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British Art Collection (#4)

"British Art: A Tapestry of Timeless Masterpieces" Immerse yourself in the rich tapestry of British art

Background imageBritish Art Collection: Tulips in a Vase, with a Caterpillar, a Snail, and a Fly, on a Plinth in a Landscape

Tulips in a Vase, with a Caterpillar, a Snail, and a Fly, on a Plinth in a Landscape
824175 Tulips in a Vase, with a Caterpillar, a Snail, and a Fly, on a Plinth in a Landscape, 1826 (oil on panel) by Sillett, James (1764-1840); 54x43.8

Background imageBritish Art Collection: A Still Life with a Jug, Apples, Plums, Grapes and Flowers

A Still Life with a Jug, Apples, Plums, Grapes and Flowers
824128 A Still Life with a Jug, Apples, Plums, Grapes and Flowers, (pencil and watercolour with bodycolour) by Bartholomew, Valentine (1799-1879); 35x46.4

Background imageBritish Art Collection: Portsmouth Harbour from Gosport, (pencil and watercolour)

Portsmouth Harbour from Gosport, (pencil and watercolour)
824126 Portsmouth Harbour from Gosport, (pencil and watercolour) by Shepherd, George Sidney (1784-1862); 17.3x26.2 cm; Private Collection; (add.info.: Portsmouth Harbour from Gosport)

Background imageBritish Art Collection: Papaya, (pencil and watercolour)

Papaya, (pencil and watercolour)
824117 Papaya, (pencil and watercolour) by Ehret, Georg Dionysius (1710-70); 53.2x36.9 cm; Private Collection; (add.info.: Papaya. Georg Dionysius Ehret (1710-1770). Pencil and watercolour

Background imageBritish Art Collection: Portrait of Edward Stuart, Bust Length, with Flowing Hair and Lace Stock

Portrait of Edward Stuart, Bust Length, with Flowing Hair and Lace Stock
824098 Portrait of Edward Stuart, Bust Length, with Flowing Hair and Lace Stock, (coloured chalks and bodycolour on buff paper) by Ashfield

Background imageBritish Art Collection: The Butchers Stall, Leadenhall Market, (pencil, pen and ink on mount)

The Butchers Stall, Leadenhall Market, (pencil, pen and ink on mount)
824097 The Butchers Stall, Leadenhall Market, (pencil, pen and ink on mount) by Rowlandson, Thomas (1756-1827); 22.9x29.5 cm; Private Collection; (add.info.: The Butchers Stall, Leadenhall Market)

Background imageBritish Art Collection: A Boy making a Dog dance by the Bole of an Ancient Gnarled Beech Tree, (bodycolour)

A Boy making a Dog dance by the Bole of an Ancient Gnarled Beech Tree, (bodycolour)
824095 A Boy making a Dog dance by the Bole of an Ancient Gnarled Beech Tree, (bodycolour) by Sandby, Paul (1725-1809); 44.4x57.8 cm; Private Collection; (add.info)

Background imageBritish Art Collection: Conway Castle, with John Smith The Blind Harper in the foreground, 1796 (pencil

Conway Castle, with John Smith The Blind Harper in the foreground, 1796 (pencil
824085 Conway Castle, with John Smith The Blind Harper in the foreground, 1796 (pencil, pen and ink) by Ibbetson, Julius Caesar (1759-1817); 36.3x50.8 cm; Private Collection; (add.info)

Background imageBritish Art Collection: Twenty-four moths, in three columns, mostly belonging to the family Noctuidae

Twenty-four moths, in three columns, mostly belonging to the family Noctuidae
824073 Twenty-four moths, in three columns, mostly belonging to the family Noctuidae, (watercolour with bodycolour on grey paper) by Rowan

Background imageBritish Art Collection: Fifteen Swallowtail butterflies (Family Papilionidae) in three columns

Fifteen Swallowtail butterflies (Family Papilionidae) in three columns
824069 Fifteen Swallowtail butterflies (Family Papilionidae) in three columns, (watercolour with bodycolour on grey paper) by Rowan

Background imageBritish Art Collection: Spoonbill (Spoon-billed) Sandpiper, (pencil and watercolour)

