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British Art Collection (#9)

"British Art: A Tapestry of Timeless Masterpieces" Immerse yourself in the rich tapestry of British art

Background imageBritish Art Collection: Best of Friends, (oil on canvas)

Best of Friends, (oil on canvas)
659745 Best of Friends, (oil on canvas) by Barker, Wright (1864-1941); 63.5x76.2 cm; Private Collection; (add.info.: Best of Friends. Wright Barker (1864-1941). Oil on canvas

Background imageBritish Art Collection: A Mother and her Child, (oil on canvas)

A Mother and her Child, (oil on canvas)
659741 A Mother and her Child, (oil on canvas) by Tait, Robert Scott (fl.1845-75); 127.7x102.2 cm; Private Collection; (add.info.: A Mother and her Child. Robert Scott Tait (fl.1845-1875)

Background imageBritish Art Collection: Fantasy, 1924 (oil on canvas)

Fantasy, 1924 (oil on canvas)
659733 Fantasy, 1924 (oil on canvas) by Munns, Bernard (1869-1942); 61.6x50.8 cm; Private Collection; (add.info.: Fantasy. John Bernard Munns (1869-1942). Oil on canvas. Dated 1924

Background imageBritish Art Collection: Group Portrait of Dorothy Stables and her Daughters, Harriet and Maria

Group Portrait of Dorothy Stables and her Daughters, Harriet and Maria
991265 Group Portrait of Dorothy Stables and her Daughters, Harriet and Maria, three-quarter-length, 1777-78 (oil on canvas) by Romney

Background imageBritish Art Collection: An Allegory of Contemporary Events, 1873 (pencil, watercolour and bodycolour)

An Allegory of Contemporary Events, 1873 (pencil, watercolour and bodycolour)
990902 An Allegory of Contemporary Events, 1873 (pencil, watercolour and bodycolour) by Bright, Henry Barnabus (1824-76); 54x6.2 cm; Private Collection; (add.info)

Background imageBritish Art Collection: Portrait of Sir Gerard Napier, 6th Bt. (1739-1765), three-quarter-length

Portrait of Sir Gerard Napier, 6th Bt. (1739-1765), three-quarter-length
824253 Portrait of Sir Gerard Napier, 6th Bt. (1739-1765), three-quarter-length, in the Uniform of the Dorsetshire Militia, in a Landscape, 1762 (oil on canvas) by Reynolds

Background imageBritish Art Collection: The Thames from Somerset House, Looking Downstream (oil on canvas)

The Thames from Somerset House, Looking Downstream (oil on canvas)
824245 The Thames from Somerset House, Looking Downstream (oil on canvas) by James, William (1730-80); 81.3x116.8 cm; Private Collection; (add.info.: The Thames from Somerset House)

Background imageBritish Art Collection: Two Gentlemen with Pointers on a Grouse Moor, 1824 (oil on canvas)

Two Gentlemen with Pointers on a Grouse Moor, 1824 (oil on canvas)
824242 Two Gentlemen with Pointers on a Grouse Moor, 1824 (oil on canvas) by Herring Snr, John Frederick (1795-1865); 102.3x146.4 cm; Private Collection; (add.info)

Background imageBritish Art Collection: A Mother Holding a Hobbyhorse, Playing with her Child, (oil on canvas)

A Mother Holding a Hobbyhorse, Playing with her Child, (oil on canvas)
824233 A Mother Holding a Hobbyhorse, Playing with her Child, (oil on canvas) by Gardner, Daniel (1750-1805); 97.8x89 cm; Private Collection; (add.info.: A Mother Holding a Hobbyhorse)

Background imageBritish Art Collection: Portrait of a Gentleman, Half-Length, in a Brown and White Stock, a Red Curtain Behind

Portrait of a Gentleman, Half-Length, in a Brown and White Stock, a Red Curtain Behind
824225 Portrait of a Gentleman, Half-Length, in a Brown and White Stock, a Red Curtain Behind, (oil on canvas) by Hoppner

Background imageBritish Art Collection: John Young and Sons, the Fishmongers, (oil on canvas)

