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British Art Collection (#6)

"British Art: A Tapestry of Timeless Masterpieces" Immerse yourself in the rich tapestry of British art

Background imageBritish Art Collection: Royal, a Tri-Colour Working Springer Spaniel (oil on canvas)

Royal, a Tri-Colour Working Springer Spaniel (oil on canvas)
1766681 Royal, a Tri-Colour Working Springer Spaniel (oil on canvas) by Cheviot, Lilian (fl.1894-1930); Private Collection; (add.info.: Royal, a Tri-Colour Working Springer Spaniel)

Background imageBritish Art Collection: Pink Azalea and Oranges, c. 1913 (oil on canvas)

Pink Azalea and Oranges, c. 1913 (oil on canvas)
1766660 Pink Azalea and Oranges, c.1913 (oil on canvas) by Peploe, Samuel John (1871-1935); Private Collection; (add.info.: Pink Azalea and Oranges. Samuel John Peploe (1871-1935). Oil on canvas

Background imageBritish Art Collection: Ile de Brehat, Brittany (oil on panel)

Ile de Brehat, Brittany (oil on panel)
1766651 Ile de Brehat, Brittany (oil on panel) by Peploe, Samuel John (1871-1935); Private Collection; (add.info.: Ile de Brehat, Brittany. Samuel John Peploe (1871-1935)

Background imageBritish Art Collection: Marseilles (oil on board)

Marseilles (oil on board)
1766649 Marseilles (oil on board) by Hunter, George Leslie (1877-1931); Private Collection; (add.info.: Marseilles. George Leslie Hunter (1877-1931)

Background imageBritish Art Collection: Day (pencil and watercolour)

Day (pencil and watercolour)
1766638 Day (pencil and watercolour) by Hughes, Edward Robert (1851-1914); 25.5x18.5 cm; Private Collection; (add.info.: Day. Edward Robert Hughes (1851-1914). Pencil and watercolour

Background imageBritish Art Collection: Pink Roses in a Glass Vase, 1911 (oil on board)

Pink Roses in a Glass Vase, 1911 (oil on board)
1766635 Pink Roses in a Glass Vase, 1911 (oil on board) by Cadell, Francis Campbell Boileau (1883-1937); 72.3x50.8 cm; Private Collection; (add.info.: Pink Roses in a Glass Vase)

Background imageBritish Art Collection: A Dance Round the Moon (pen and black ink and watercolour)

A Dance Round the Moon (pen and black ink and watercolour)
1766633 A Dance Round the Moon (pen and black ink and watercolour) by Doyle, Charles Altamont (1832-93); 24.7x38.7 cm; Private Collection; (add.info.: A Dance Round the Moon)

Background imageBritish Art Collection: A hand coloured lithographed scene of a man proposing, c

A hand coloured lithographed scene of a man proposing, c
1765068 A hand coloured lithographed scene of a man proposing, c.1800 (hand coloured lithoraph on card) by English School

Background imageBritish Art Collection: St. Joan of Arc (pencil and pastel on buff paper)

St. Joan of Arc (pencil and pastel on buff paper)
1765047 St. Joan of Arc (pencil and pastel on buff paper) by Richmond, William Blake (1842-1921); 71.3x56 cm; Private Collection; (add.info.: St. Joan of Arc. Sir William Blake Richmond (1842-1921)

Background imageBritish Art Collection: Sir William Thornhill ( Mr Burchell ) recognised by Bill and Dick: So-saying

Sir William Thornhill ( Mr Burchell ) recognised by Bill and Dick: So-saying
1765036 Sir William Thornhill ( Mr Burchell ) recognised by Bill and Dick: So-saying, he gave each a large piece of gingerbread (pen, black ink and watercolour) by Rackham

Background imageBritish Art Collection: The Pantiles, Tunbridge Wells (watercolour and bodycolour)

The Pantiles, Tunbridge Wells (watercolour and bodycolour)
1765026 The Pantiles, Tunbridge Wells (watercolour and bodycolour) by Rayner, Louise Ingram (1832-1924); Private Collection; (add.info.: The Pantiles, Tunbridge Wells. Louise Rayner (1832-1924)

