British Art Collection (#7)

The Swan and Isabella Whaling in the Arctic, (oil on canvas)
824162 The Swan and Isabella Whaling in the Arctic, (oil on canvas) by Ward, John of Hull (1798-1849); 35.7x54 cm; Private Collection; (add.info.: The Swan and Isabella Whaling in the Arctic)

The Hotel de Ville, Brussels, 1856 (pencil and watercolour heightened with white)
824147 The Hotel de Ville, Brussels, 1856 (pencil and watercolour heightened with white) by Callow, William (1812-1908); 64.1x90.1 cm; Private Collection; (add.info.: The Hotel de Ville, Brussels)

The Interior of the Church of St. Sulpice, Paris, (pencil
824145 The Interior of the Church of St. Sulpice, Paris, (pencil, pen and brown ink and watercolour) by Davis, John Scarlett (1804-45); 21.5x28.5 cm; Private Collection; (add.info)

Peterborough, Northamptonshire, (pencil and pen and grey ink and watercolour)
824136 Peterborough, Northamptonshire, (pencil and pen and grey ink and watercolour) by Barrow, Joseph Charles (fl.1775-1805); 40.6x56.5 cm; Private Collection; (add.info.: Peterborough)

Art and Commerce; Justice; Prudence; Temperance; and Fortitude, (pencil
824130 Art and Commerce; Justice; Prudence; Temperance; and Fortitude, (pencil, pen and brown ink on mount) by Thornhill, James (1675-1734); 20.3x17.8 cm; Private Collection; (add.info)

Portrait of a Mother and Child, (pastel, on two sheets)
824121 Portrait of a Mother and Child, (pastel, on two sheets) by Hamilton, Hugh Douglas (1739-1808); 36.2x30.5 cm; Private Collection; (add.info.: Portrait of a Mother and Child)

Methonica, (pencil and watercolour with bodycolour)
824119 Methonica, (pencil and watercolour with bodycolour) by Ehret, Georg Dionysius (1710-70); 53.4x36.9 cm; Private Collection; (add.info.: Methonica. Georg Dionysius Ehret (1710-1770)

The Interior of the Great Hall, St Georges Hall, Liverpool, (pencil
824113 The Interior of the Great Hall, St Georges Hall, Liverpool, (pencil, pen and ink and watercolour) by Cockerell, Charles Robert (1788-1863); 27.7x61.6

Aberdulais Mill, Glamorganshire, Wales, 1796-97 (pencil and watercolour)
824107 Aberdulais Mill, Glamorganshire, Wales, 1796-97 (pencil and watercolour) by Turner, Joseph Mallord William (1775-1851); 39.1x50.1 cm; Private Collection; (add.info.: Aberdulais Mill)

Returning Home, (pencil and watercolour heightened with white)
824047 Returning Home, (pencil and watercolour heightened with white) by Foster, Myles Birket (1825-99); 26.3x19.1 cm; Private Collection; (add.info.: Returning Home. Myles Birket Foster (1825-1899)

The Awakening of Love - Words of Another to Music Set / Do Help True Love to Love
658485 The Awakening of Love - Words of Another to Music Set / Do Help True Love to Love Beget, 1894 (oil on canvas) by Schmalz

A View of the Hongs on the Waterfront at Canton, c. 1825 (oil on canvas)
652132 A View of the Hongs on the Waterfront at Canton, c. 1825 (oil on canvas) by Anglo-Chinese School (19th century); 69.2x99.8 cm; Private Collection; (add.info)

An Extensive View of Chatsworth, Derbyshire from the South-West, (oil on canvas)
652131 An Extensive View of Chatsworth, Derbyshire from the South-West, (oil on canvas) by Smith of Derby, Thomas (c.1720-67); 82.5x108 cm; Private Collection; (add.info)

Portrait of Countess Catherine Skavronska, Seated Three-Quarter Length
652120 Portrait of Countess Catherine Skavronska, Seated Three-Quarter Length, in Neo-Classical Dress, by a Draped Curtain, Adorning a Helmet, Inscribed Potemkin Taurico, with a Wreath

The Church of San Simone and San Guida (San Simeone Piccolo), Venice: Arrival of a Train
652110 The Church of San Simone and San Guida (San Simeone Piccolo), Venice: Arrival of a Train, (pencil and watercolour heightened with white) by Foster

The Auction, 1864 (watercolour heightened with white)
652108 The Auction, 1864 (watercolour heightened with white) by Green, Charles (1840-98); 27.9x43.2 cm; Private Collection; (add.info.: The Auction. Charles Green (1840-1898)

Chester: Watergate Street from the Corner of Crook Street, with Eastgate Beyond
652100 Chester: Watergate Street from the Corner of Crook Street, with Eastgate Beyond, (watercolour heightened with white) by Rayner

The Lotus Eaters, 1883 (pencil and watercolour heightened with white)
652065 The Lotus Eaters, 1883 (pencil and watercolour heightened with white) by Staniland, Charles J. (1838-1896); 74.9x121.9. cm; Private Collection; (add.info.: The Lotus Eaters)