John Young and Sons, the Fishmongers, (oil on canvas)
824221 John Young and Sons, the Fishmongers, (oil on canvas) by Agasse, Jacques-Laurent (1767-1849); 64.1x77.5 cm; Private Collection; (add.info.: John Young and Sons, the Fishmongers)

Background imageBritish Art Collection: The Proposal: Observe Her Eyes; The Flattering Tales Believed

The Proposal: Observe Her Eyes; The Flattering Tales Believed
824216 The Proposal: Observe Her Eyes; The Flattering Tales Believed, (oil on canvas) by Harlow, George Henry (1787-1819); 92.1x71.1 cm; Private Collection; (add.info.: The Proposal)

Background imageBritish Art Collection: Double Portrait of Henry Penruddocke Wyndham and his Brother Wandham

Double Portrait of Henry Penruddocke Wyndham and his Brother Wandham
824214 Double Portrait of Henry Penruddocke Wyndham and his Brother Wandham, three-quarter-length, 1743 (oil on canvas) by Highmore

Background imageBritish Art Collection: Portrait of Miss Sunning, head and shoulders, (oil on canvas)

Portrait of Miss Sunning, head and shoulders, (oil on canvas)
824213 Portrait of Miss Sunning, head and shoulders, (oil on canvas) by Hone, Nathaniel (1718-84); 63.5x50.2. cm; Private Collection; (add.info.: Portrait of Miss Sunning, head and shoulders)

Background imageBritish Art Collection: A Young Girl seated under a Tree with a Sketch Book, (oil on panel)

A Young Girl seated under a Tree with a Sketch Book, (oil on panel)
824210 A Young Girl seated under a Tree with a Sketch Book, (oil on panel) by Richmond, George (1809-96); 47.8x39.1 cm; Private Collection; (add.info)

Background imageBritish Art Collection: Portrait of Lady Beechley, the Artists Wife, (oil on canvas)

Portrait of Lady Beechley, the Artists Wife, (oil on canvas)
824209 Portrait of Lady Beechley, the Artists Wife, (oil on canvas) by Beechey, William (1753-1839); 76x36.5 cm; Private Collection; (add.info.: Portrait of Lady Beechley, the Artists Wife)

Background imageBritish Art Collection: Landscape: Woman with Tamborine, c. 1840-50 (oil on canvas)

Landscape: Woman with Tamborine, c. 1840-50 (oil on canvas)
824204 Landscape: Woman with Tamborine, c.1840-50 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); 88.5x118 cm; Private Collection; (add.info.: Landscape: Woman with Tamborine)

Background imageBritish Art Collection: A View of the Arno with the Ponte alle Gracie, Florence, (oil on canvas)

A View of the Arno with the Ponte alle Gracie, Florence, (oil on canvas)
824193 A View of the Arno with the Ponte alle Gracie, Florence, (oil on canvas) by Patch, Thomas (1720-82); 83x116 cm; Private Collection; (add.info.: A View of the Arno with the Ponte alle Gracie)

Background imageBritish Art Collection: Portrait of Oliver Goldsmith (1728-1774), half-length, in a Black Jacket

Portrait of Oliver Goldsmith (1728-1774), half-length, in a Black Jacket
824182 Portrait of Oliver Goldsmith (1728-1774), half-length, in a Black Jacket, 1772 (oil on canvas) by Reynolds, Joshua (1723-92); 76.2x64

Background imageBritish Art Collection: A Salmon, a Mackerel, a Lobster on a Plate, a Wicker Basket, Oysters

A Salmon, a Mackerel, a Lobster on a Plate, a Wicker Basket, Oysters
824174 A Salmon, a Mackerel, a Lobster on a Plate, a Wicker Basket, Oysters, a Chianti Bottle and a Fishermans Net on a Wooden Table, 1854 (oil on canvas) by Stannard

Background imageBritish Art Collection: A Swiss Alpine Landscape, c. 1843 (pencil and watercolour)

A Swiss Alpine Landscape, c. 1843 (pencil and watercolour)
824151 A Swiss Alpine Landscape, c.1843 (pencil and watercolour) by Turner, Joseph Mallord William (1775-1851); 22.9x33.7 cm; Private Collection; (add.info.: A Swiss Alpine Landscape)