Spoonbill (Spoon-billed) Sandpiper, (pencil and watercolour)
824066 Spoonbill (Spoon-billed) Sandpiper, (pencil and watercolour) by Richter, Henry Constantine (1821-1902); 35.9x53.7 cm; Private Collection; (add.info.: Spoonbill (Spoon-billed) Sandpiper

Background imageBritish Art Collection: Portrait of Elizabeth Siddal, in Profile to the Right, (watercolour)

Portrait of Elizabeth Siddal, in Profile to the Right, (watercolour)
824048 Portrait of Elizabeth Siddal, in Profile to the Right, (watercolour) by Rossetti, Dante Gabriel Charles (1828-82); 18.1x16.1 cm; Private Collection; (add.info.: Portrait of Elizabeth Siddal)

Background imageBritish Art Collection: Music at the Parsonage, (oil on canvas)

Music at the Parsonage, (oil on canvas)
652199 Music at the Parsonage, (oil on canvas) by Hardy, Frederick Daniel (1826-1911); 74.9x107.3 cm; Private Collection; (add.info.: Music at the Parsonage. Frederick Daniel Hardy (1826-1911)

Background imageBritish Art Collection: A Scene from Love in a Village by Isaac Bickerstaffe, Act 1, Scene 2

A Scene from Love in a Village by Isaac Bickerstaffe, Act 1, Scene 2
652189 A Scene from Love in a Village by Isaac Bickerstaffe, Act 1, Scene 2, with Edward Shuter as Justice Woodcock, John Beard as Hawthorn, and John Dunstall as Hodge, (oil on canvas) by Zoffany

Background imageBritish Art Collection: Henry III Replying to the Archbishop of Canterbury and the Bishops of Salisbury

Henry III Replying to the Archbishop of Canterbury and the Bishops of Salisbury
652185 Henry III Replying to the Archbishop of Canterbury and the Bishops of Salisbury, Winchester and Carlisle, Who Were Demanding a Reformation in the State

Background imageBritish Art Collection: A Farmyard with Horses and Ponies, Berkshire, Saddlebacks, Alderney Shorthorn Cattle

A Farmyard with Horses and Ponies, Berkshire, Saddlebacks, Alderney Shorthorn Cattle
652183 A Farmyard with Horses and Ponies, Berkshire, Saddlebacks, Alderney Shorthorn Cattle, Bantams, Mallard and Guinea Fowl, with a Country Mansion by a River in the Distance

Background imageBritish Art Collection: Portrait of Mrs. Ellen Morewood, Standing Full Length, in a Yellow Dress

Portrait of Mrs. Ellen Morewood, Standing Full Length, in a Yellow Dress
652180 Portrait of Mrs. Ellen Morewood, Standing Full Length, in a Yellow Dress, Blue Sash and Mauve Wrap, Leaning Her Left Arm on a Pedestal, (oil on canvas) by Romney

Background imageBritish Art Collection: Portrait of William Perry, Aged 21, Standing, Full Length

Portrait of William Perry, Aged 21, Standing, Full Length
652174 Portrait of William Perry, Aged 21, Standing, Full Length, in a Gold Embroidered Brown Coat, by a Balustrade, with the Colosseum Beyond, (oil on canvas) by David

Background imageBritish Art Collection: Il Penseroso, or Melancholy: A Female Figure, Full Length, Wearing Pale Green Robes

Il Penseroso, or Melancholy: A Female Figure, Full Length, Wearing Pale Green Robes
652161 Il Penseroso, or Melancholy: A Female Figure, Full Length, Wearing Pale Green Robes, Standing in a Landscape, Resting Her Left Elbow on a Pedestal Bearing a Classical Frieze

Background imageBritish Art Collection: Portrait of Dr James Hutton, Seated Three-Quarter Length in a Brown Jacket

Portrait of Dr James Hutton, Seated Three-Quarter Length in a Brown Jacket
652155 Portrait of Dr James Hutton, Seated Three-Quarter Length in a Brown Jacket and Breeches and White Stock, a Pile of Geological Specimens on the Table Beside Him, (oil on canvas) by Raeburn

