3642211 Bookbinding, 16th Century (colour litho) by English School, (19th century); Private Collection; (add.info.: Bookbinding, 16th Century)

Background imageBinding Collection: Deering farm machinery (colour litho)

Deering farm machinery (colour litho)
3105702 Deering farm machinery (colour litho) by American School, (19th century); Private Collection; (add.info.: Deering farm machinery.); Look and Learn / Barbara Loe Collection

Background imageBinding Collection: Ornamenting a Book after Binding (engraving)

Ornamenting a Book after Binding (engraving)
665373 Ornamenting a Book after Binding (engraving) by English School, (19th century); Private Collection; (add.info.: Ornamenting a Book after Binding)

Background imageBinding Collection: A Lanna manuscript on palm leaves written in norther Thai script

A Lanna manuscript on palm leaves written in norther Thai script
LIT390058 A Lanna manuscript on palm leaves written in norther Thai script by Thai School; Wat Phan Tao, Chiang Mai, Thailand; Photo eLuca Tettoni; Thai, out of copyright

Background imageBinding Collection: Book of the Etiquette of the Ducal Palace of Lucca, Lucca

Book of the Etiquette of the Ducal Palace of Lucca, Lucca
698766 Book of the Etiquette of the Ducal Palace of Lucca, Lucca, 1805 (embroidered textile & paper) by French School, (19th century); 29.5x20.4 cm; BibliothAque Paul-Marmottan

Background imageBinding Collection: Book cover, Egypt or Syria, Mamluk period (leather over pasteboards)

Book cover, Egypt or Syria, Mamluk period (leather over pasteboards)
FSG348673 Book cover, Egypt or Syria, Mamluk period (leather over pasteboards) by Islamic School, (14th century); 42.4x32.2 cm; Arthur M. Sackler Gallery, Smithsonian Institution, USA; Arthur M

Background imageBinding Collection: Front cover of Les Arts au Moyen Age, published by Firmin Didot in 1873

Front cover of Les Arts au Moyen Age, published by Firmin Didot in 1873
KW415672 Front cover of Les Arts au Moyen Age, published by Firmin Didot in 1873 (leather) by French School, (19th century); Private Collection; French, out of copyright

Background imageBinding Collection: End paper from a book published by Firmin Didot of Paris (paper)

End paper from a book published by Firmin Didot of Paris (paper)
KW415670 End paper from a book published by Firmin Didot of Paris (paper) by French School, (19th century); Private Collection; French, out of copyright

Background imageBinding Collection: The Livre Ferre of the Cour des Comptes (leather & vellum)

The Livre Ferre of the Cour des Comptes (leather & vellum)
ARH231019 The Livre Ferre of the Cour des Comptes (leather & vellum) by French School, (15th century); Centre Historique des Archives Nationales, Paris

Background imageBinding Collection: Oxford, Merton College, Library (b / w photo)

Oxford, Merton College, Library (b / w photo)
5986748 Oxford, Merton College, Library (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Oxford, Merton College, Library)

Background imageBinding Collection: The Record Price Caxton, the Finest Extant Copy of the 'Ryal Book, 'sold on 20 March for £2225

The Record Price Caxton, the Finest Extant Copy of the "Ryal Book, "sold on 20 March for £2225
1629509 The Record Price Caxton, the Finest Extant Copy of the " Ryal Book, " sold on 20 March for £ 2225 (b/w photo) by English Photographer

Background imageBinding Collection: Four book cover with binding by Riviere & Sons including

Four book cover with binding by Riviere & Sons including
1195369 Four book cover with binding by Riviere & Sons including The Life and Times of Catherine de Medici, (morocco with gilt)

Background imageBinding Collection: Upper cover set, with two oval portraits of Anne of Austria and Louis XIII

Upper cover set, with two oval portraits of Anne of Austria and Louis XIII
1195366 Upper cover set, with two oval portraits of Anne of Austria and Louis XIII, 1865 (blue crushed levant morocco with gilt dentelle border and miniat) by English School

Background imageBinding Collection: Two upper covers, showing eight portrait miniatures of Andre, Grey, Howe, Washington

Two upper covers, showing eight portrait miniatures of Andre, Grey, Howe, Washington
1195363 Two upper covers, showing eight portrait miniatures of Andre, Grey, Howe, Washington, Sneyd, Cornwallis, Wolfe and Clinton

Background imageBinding Collection: Women Binding Vines, 1890 (oil on canvas)

Women Binding Vines, 1890 (oil on canvas)
988980 Women Binding Vines, 1890 (oil on canvas) by Cross, Henri-Edmond (1856-1910); 53.8x65 cm; Private Collection; (add.info.: Women Binding Vines; Femmes Liant la Vigne)