Background imageBritish Art Collection: The North-West Front, Cassiobury, with Hounds and Huntsmen, (watercolour and pencil)

The North-West Front, Cassiobury, with Hounds and Huntsmen, (watercolour and pencil)
824108 The North-West Front, Cassiobury, with Hounds and Huntsmen, (watercolour and pencil) by Turner, Joseph Mallord William (1775-1851); 27.7x39 cm; Private Collection; (add.info)

Background imageBritish Art Collection: Jerusalem from the Road leading to Bethany, (pencil and watercolour)

Jerusalem from the Road leading to Bethany, (pencil and watercolour)
824088 Jerusalem from the Road leading to Bethany, (pencil and watercolour) by Roberts, David (1796-1864); 32.4x47.6. cm; Private Collection; (add.info.: Jerusalem from the Road leading to Bethany)

Background imageBritish Art Collection: Design for the Library Ceiling at Woburn Abbey, (pen and grey ink and watercolour)

Design for the Library Ceiling at Woburn Abbey, (pen and grey ink and watercolour)
824078 Design for the Library Ceiling at Woburn Abbey, (pen and grey ink and watercolour) by Chambers, William (1723-96); 69.7x47.1 cm; Private Collection; (add.info)

Background imageBritish Art Collection: Barn Owl, (pencil and watercolour)

Barn Owl, (pencil and watercolour)
824063 Barn Owl, (pencil and watercolour) by Richter, Henry Constantine (1821-1902); 53.6x36.3 cm; Private Collection; (add.info.: Barn Owl. Henry Constantine Richter (1821-1902)

Background imageBritish Art Collection: News from the Front, 1880 (oil on canvas)

News from the Front, 1880 (oil on canvas)
1772166 News from the Front, 1880 (oil on canvas) by Webb, Charles Meer (1830-1895); 91.5x80 cm; Private Collection; (add.info.: News from the Front. Charles Meer Webb (1830-1895). Oil on canvas

Background imageBritish Art Collection: In the Golden Olden Time (oil on canvas)

In the Golden Olden Time (oil on canvas)
1772155 In the Golden Olden Time (oil on canvas) by Grimshaw, John Atkinson (1836-93); 68.6x50.8 cm; Private Collection; (add.info.: In the Golden Olden Time. John Atkinson Grimshaw (1836-1893)

Background imageBritish Art Collection: Shaking Down Cider Apples (oil on canvas)

Shaking Down Cider Apples (oil on canvas)
1772148 Shaking Down Cider Apples (oil on canvas) by La Thangue, Henry Herbert (1859-1929); 106.7x92.7 cm; Private Collection; (add.info.: Shaking Down Cider Apples)

Background imageBritish Art Collection: A Proposed Scheme for a New Street, Newcastle, 1831 (oil on canvas)

A Proposed Scheme for a New Street, Newcastle, 1831 (oil on canvas)
1772145 A Proposed Scheme for a New Street, Newcastle, 1831 (oil on canvas) by Carmichael, John Wilson (1800-68); 60.9x103.5 cm; Private Collection; (add.info.: A Proposed Scheme for a New Street)

Background imageBritish Art Collection: Venus and her Satellites (Venus at her Toilet) (oil on panel)

Venus and her Satellites (Venus at her Toilet) (oil on panel)
1772138 Venus and her Satellites (Venus at her Toilet) (oil on panel) by Etty, William (1787-1849); 80.6x111 cm; Private Collection; (add.info.: Venus and her Satellites (Venus at her Toilet)

Background imageBritish Art Collection: Under the Moonbeams, 1887 (oil on board)

Under the Moonbeams, 1887 (oil on board)
1772131 Under the Moonbeams, 1887 (oil on board) by Grimshaw, John Atkinson (1836-93); 46x35.9 cm; Private Collection; (add.info.: Under the Moonbeams. John Atkinson Grimshaw (1836-1893)

Background imageBritish Art Collection: The Sleeping Beauty, 1921 (oil on canvas)