Background imageBritish Art Collection: Portrait of a Young Gentleman, thought to be the Duke of Richmond, Bust Length

Portrait of a Young Gentleman, thought to be the Duke of Richmond, Bust Length
652151 Portrait of a Young Gentleman, thought to be the Duke of Richmond, Bust Length, Wearing Armour, c.1650 (oil on canvas laid down on board) by Lely

Background imageBritish Art Collection: Portrait of a Lady, Possibly the Duchess of Ancaster, Three-Quarter Length

Portrait of a Lady, Possibly the Duchess of Ancaster, Three-Quarter Length
652138 Portrait of a Lady, Possibly the Duchess of Ancaster, Three-Quarter Length, as a Shepherdess, in a White Satin Dress and Bonnet, in a Landscape, (oil on canvas) by Jervas

Background imageBritish Art Collection: Portrait of a Gentleman, Possibly the Artist, half-length, in a Brown Cloak and Blue Wrap

Portrait of a Gentleman, Possibly the Artist, half-length, in a Brown Cloak and Blue Wrap
652136 Portrait of a Gentleman, Possibly the Artist, half-length, in a Brown Cloak and Blue Wrap, Beside a Marble Bust, in a Rocky Landscape, (oil on canvas) by Dobson

Background imageBritish Art Collection: The Mordaunt Family, (oil on canvas)

The Mordaunt Family, (oil on canvas)
652135 The Mordaunt Family, (oil on canvas) by Vaslet, Lewis (1770-1808); 62.2x74.9 cm; Private Collection; (add.info.: The Mordaunt Family. Lewis Vaslet (1742-1808). Oil on canvas

Background imageBritish Art Collection: Belshazzars Feast, 1820 (oil on canvas)

Belshazzars Feast, 1820 (oil on canvas)
652134 Belshazzars Feast, 1820 (oil on canvas) by Martin, John (1789-1854); 160x249 cm; Private Collection; (add.info.: Belshazzars Feast. John Martin (1789-1854). Oil on canvas. Dated 1820

Background imageBritish Art Collection: Portrait of the Artist and Thomas Jervais as Adoring Shepherds, (oil on canvas)

Portrait of the Artist and Thomas Jervais as Adoring Shepherds, (oil on canvas)
652130 Portrait of the Artist and Thomas Jervais as Adoring Shepherds, (oil on canvas) by Reynolds, Joshua (1723-92); 105.4x89.3 cm; Private Collection; (add.info)

Background imageBritish Art Collection: Portrait of a Boy, Full-Length, in a Brown Coat, Blue Waistcoat with Silver Braid

Portrait of a Boy, Full-Length, in a Brown Coat, Blue Waistcoat with Silver Braid
652126 Portrait of a Boy, Full-Length, in a Brown Coat, Blue Waistcoat with Silver Braid, Holding a Cherry to a Parrot, a Spaniel to His Side, with Fruits on a Stand, 1741 (oil on canvas) by Heins

Background imageBritish Art Collection: Portrait of Anne, Countess Winterton, Standing three-quarter length, Wearing a Blue Dress

Portrait of Anne, Countess Winterton, Standing three-quarter length, Wearing a Blue Dress
652121 Portrait of Anne, Countess Winterton, Standing three-quarter length, Wearing a Blue Dress, and Lace-Trimmed Shawl, Holding a Fan, in a Landscape, (oil on canvas) by Reynolds

Background imageBritish Art Collection: The Bard, 1809 (oil on canvas)

The Bard, 1809 (oil on canvas)
652118 The Bard, 1809 (oil on canvas) by West, Benjamin (1738-1820); 243.8x182.8 cm; Private Collection; (add.info.: The Bard. Benjamin West (1738-1820). Oil on canvas. Dated 1809. 243.8 x 182.8cm

Background imageBritish Art Collection: Old Northumberland House, Charing Cross, (oil on canvas)

Old Northumberland House, Charing Cross, (oil on canvas)
652116 Old Northumberland House, Charing Cross, (oil on canvas) by Paul, John Dean (1775-1852); 123.2x187 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageBritish Art Collection: Pharaohs Horses, 1848 (oil on canvas)