Background imageBinding Collection: Book cover for The Fan by Octave Uzanne, with an oval portrait of a woman with

Book cover for The Fan by Octave Uzanne, with an oval portrait of a woman with
nineteenth century, close-up, 1880s, metal, book, binder, portrait style, female, quarter length, head and shoulders, women, shape, close up, shaped, apparel, fan, binding, illustrator, bust-length

Background imageBinding Collection: Binding with twenty-four portrait miniatures, from the book

Binding with twenty-four portrait miniatures, from the book
985739 Binding with twenty-four portrait miniatures, from the book French Characteristic Costumes by Richard Brinsley Peake, 1816 (light blue levant morocco leather, brown morocco leather, gilt)

Background imageBinding Collection: First edition of On the Origin of Species by Means of Natural Selection

First edition of On the Origin of Species by Means of Natural Selection
3736719 First edition of On the Origin of Species by Means of Natural Selection by Charles Darwin, London: John Murray, 1859 (cloth & paper) by English School

Background imageBinding Collection: Ezra binding by Oath all Israel to keep the Covenant (engraving)

Ezra binding by Oath all Israel to keep the Covenant (engraving)
5218531 Ezra binding by Oath all Israel to keep the Covenant (engraving) by English School, (19th century); Private Collection; (add.info.: Ezra binding by Oath all Israel to keep the Covenant)

Background imageBinding Collection: Binding of 'L Evangeliaire', attributed to Charlemagne (engraving)

Binding of "L Evangeliaire", attributed to Charlemagne (engraving)
965695 Binding of " L Evangeliaire", attributed to Charlemagne (engraving) by English School, (19th century); Private Collection; (add.info.: Binding of " L Evangeliaire")

Background imageBinding Collection: Sketches from a Prairie Farm in Minnesota, USA (engraving)

Sketches from a Prairie Farm in Minnesota, USA (engraving)
1054619 Sketches from a Prairie Farm in Minnesota, USA (engraving) by English School, (19th century); Private Collection; (add.info.: Sketches from a Prairie Farm in Minnesota, USA)

Background imageBinding Collection: Book Covers by M Gruel Engeemann, Paris (chromolitho)

Book Covers by M Gruel Engeemann, Paris (chromolitho)
961739 Book Covers by M Gruel Engeemann, Paris (chromolitho) by English School, (19th century); Private Collection; (add.info.: Book Covers by M Gruel Engeemann, Paris)

Background imageBinding Collection: binding

binding
Ivaylo and Teodora

Background imageBinding Collection: The warm climate of West Cornwall, with its coast near the Gulf Streams influence

The warm climate of West Cornwall, with its coast near the Gulf Streams influence, can grow sub tropical plants and vegetation

Background imageBinding Collection: The Sheaf Binder, 1853. Creator: Jacques-Adrien Lavieille

The Sheaf Binder, 1853. Creator: Jacques-Adrien Lavieille
The Sheaf Binder, 1853

Background imageBinding Collection: Mildness binding Cupids Wings, probably 18th century. Creator: P. J. Chaillou

Mildness binding Cupids Wings, probably 18th century. Creator: P. J. Chaillou
Mildness binding Cupids Wings, probably 18th century

Background imageBinding Collection: 16th century Bookbinders

16th century Bookbinders
Stages in the binding of a books : stitching the gatherings, flattening the sheets for insertion. Date: 16th century

Background imageBinding Collection: Benedictine Antiphonary, ca. 1467-70. Creator: Belbello da Pavia

Benedictine Antiphonary, ca. 1467-70. Creator: Belbello da Pavia
Benedictine Antiphonary, ca. 1467-70

Background imageBinding Collection: Book of Hours (Use of Utrecht): fol. 63r, Initial with Holy Trinity, c. 1460-1465

Book of Hours (Use of Utrecht): fol. 63r, Initial with Holy Trinity, c. 1460-1465. This manuscript is a collaborative effort of two talented illuminators with distinctive styles

Background imageBinding Collection: Book of Hours (Use of Utrecht): fol. 62v, The Nativity, c

Book of Hours (Use of Utrecht): fol. 62v, The Nativity, c. 1460-1465. This manuscript is a collaborative effort of two talented illuminators with distinctive styles

Background imageBinding Collection: Book of Hours (Use of Utrecht): fol. 175r, Text, c

Book of Hours (Use of Utrecht): fol. 175r, Text, c. 1460-1465. This manuscript is a collaborative effort of two talented illuminators with distinctive styles

Background imageBinding Collection: Book of Hours (Use of Utrecht): fol. 221v, Adoration of the Magi, c. 1460-1465. Creator

Book of Hours (Use of Utrecht): fol. 221v, Adoration of the Magi, c. 1460-1465. Creator
Book of Hours (Use of Utrecht): fol. 221v, Adoration of the Magi, c. 1460-1465. This manuscript is a collaborative effort of two talented illuminators with distinctive styles