The Sleeping Beauty, 1921 (oil on canvas)
1772120 The Sleeping Beauty, 1921 (oil on canvas) by Collier, John (1850-1934); 111.7x142.2 cm; Private Collection; (add.info.: The Sleeping Beauty. John Collier (1850-1934). Oil on canvas

Background imageBritish Art Collection: Portrait of Esme Robb, c. 1890 (oil on canvas)

Portrait of Esme Robb, c. 1890 (oil on canvas)
659927 Portrait of Esme Robb, c.1890 (oil on canvas) by Boughton, George Henry (1833-1905); 45.7x45.7 cm; Private Collection; (add.info.: Portrait of Esme Robb. George Henry Boughton (1833-1905)

Background imageBritish Art Collection: Fiammetta Singing, 1879 (pencil and watercolour heightened with white)

Fiammetta Singing, 1879 (pencil and watercolour heightened with white)
659926 Fiammetta Singing, 1879 (pencil and watercolour heightened with white) by Stillman, Marie Spartali (1844-1927); 76.2x101.6 cm; Private Collection; (add.info.: Fiammetta Singing)

Background imageBritish Art Collection: A Bit of London Town, 1881 (pencil and watercolour heightened with bodycolour)

A Bit of London Town, 1881 (pencil and watercolour heightened with bodycolour)
659924 A Bit of London Town, 1881 (pencil and watercolour heightened with bodycolour) by Spiers, Benjamin Walter (fl.1875-93); 17.2x50.1 cm; Private Collection; (add.info.: A Bit of London Town)

Background imageBritish Art Collection: My Best Friend, (oil on canvas)

My Best Friend, (oil on canvas)
659919 My Best Friend, (oil on canvas) by Crawford, Robert (1842-1924); 152.5x102 cm; Private Collection; (add.info.: My Best Friend. Robert Cree Crawford (1842-1924). Oil on canvas. 152.5 x 102cm

Background imageBritish Art Collection: Tired Fingers, 1881 (oil on canvas)

Tired Fingers, 1881 (oil on canvas)
659918 Tired Fingers, 1881 (oil on canvas) by Moore, Madena (fl.1880-87); 46x35.9 cm; Private Collection; Photo eChristies Images; British, out of copyright

Background imageBritish Art Collection: Coming from Church, 1834 (oil on canvas)

Coming from Church, 1834 (oil on canvas)
659917 Coming from Church, 1834 (oil on canvas) by Houston, John Adam P. (1812-84); 61x45.7 cm; Private Collection; (add.info.: Coming from Church. John Adam Houston (1812-1884). Oil on canvas

Background imageBritish Art Collection: Daydreaming on the River Bank, (oil on canvas)

Daydreaming on the River Bank, (oil on canvas)
659916 Daydreaming on the River Bank, (oil on canvas) by Lejeune, Henry (1819-1904); 33.7x49.8 cm; Private Collection; (add.info.: Daydreaming on the River Bank. Henry Lejeune (1820-1904)

Background imageBritish Art Collection: Faraway Thoughts, (oil on canvas)

Faraway Thoughts, (oil on canvas)
659914 Faraway Thoughts, (oil on canvas) by Harris, Edwin (1855-1906); 50.8x41.3 cm; Private Collection; (add.info.: Faraway Thoughts. Edwin Harris (1855-1906). Oil on canvas

Background imageBritish Art Collection: Sophias Fools Cap, (pen and brown ink and watercolour)

Sophias Fools Cap, (pen and brown ink and watercolour)
659891 Sophias Fools Cap, (pen and brown ink and watercolour) by Greenaway, Kate (1846-1901); 12x15.2 cm; Private Collection; (add.info.: Sophias Fools Cap. Kate Greenaway (1846-1901)

Background imageBritish Art Collection: Mergansers, on Loch Maree, 1905 (watercolour heightened with bodycolour)

Mergansers, on Loch Maree, 1905 (watercolour heightened with bodycolour)
659879 Mergansers, on Loch Maree, 1905 (watercolour heightened with bodycolour) by Thorburn, Archibald (1860-1935); 38x54.5 cm; Private Collection; (add.info.: Mergansers, on Loch Maree)