Background imageBritish Art Collection: An Old Well, Brook, Surrey (watercolour)

An Old Well, Brook, Surrey (watercolour)
1765025 An Old Well, Brook, Surrey (watercolour) by Allingham, Helen (1848-1926); 20.3x14.7 cm; Private Collection; (add.info.: An Old Well, Brook, Surrey. Helen Allingham (1848-1926)

Background imageBritish Art Collection: The Breedwell Family, 1807 (pen, ink and watercolour)

The Breedwell Family, 1807 (pen, ink and watercolour)
1765022 The Breedwell Family, 1807 (pen, ink and watercolour) by Rowlandson, Thomas (1756-1827); 9, 8x17, 7 cm; Private Collection; (add.info.: The Breedwell Family. Thomas Rowlandson (1756-1827)

Background imageBritish Art Collection: Portrait of Sir Alexander Don, Seated Half Length, Seated in a Green Coat with His Daughter

Portrait of Sir Alexander Don, Seated Half Length, Seated in a Green Coat with His Daughter, Elizabeth
652194 Portrait of Sir Alexander Don, Seated Half Length, Seated in a Green Coat with His Daughter, Elizabeth, Leaning on His Shoulder, (oil on canvas) by Raeburn

Background imageBritish Art Collection: A Group Portrait of a Christening Party with a Lady Seated Full Length, with Her Husband Behind Her

A Group Portrait of a Christening Party with a Lady Seated Full Length, with Her Husband Behind Her
652192 A Group Portrait of a Christening Party with a Lady Seated Full Length, with Her Husband Behind Her, Her Child Attended by an Ayah and Four Godparents, (oil on canvas) by Hickey

Background imageBritish Art Collection: The Thames from the Terrace of Somerset House Looking Towards Westminster, 1750 (oil on canvas)

The Thames from the Terrace of Somerset House Looking Towards Westminster, 1750 (oil on canvas)
652191 The Thames from the Terrace of Somerset House Looking Towards Westminster, 1750 (oil on canvas) by Joli, Antonio (1700-77); 99x124.5 cm; Private Collection; (add.info)

Background imageBritish Art Collection: Portrait of a Cavalry Officer in Walking-Out Dress, Three-Quarter Length

Portrait of a Cavalry Officer in Walking-Out Dress, Three-Quarter Length
652187 Portrait of a Cavalry Officer in Walking-Out Dress, Three-Quarter Length, Leaning on a Pedestal by a Bust of Mars, 1774 (oil on canvas) by Batoni

Background imageBritish Art Collection: Shoeing the Favourite, 1865 (oil on canvas)

Shoeing the Favourite, 1865 (oil on canvas)
652184 Shoeing the Favourite, 1865 (oil on canvas) by Herring Snr, John Frederick (1795-1865); 73.6x100.4 cm; Private Collection; (add.info.: Shoeing the Favourite. John Frederick Herring, Sr)

Background imageBritish Art Collection: Portrait of George Morewood, Standing Full Length, in a Green Coat

Portrait of George Morewood, Standing Full Length, in a Green Coat
652179 Portrait of George Morewood, Standing Full Length, in a Green Coat, Waistcoat and Breeches, Holding a Hat in His Left Hand, a Cane in His Right, (oil on canvas) by Romney

Background imageBritish Art Collection: Portrait of King George II When Prince of Wales, Full Length, Wearing State Robes

Portrait of King George II When Prince of Wales, Full Length, Wearing State Robes
652172 Portrait of King George II When Prince of Wales, Full Length, Wearing State Robes and the Collar of the Order of the Garter, Holding His Sword in His Left Hand

Background imageBritish Art Collection: Marske (oil on canvas)

Marske (oil on canvas)
652164 Marske (oil on canvas) by Stubbs, George (1724-1806); 101.9x127.1 cm; Private Collection; (add.info.: Marske, a Dark Bay Racehorse, in a Rocky River Landscape. George Stubbs (1724-1806)