Background imageBinding Collection: Book of Hours (Use of Utrecht): fol. 174v, Text, c

Book of Hours (Use of Utrecht): fol. 174v, Text, c. 1460-1465. This manuscript is a collaborative effort of two talented illuminators with distinctive styles

Background imageBinding Collection: Book of Hours (Use of Utrecht): fol. 158r, Text, c

Book of Hours (Use of Utrecht): fol. 158r, Text, c. 1460-1465. This manuscript is a collaborative effort of two talented illuminators with distinctive styles

Background imageBinding Collection: Book of Hours (Use of Utrecht): fol. 157v, Text, c

Book of Hours (Use of Utrecht): fol. 157v, Text, c. 1460-1465. This manuscript is a collaborative effort of two talented illuminators with distinctive styles

Background imageBinding Collection: Book of Hours (Use of Utrecht), c. 1460-1465. Creator: Master of Gijsbrecht van Brederode

Book of Hours (Use of Utrecht), c. 1460-1465. Creator: Master of Gijsbrecht van Brederode
Book of Hours (Use of Utrecht), c. 1460-1465. This manuscript is a collaborative effort of two talented illuminators with distinctive styles

Background imageBinding Collection: Book of Hours (Use of Utrecht): fol. 222r, Initial with Three Kings, c. 1460-1465

Book of Hours (Use of Utrecht): fol. 222r, Initial with Three Kings, c. 1460-1465. This manuscript is a collaborative effort of two talented illuminators with distinctive styles

Background imageBinding Collection: Book of Hours (Use of Utrecht): fol. 14r, Initial with The Nativity, c. 1460-1465

Book of Hours (Use of Utrecht): fol. 14r, Initial with The Nativity, c. 1460-1465. This manuscript is a collaborative effort of two talented illuminators with distinctive styles

Background imageBinding Collection: Reaper & Binder Competition, Mount Blowhard, near Ballarat, 1901. Creator: Unknown

Reaper & Binder Competition, Mount Blowhard, near Ballarat, 1901. Creator: Unknown
Reaper & Binder Competition, Mount Blowhard, near Ballarat, 1901. From " Federated Australia". [The Werner Company, London, 1901]

Background imageBinding Collection: The Duke of Queensberry and Dover presenting the Act of Union to Queen Anne, 1773

The Duke of Queensberry and Dover presenting the Act of Union to Queen Anne, 1773. James Douglas, (1662-1711) Scottish nobleman presenting the Acts of Union 1707 to Queen Anne

Background imageBinding Collection: Painting (formerly Machine), 1916 (oil on canvas)

Painting (formerly Machine), 1916 (oil on canvas)
3247965 Painting (formerly Machine), 1916 (oil on canvas) by Schamberg, Morton Livingston (1881-1918); 76.5x57.8 cm; Yale University Art Gallery, New Haven, CT, USA; American, out of copyright




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"Binding: From Ancient Techniques to Modern Science" Step into the world of binding, where artistry and science intertwine. Explore the delicate craft of bookbinding, as Bookbinding Tools from 1875 take center stage in preserving knowledge through time. Travel back in time with a Greek vase painting depicting Achilles and Patroclus, showcasing their unbreakable bond. Witness how even in ancient times, binding went beyond physical objects. Discover the microscopic realm where T lymphocytes bind to cancer cells, captured beautifully under SEM C001 / 1679. Marvel at the intricate dance between life and disease on a cellular level. Uncover the secrets behind anesthesia's power to inhibit ion channels with Anaesthetic inhibiting an ion channel C015 / 6718. See how this binding effect brings relief and comfort during medical procedures. Enter a bustling Bookbinding Workshop filled with artisans meticulously stitching pages together, breathing life into stories yet untold. Witness their dedication to preserving history one book at a time. Delve into Japanese culture as you admire Netsuke in the form of a demon queller and small demon from the Meiji Period (1868-1912). These tiny sculptures embody both beauty and protection through their bound forms. Marvel at EDTA crystals under a light microscope; these enchanting structures showcase nature's ability to create mesmerizing patterns when elements bind together harmoniously. Witness Achilles' unwavering loyalty as he binds Patroclus' wound on an ancient battlefield - an act that transcends mere friendship and symbolizes sacrifice for those we hold dear. Immerse yourself in artwork depicting cannabinoid receptor binding - a visual representation of how substances can interact with our bodies on molecular levels, unlocking new possibilities for medicine and wellness. Explore official wording within Apprenticeship Indenture documents that bind individuals to learn valuable skills from experienced masters - highlighting the importance of passing down knowledge through generations. Contemplate Chinese Foot-Binding, a practice that bound women's feet for centuries.