Pharaohs Horses, 1848 (oil on canvas)
652114 Pharaohs Horses, 1848 (oil on canvas) by Herring Snr, John Frederick (1795-1865); 78.8 diam cm; Private Collection; (add.info.: Pharaohs Horses. John Frederick Herring, Sr. (1795-1865)

Background imageBritish Art Collection: Children Playing Outside a Cottage in a Village, (watercolour heightened with white

Children Playing Outside a Cottage in a Village, (watercolour heightened with white
652106 Children Playing Outside a Cottage in a Village, (watercolour heightened with white on board) by Strachan, Arthur Claude (1865-1935); 28.3x45.4 cm; Private Collection; (add.info)

Background imageBritish Art Collection: Lucerne from the Lake, 1862 (pencil and watercolour)

Lucerne from the Lake, 1862 (pencil and watercolour)
652085 Lucerne from the Lake, 1862 (pencil and watercolour) by Callow, William (1812-1908); 27.3x73.9 cm; Private Collection; (add.info.: Lucerne from the Lake. William Callow (1812-1908)

Background imageBritish Art Collection: The Woolpack Inn: Arrival of The Flying Waggon, (pencil

The Woolpack Inn: Arrival of The Flying Waggon, (pencil
652083 The Woolpack Inn: Arrival of The Flying Waggon, (pencil, pen and brown ink and watercolour) by Rowlandson, Thomas (1756-1827); 24.4x38.1 cm; Private Collection; (add.info.: The Woolpack Inn)

Background imageBritish Art Collection: A Mute Appeal, (pencil and watercolour)

A Mute Appeal, (pencil and watercolour)
652018 A Mute Appeal, (pencil and watercolour) by Wilson, Charles Edward (1853-1941); 25.7x17.1 cm; Private Collection; (add.info.: A Mute Appeal. Charles Edward Wilson (1854-1941)

Background imageBritish Art Collection: Watching the Ducks, (watercolour heightened with white)

Watching the Ducks, (watercolour heightened with white)
652017 Watching the Ducks, (watercolour heightened with white) by Strachan, Arthur Claude (1865-1935); 29.2x46.3 cm; Private Collection; (add.info.: Watching the Ducks)

Background imageBritish Art Collection: View of Prince Alberts Swiss Cottage, 1847 (pencil

View of Prince Alberts Swiss Cottage, 1847 (pencil
652000 View of Prince Alberts Swiss Cottage, 1847 (pencil and watercolour with touches of white heightening) by Swarbreck

Background imageBritish Art Collection: The Royal Lodge, Windsor Park, (pencil and watercolour)

The Royal Lodge, Windsor Park, (pencil and watercolour)
651988 The Royal Lodge, Windsor Park, (pencil and watercolour) by Daniell, William (1769-1837); 30.1x50.1 cm; Private Collection; (add.info.: The Royal Lodge, Windsor Park)

Background imageBritish Art Collection: View from the Round Tower, Windsor Castle, 1827 (pencil and watercolour)

View from the Round Tower, Windsor Castle, 1827 (pencil and watercolour)
651986 View from the Round Tower, Windsor Castle, 1827 (pencil and watercolour) by Daniell, William (1769-1837); 30.1x50.4 cm; Private Collection; (add.info.: View from the Round Tower)

Background imageBritish Art Collection: Thirlwall Castle, Northumberland, (pencil and watercolour heightened with white)

Thirlwall Castle, Northumberland, (pencil and watercolour heightened with white)
651982 Thirlwall Castle, Northumberland, (pencil and watercolour heightened with white) by Hine, Henry George (1811-95); 72.4x124.5 cm; Private Collection; (add.info.: Thirlwall Castle)

Background imageBritish Art Collection: Fishing Boats Off Yarmouth, 1832 (pencil and watercolour)

Fishing Boats Off Yarmouth, 1832 (pencil and watercolour)
651980 Fishing Boats Off Yarmouth, 1832 (pencil and watercolour) by Cotman, John Sell (1782-1842); 36.1x53.9 cm; Private Collection; (add.info.: Fishing Boats Off Yarmouth)