Background imageBritish Art Collection: Portrait of Erasmus Darwin, Half Length, in a Buff Coat and White Shirt, (oil on canvas)

Portrait of Erasmus Darwin, Half Length, in a Buff Coat and White Shirt, (oil on canvas)
652153 Portrait of Erasmus Darwin, Half Length, in a Buff Coat and White Shirt, (oil on canvas) by Wright of Derby, Joseph (1734-97); 73.6x61 cm; Private Collection; (add.info)

Background imageBritish Art Collection: Stallion and Mare, traditionally called Jupiter and Mare (oil on canvas)

Stallion and Mare, traditionally called Jupiter and Mare (oil on canvas)
652145 Stallion and Mare, traditionally called Jupiter and Mare (oil on canvas) by Stubbs, George (1724-1806); 101x127 cm; Private Collection; (add.info.: Stallion and Mare)

Background imageBritish Art Collection: Jack Spigot, a Dark Bay Racehorse in a Paddock at Bolton Hall, 1824 (oil on canvas)

Jack Spigot, a Dark Bay Racehorse in a Paddock at Bolton Hall, 1824 (oil on canvas)
652144 Jack Spigot, a Dark Bay Racehorse in a Paddock at Bolton Hall, 1824 (oil on canvas) by Herring Snr, John Frederick (1795-1865); 101.6x128.9 cm; Private Collection; (add.info.: Jack Spigot)

Background imageBritish Art Collection: Jerusalem (looking South), 1860 (oil on canvas)

Jerusalem (looking South), 1860 (oil on canvas)
828484 Jerusalem (looking South), 1860 (oil on canvas) by Roberts, David (1796-1864); 122.5x183.5 cm; Private Collection; (add.info.: Jerusalem (looking South). David Roberts (1796-1864)

Background imageBritish Art Collection: Portrait of Mary Anderson, (oil on canvas)

Portrait of Mary Anderson, (oil on canvas)
828437 Portrait of Mary Anderson, (oil on canvas) by Watts, George Frederic (1817-1904); 127x103 cm; Private Collection; (add.info.: Portrait of Mary Anderson. George Frederic Watts (1817-1904)

Background imageBritish Art Collection: A Stranger in their Midst, (watercolour on paper)

A Stranger in their Midst, (watercolour on paper)
828413 A Stranger in their Midst, (watercolour on paper) by Hughes, A. Foord (1856-1914); 68.5x92 cm; Private Collection; (add.info.: A Stranger in their Midst. Arthur Foord Hughes (1856-1914)

Background imageBritish Art Collection: The Mariners Wife, (pencil and watercolour)

The Mariners Wife, (pencil and watercolour)
828410 The Mariners Wife, (pencil and watercolour) by Todd, Ralph (1856-1932); 43.2x29.3 cm; Private Collection; (add.info.: The Mariners Wife. Ralph Todd (1856-1932). Pencil and watercolour

Background imageBritish Art Collection: The Press Gang, (pencil and watercolour)

The Press Gang, (pencil and watercolour)
828409 The Press Gang, (pencil and watercolour) by Kilburne, George Goodwin (1839-1924); 44.5x62.3 cm; Private Collection; (add.info.: The Press Gang. George Goodwin Kilburne (1839-1924)

Background imageBritish Art Collection: A Venetian al Fresco, 1885 (oil on canvas)

A Venetian al Fresco, 1885 (oil on canvas)
828404 A Venetian al Fresco, 1885 (oil on canvas) by Logsdail, William (1859-1944); 103.8x167.7 cm; Private Collection; (add.info.: A Venetian al Fresco. William Logsdail (1859-1944). Oil on canvas

Background imageBritish Art Collection: Fishing Craft with the Rivere degli Schiavoni, Venice, beyond, (oil on canvas)

Fishing Craft with the Rivere degli Schiavoni, Venice, beyond, (oil on canvas)
828399 Fishing Craft with the Rivere degli Schiavoni, Venice, beyond, (oil on canvas) by Hunt, E. Aubrey (1855-1922); 193x131.4 cm; Private Collection; (add.info)