Background imageBritish Art Collection: At George Green, near Windsor, (watercolour heightened with white)

At George Green, near Windsor, (watercolour heightened with white)
659872 At George Green, near Windsor, (watercolour heightened with white) by Sigmund, Benjamin D. (fl.1880-1904); 25.5x36.9 cm; Private Collection; (add.info.: At George Green, near Windsor)

Background imageBritish Art Collection: Faithful Friend at Tea Time, (pencil and watercolour)

Faithful Friend at Tea Time, (pencil and watercolour)
659869 Faithful Friend at Tea Time, (pencil and watercolour) by Kilburne, George Goodwin (1839-1924); 34.6x49.8 cm; Private Collection; (add.info.: Faithful Friend at Tea Time)

Background imageBritish Art Collection: The Interrupted Fight, 1858 (oil on canvas)

The Interrupted Fight, 1858 (oil on canvas)
659773 The Interrupted Fight, 1858 (oil on canvas) by Hall, Thomas P. (fl.1837-67); 76x101.5 cm; Private Collection; (add.info.: The Interrupted Fight. Thomas P. Hall (fl.1837-1867). Oil on canvas

Background imageBritish Art Collection: Doubtful Fortune - We Knnow We re Cheated, Yet Would Fain Believe, (oil on panel)

Doubtful Fortune - We Knnow We re Cheated, Yet Would Fain Believe, (oil on panel)
659771 Doubtful Fortune - We Knnow We re Cheated, Yet Would Fain Believe, (oil on panel) by Solomon, Abraham (1824-62); 40.7x31.8 cm; Private Collection; (add.info)

Background imageBritish Art Collection: A Chat at the Fountain, Seville, (oil on canvas)

A Chat at the Fountain, Seville, (oil on canvas)
659737 A Chat at the Fountain, Seville, (oil on canvas) by Pelham, Thomas Kent (c.1831-1907); 71.7x91.4 cm; Private Collection; (add.info.: A Chat at the Fountain, Seville)

Background imageBritish Art Collection: The Lonely Princess, 1921 (oil on canvas)

The Lonely Princess, 1921 (oil on canvas)
659735 The Lonely Princess, 1921 (oil on canvas) by Munns, Bernard (1869-1942); 61x50.8 cm; Private Collection; (add.info.: The Lonely Princess. John Bernard Munns (1869-1942). Oil on canvas




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"British Art: A Tapestry of Timeless Masterpieces" Immerse yourself in the rich tapestry of British art, where history and creativity intertwine to create breathtaking masterpieces. From epic battles to serene landscapes, from intimate portraits to whimsical scenes, each artwork tells a unique story that captures the essence of British culture. "The Battle of Trafalgar" (oil on canvas) transports us back to 1805, depicting Admiral Nelson's heroic victory against Napoleon's fleet. The vivid brushstrokes and dramatic composition evoke the intensity of this historic naval battle. In "A Woman Reading at a Window, 1933" (oil on canvas), we witness a quiet moment frozen in time. The soft lighting illuminates her contemplative expression as she immerses herself in literature, inviting us into her world of introspection. Orlando, a magnificent bay racehorse immortalized in "Orlando, a Bay Racehorse in a Loosebox, 1845" (oil on panel), exudes strength and elegance. The artist's attention to detail captures every sinew and muscle with precision and grace. "A Lady Walking in a Garden, " standing tall while holding her small child's hand portrays an endearing bond between mother and child. This full-length portrait encapsulates love and tenderness within its frame. The idyllic countryside comes alive through "Children Feeding Ducks Beside a Cottage in a Wooded Lane" (watercolor with white heightening on board). It invites us into this peaceful scene where children connect with nature amidst charming rural surroundings. With delicate pencil strokes heightened by watercolor touches, "Teatime" reveals an enchanting moment shared over tea. This delightful work evokes warmth and conviviality as friends gather for conversation amidst cozy surroundings. Step into the mystical realm depicted by "The Fortune Teller" (oil on canvas).