Peacocks in a Field, (pencil, watercolour and bodycolour on card)
652050 Peacocks in a Field, (pencil, watercolour and bodycolour on card) by Butler, Mildred Anne (1858-1941); 25.4x35.6 cm; Private Collection; (add.info.: Peacocks in a Field)

Shipping on the Thames Below St. Paul s, 1930 (pencil
652048 Shipping on the Thames Below St. Paul s, 1930 (pencil and watercolour heightened with white) by Dixon, Charles Edward (1872-1934); 55.9x77.8 cm; Private Collection; (add.info)

Shipping Off Scarborough, 1848 (watercolour)
652014 Shipping Off Scarborough, 1848 (watercolour) by Bentley, Charles (1805/6-54); 48.8x74.9 cm; Private Collection; (add.info.: Shipping Off Scarborough. Charles Bentley (1805/06-1854)

The Breakfast Room in Sir John Soanes Museum at 13 Lincolns Inns Fields
652003 The Breakfast Room in Sir John Soanes Museum at 13 Lincolns Inns Fields, Looking South into the Hall and Staircase, (pencil and watercolour) by Richardson

The Library of Stanmore Hall, the seat of Robert Holland, Esq, (pencil
652002 The Library of Stanmore Hall, the seat of Robert Holland, Esq, (pencil, pen and black ink and watercolour with touches of white) by Mackenzie

View of the Bedroom where Napoleon III died, Camden Place, Chislehurst, Kent
652001 View of the Bedroom where Napoleon III died, Camden Place, Chislehurst, Kent, 1873 (pencil and watercolour with touches of white heightening) by Kilburne

Figures Collecting Faggots by a Road, (pencil, watercolour and bodycolour)
651993 Figures Collecting Faggots by a Road, (pencil, watercolour and bodycolour) by Foster, Myles Birket (1825-99); 19.6x29.2 cm; Private Collection; (add.info)

Eton Colleage, 1827 (pencil and watercolour)
651985 Eton Colleage, 1827 (pencil and watercolour) by Daniell, William (1769-1837); 30.1x50.4 cm; Private Collection; (add.info.: Eton Colleage. William Daniell (1769-1837). Pencil and watercolour

Designs for a Neo-Classical House for Lord Charleville: Three Sections (nos
651983 Designs for a Neo-Classical House for Lord Charleville: Three Sections (nos.9-11), 1789 (pencil, pen and grey ink and watercolour) by Byres

London from Greenwich Hill, (pencil and watercolour)
651976 London from Greenwich Hill, (pencil and watercolour) by Cozens, John Robert (1752-99); 45.7x62.1 cm; Private Collection; (add.info.: London from Greenwich Hill. John Robert Cozens (1752-1797)

The Deputy Rangers Lodge, Windsor Great Park, (pencil
651966 The Deputy Rangers Lodge, Windsor Great Park, (pencil, pen and grey ink and watercolour heightend with white) by Sandby

Figures in Harp Lane, Ludlow, (pencil and watercolour heightened with white)
651954 Figures in Harp Lane, Ludlow, (pencil and watercolour heightened with white) by Rayner, Louise Ingram (1832-1924); 31.1x17.8 cm; Private Collection; (add.info.: Figures in Harp Lane, Ludlow)

A Dutch Academy, (pencil, pen and ink and watercolour)
651935 A Dutch Academy, (pencil, pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 18.7x28.6 cm; Private Collection; (add.info.: A Dutch Academy. Thomas Rowlandson (1756-1827)

Santa Maria della Salute and the Grand Canal, Venice, (watercolour with touches of white
651934 Santa Maria della Salute and the Grand Canal, Venice, (watercolour with touches of white heightening) by Callow, William (1812-1908); 56.5x85 cm; Private Collection; (add.info)

Cricceith Castle, (pencil and watercolour heightened with white)
651889 Cricceith Castle, (pencil and watercolour heightened with white) by Wolfe, George (1834-90); 57.2x106.7 cm; Private Collection; (add.info.: Cricceith Castle. George Wolfe (1834-1890)

Portrait of Sarah Whitmore, Seated by a Column, 1787 (black chalk, stump and watercolour)
651800 Portrait of Sarah Whitmore, Seated by a Column, 1787 (black chalk, stump and watercolour) by Dowman, John (1750-1824); 20.6x17.2 cm; Private Collection; (add.info.: Portrait of Sarah Whitmore)

An Interior of a Room, Christ Church, Oxford, (pencil, watercolour and gum arabic)
651796 An Interior of a Room, Christ Church, Oxford, (pencil, watercolour and gum arabic) by Pyne, George (1800/01-84); 35.6x53.4 cm; Private Collection; (add.info.: An Interior of a Room)