Background imageBritish Art Collection: The Deer Pass, c. 1852 (oil on canvas)

The Deer Pass, c. 1852 (oil on canvas)
828395 The Deer Pass, c.1852 (oil on canvas) by Landseer, Edwin (1802-73); 88.1x213.4 cm; Private Collection; (add.info.: The Deer Pass. Sir Edwin Henry Landseer (1802-1873). Oil on canvas

Background imageBritish Art Collection: Lytham Sandhills, 1864 (oil on canvas)

Lytham Sandhills, 1864 (oil on canvas)
828393 Lytham Sandhills, 1864 (oil on canvas) by Ansdell, Richard (1815-85); 91.8x183.5 cm; Private Collection; (add.info.: Lytham Sandhills. Richard Ansdell (1815-1885). Oil on canvas. Dated 1864

Background imageBritish Art Collection: Watergate Street, Chester, Looking West, (pencil and watercolour)

Watergate Street, Chester, Looking West, (pencil and watercolour)
828389 Watergate Street, Chester, Looking West, (pencil and watercolour) by Rayner, Louise Ingram (1832-1924); 42.6x54. cm; Private Collection; (add.info.: Watergate Street, Chester, Looking West)

Background imageBritish Art Collection: The Ferry, 1881 (oil on canvas)

The Ferry, 1881 (oil on canvas)
828386 The Ferry, 1881 (oil on canvas) by Macbeth, Robert Walker (1848-1910); 121.9x213.4 cm; Private Collection; (add.info.: The Ferry. Robert Walker Macbeth (1848-1910). Oil on canvas. Dated 1881

Background imageBritish Art Collection: The Thames from Hungerford Bridge, 1871 (oil on canvas)

The Thames from Hungerford Bridge, 1871 (oil on canvas)
824276 The Thames from Hungerford Bridge, 1871 (oil on canvas) by Anderson, John MacVicar (1835-1915); 76x152.5 cm; Private Collection; (add.info.: The Thames from Hungerford Bridge)

Background imageBritish Art Collection: Portrait of Samuel Martin, Bust Length, in a Pink Coat, White Stock

Portrait of Samuel Martin, Bust Length, in a Pink Coat, White Stock
824268 Portrait of Samuel Martin, Bust Length, in a Pink Coat, White Stock and Lace-Edged White Shirt, with His Right Hand Tucked into His Jacket, c.1763 (oil on canvas) by Hogarth

Background imageBritish Art Collection: The Woman Clothed with the Sun Fleeth from the Persecution of the Dragon

The Woman Clothed with the Sun Fleeth from the Persecution of the Dragon
824263 The Woman Clothed with the Sun Fleeth from the Persecution of the Dragon, (oil on paper laid on panel) by West, Benjamin (1738-1820); 144x65 cm; Private Collection; (add.info)

Background imageBritish Art Collection: It is better to hear the rebuke of the wise than for a man to hear the song of fools

It is better to hear the rebuke of the wise than for a man to hear the song of fools
989552 It is better to hear the rebuke of the wise than for a man to hear the song of fools, 1901 (oil on panel) by Shaw, John Byam Liston (1872-1919); 40.6x29.8 cm; Private Collection; (add.info)

Background imageBritish Art Collection: Portrait of the Baroness Burdett Coutts and her Companion Mrs

Portrait of the Baroness Burdett Coutts and her Companion Mrs
1199594 Portrait of the Baroness Burdett Coutts and her Companion Mrs. Brown, Edinburgh, 1874, (oil on canvas, framed) by Drummond

Background imageBritish Art Collection: Portrait of Laura Lyttelton, nee Tennant, with her Eyes Downcast, 1885 (pencil

Portrait of Laura Lyttelton, nee Tennant, with her Eyes Downcast, 1885 (pencil
1199585 Portrait of Laura Lyttelton, nee Tennant, with her Eyes Downcast, 1885 (pencil, red and black chalk on paper) by Burne-Jones