Background imageBritish Art Collection: Figures Outside an Elegant Country House, (pencil, pen and grey ink

Figures Outside an Elegant Country House, (pencil, pen and grey ink
651967 Figures Outside an Elegant Country House, (pencil, pen and grey ink, watercolour heightened with white) by Malton Jnr

Background imageBritish Art Collection: An Arab Wedding Procession Through Cairo, (watercolour and bodycolour)

An Arab Wedding Procession Through Cairo, (watercolour and bodycolour)
651963 An Arab Wedding Procession Through Cairo, (watercolour and bodycolour) by Crompton, James Shaw (1853-1916); 74.9x57.1 cm; Private Collection; (add.info)

Background imageBritish Art Collection: The Pied Piper and the Children, (pen and black ink and watercolour, laid on card)

The Pied Piper and the Children, (pen and black ink and watercolour, laid on card)
651962 The Pied Piper and the Children, (pen and black ink and watercolour, laid on card) by Rackham, Arthur (1867-1939); 21.5x13.8 cm; Private Collection; (add.info)

Background imageBritish Art Collection: Tithe in Kind, (watercolour)

Tithe in Kind, (watercolour)
651958 Tithe in Kind, (watercolour) by Hughes, Edward Robert (1851-1914); 47.3x27 cm; Private Collection; (add.info.: Tithe in Kind. Edward Robert Hughes (1851-1914). Watercolour

Background imageBritish Art Collection: The Mill Stream in Spring, (watercolour heightened with white)

The Mill Stream in Spring, (watercolour heightened with white)
651956 The Mill Stream in Spring, (watercolour heightened with white) by Hopkins, Arthur (1848-1930); 45.7x35.6 cm; Private Collection; (add.info.: The Mill Stream in Spring)

Background imageBritish Art Collection: The Sierra Nevada from the Alhambra, (pencil and watercolour heightened with white)

The Sierra Nevada from the Alhambra, (pencil and watercolour heightened with white)
651955 The Sierra Nevada from the Alhambra, (pencil and watercolour heightened with white) by Foster, Myles Birket (1825-99); 25.4x38.4 cm; Private Collection; (add.info)

Background imageBritish Art Collection: Studies of Butterflies and Insects, (pencil, pen and ink with touches of white

Studies of Butterflies and Insects, (pencil, pen and ink with touches of white
651952 Studies of Butterflies and Insects, (pencil, pen and ink with touches of white heightening and bodyco) by Edwards, Sydenham Teast (c.1768-1819); 24.4x20.9 cm; Private Collection; (add.info)




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"British Art: A Tapestry of Timeless Masterpieces" Immerse yourself in the rich tapestry of British art, where history and creativity intertwine to create breathtaking masterpieces. From epic battles to serene landscapes, from intimate portraits to whimsical scenes, each artwork tells a unique story that captures the essence of British culture. "The Battle of Trafalgar" (oil on canvas) transports us back to 1805, depicting Admiral Nelson's heroic victory against Napoleon's fleet. The vivid brushstrokes and dramatic composition evoke the intensity of this historic naval battle. In "A Woman Reading at a Window, 1933" (oil on canvas), we witness a quiet moment frozen in time. The soft lighting illuminates her contemplative expression as she immerses herself in literature, inviting us into her world of introspection. Orlando, a magnificent bay racehorse immortalized in "Orlando, a Bay Racehorse in a Loosebox, 1845" (oil on panel), exudes strength and elegance. The artist's attention to detail captures every sinew and muscle with precision and grace. "A Lady Walking in a Garden, " standing tall while holding her small child's hand portrays an endearing bond between mother and child. This full-length portrait encapsulates love and tenderness within its frame. The idyllic countryside comes alive through "Children Feeding Ducks Beside a Cottage in a Wooded Lane" (watercolor with white heightening on board). It invites us into this peaceful scene where children connect with nature amidst charming rural surroundings. With delicate pencil strokes heightened by watercolor touches, "Teatime" reveals an enchanting moment shared over tea. This delightful work evokes warmth and conviviality as friends gather for conversation amidst cozy surroundings. Step into the mystical realm depicted by "The Fortune Teller" (oil on canvas).