A Group Portrait of Three of the Children of Peter and Mary Du Cane
652140 A Group Portrait of Three of the Children of Peter and Mary Du Cane, All Small Full-Length, Playing with an Elaborate Dog-Cart, in the Grounds of a Country House

Wild Rose, 1908 (oil on canvas)
658472 Wild Rose, 1908 (oil on canvas) by Reid, Robert Payton (1859-1945); 76.2x50.7 cm; Private Collection; (add.info.: Wild Rose. Robert Payton Reid (1859-1945). Oil on canvas. Dated 1908

A Fox Terrier with the Days Bag, 1888 (oil on canvas)
658469 A Fox Terrier with the Days Bag, 1888 (oil on canvas) by Hunt, Walter (1861-1941); 71x92 cm; Private Collection; (add.info.: A Fox Terrier with the Days Bag. Walter Hunt (1861-1941)

Portrait of Colonel William Forward, M. P. three-quarter Length
652139 Portrait of Colonel William Forward, M.P. three-quarter Length, in a Red Coat and Waistcoat and White Stock, by a Stone Archway, a Landscape Beyond, (oil on canvas) by Jervas

A Quiet Moment, (pencil and watercolour heightened with white on board)
652107 A Quiet Moment, (pencil and watercolour heightened with white on board) by Strachan, Arthur Claude (1865-1935); 45.1x27.3 cm; Private Collection; (add.info.: A Quiet Moment)

Horse Guards Parade, (pencil and watercolour heightened with white)
652101 Horse Guards Parade, (pencil and watercolour heightened with white) by Rayner, Louise Ingram (1832-1924); 20.9x16.5 cm; Private Collection; (add.info.: Horse Guards Parade)

A Sea Nymph Seated on a Rock with a Ribbon of Seaweed, 1897 (watercolour)
652098 A Sea Nymph Seated on a Rock with a Ribbon of Seaweed, 1897 (watercolour) by Glendening, Alfred, Jr. (1861-1907); 76.2x50.8 cm; Private Collection; (add.info)

Children Reading Beside a Country Lane, (pencil and watercolour heightened with white)
652095 Children Reading Beside a Country Lane, (pencil and watercolour heightened with white) by Foster, Myles Birket (1825-99); 13.6x20.9 cm; Private Collection; (add.info)

A Lady and a Dog Beside an Ornamental Pool, (pencil and watercolour heightened with white
652094 A Lady and a Dog Beside an Ornamental Pool, (pencil and watercolour heightened with white) by Kilburne, George Goodwin (1839-1924); 25.1x35 cm; Private Collection; (add.info)

A Boy Seated on a Bench with a Pitcher, 1839 (pencil and watercolour heightened with gum
652068 A Boy Seated on a Bench with a Pitcher, 1839 (pencil and watercolour heightened with gum arabic) by Hunt, William Henry (1790-1864); 27.3x17.7 cm; Private Collection; (add.info)

An Illustration to Rip van Winkle: They Were Ruled by an Old Squaw Spirit
652067 An Illustration to Rip van Winkle: They Were Ruled by an Old Squaw Spirit, 1904 (pen and black ink and watercolour on card) by Rackham

Grandfathers Boots, (watercolour heightened with white)
652054 Grandfathers Boots, (watercolour heightened with white) by Hunt, William Henry (1790-1864); 33x22.2 cm; Private Collection; (add.info.: Grandfathers Boots. William Henry Hunt (1790-1864)

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"British Art: A Tapestry of Timeless Masterpieces" Immerse yourself in the rich tapestry of British art, where history and creativity intertwine to create breathtaking masterpieces. From epic battles to serene landscapes, from intimate portraits to whimsical scenes, each artwork tells a unique story that captures the essence of British culture. "The Battle of Trafalgar" (oil on canvas) transports us back to 1805, depicting Admiral Nelson's heroic victory against Napoleon's fleet. The vivid brushstrokes and dramatic composition evoke the intensity of this historic naval battle. In "A Woman Reading at a Window, 1933" (oil on canvas), we witness a quiet moment frozen in time. The soft lighting illuminates her contemplative expression as she immerses herself in literature, inviting us into her world of introspection. Orlando, a magnificent bay racehorse immortalized in "Orlando, a Bay Racehorse in a Loosebox, 1845" (oil on panel), exudes strength and elegance. The artist's attention to detail captures every sinew and muscle with precision and grace. "A Lady Walking in a Garden, " standing tall while holding her small child's hand portrays an endearing bond between mother and child. This full-length portrait encapsulates love and tenderness within its frame. The idyllic countryside comes alive through "Children Feeding Ducks Beside a Cottage in a Wooded Lane" (watercolor with white heightening on board). It invites us into this peaceful scene where children connect with nature amidst charming rural surroundings. With delicate pencil strokes heightened by watercolor touches, "Teatime" reveals an enchanting moment shared over tea. This delightful work evokes warmth and conviviality as friends gather for conversation amidst cozy surroundings. Step into the mystical realm depicted by "The Fortune Teller" (oil on canvas).