Background imageBritish Art Collection: A Portrait of William Michael Rossetti (1829-1919), 1839-40 (pencil and w / c on card)

A Portrait of William Michael Rossetti (1829-1919), 1839-40 (pencil and w / c on card)
1199581 A Portrait of William Michael Rossetti (1829-1919), 1839-40 (pencil and w/c on card) by Pistrucci, Filippo (fl.1815-56); 16.2x12.4 cm; Private Collection; (add.info.: Pistrucci)

Background imageBritish Art Collection: King Lear and the Fool (Shakespeare, King Lear, Act III, Scene II) (oil on canvas)

King Lear and the Fool (Shakespeare, King Lear, Act III, Scene II) (oil on canvas)
1767299 King Lear and the Fool (Shakespeare, King Lear, Act III, Scene II) (oil on canvas) by Sullivan, William Holmes (1836-1908); 93x71.3 cm; Private Collection; (add.info)

Background imageBritish Art Collection: Day and the Dawnstar (oil on canvas)

Day and the Dawnstar (oil on canvas)
1767298 Day and the Dawnstar (oil on canvas) by Draper, Herbert James (1864-1920); 43x32 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageBritish Art Collection: A Group Portrait of the Chambers Family, (oil on canvas)

A Group Portrait of the Chambers Family, (oil on canvas)
824202 A Group Portrait of the Chambers Family, (oil on canvas) by Seton, John Thomas (c.1735-1806); 95x124.5 cm; Private Collection; (add.info.: A Group Portrait of the Chambers Family)

Background imageBritish Art Collection: Portrait of the Actor, William Powell (1735-1769), as Posthumous

Portrait of the Actor, William Powell (1735-1769), as Posthumous
824188 Portrait of the Actor, William Powell (1735-1769), as Posthumous in Cymbeline Act V, Scene I, (oil on canvas) by Wheatley, Francis (1747-1801) (attr)

Background imageBritish Art Collection: Portrait of John Lindsay, 20th Earl of Crawford and Lindsay, full length

Portrait of John Lindsay, 20th Earl of Crawford and Lindsay, full length
824181 Portrait of John Lindsay, 20th Earl of Crawford and Lindsay, full length, in Hussar Uniform, holding a Flintlock Musket, a Landscape beyond, c.1745 (oil on canvas) by Scottish School




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"British Art: A Tapestry of Timeless Masterpieces" Immerse yourself in the rich tapestry of British art, where history and creativity intertwine to create breathtaking masterpieces. From epic battles to serene landscapes, from intimate portraits to whimsical scenes, each artwork tells a unique story that captures the essence of British culture. "The Battle of Trafalgar" (oil on canvas) transports us back to 1805, depicting Admiral Nelson's heroic victory against Napoleon's fleet. The vivid brushstrokes and dramatic composition evoke the intensity of this historic naval battle. In "A Woman Reading at a Window, 1933" (oil on canvas), we witness a quiet moment frozen in time. The soft lighting illuminates her contemplative expression as she immerses herself in literature, inviting us into her world of introspection. Orlando, a magnificent bay racehorse immortalized in "Orlando, a Bay Racehorse in a Loosebox, 1845" (oil on panel), exudes strength and elegance. The artist's attention to detail captures every sinew and muscle with precision and grace. "A Lady Walking in a Garden, " standing tall while holding her small child's hand portrays an endearing bond between mother and child. This full-length portrait encapsulates love and tenderness within its frame. The idyllic countryside comes alive through "Children Feeding Ducks Beside a Cottage in a Wooded Lane" (watercolor with white heightening on board). It invites us into this peaceful scene where children connect with nature amidst charming rural surroundings. With delicate pencil strokes heightened by watercolor touches, "Teatime" reveals an enchanting moment shared over tea. This delightful work evokes warmth and conviviality as friends gather for conversation amidst cozy surroundings. Step into the mystical realm depicted by "The Fortune Teller" (oil on canvas).