Hubert Robert Collection (page 3)

View of the Campidoglio with the Statue of Marcus Aurelius, 1762. Creator: Hubert Robert
View of the Campidoglio with the Statue of Marcus Aurelius, 1762

Architectural Capriccio with Roman Monuments and Washerwomen, n. d
Architectural Capriccio with Roman Monuments and Washerwomen, n.d

Interior of Saint Peters, ca. 1758. Creator: Hubert Robert
Interior of Saint Peter s, ca. 1758

A Colonnade in Ruins. Creator: Hubert Robert
A Colonnade in Ruins

Arches in Ruins. Creator: Hubert Robert
Arches in Ruins

The Return of the Cattle, ca. 1773-75. Creator: Hubert Robert
The Return of the Cattle, ca. 1773-75

Aqueduct in Ruins. Creator: Hubert Robert
Aqueduct in Ruins

Bridge over a Cascade. Creator: Hubert Robert
Bridge over a Cascade

Vaulted Staircase, c. 1770-1779. Creator: Hubert Robert (French, 1733-1808)
Vaulted Staircase, c. 1770-1779. Hubert Robert was known for his drawings of antiquities and architecture throughout Italy, many of which were rendered in red chalk

The Grotto of Posillipo, c. 1769. Creator: Hubert Robert (French, 1733-1808)
The Grotto of Posillipo, c. 1769. Hubert Robert studied and worked in Italy from 1754-65. Upon returning to Paris, he entered the Royal Academy as an architectural painter and full member in 1766

Roman Ruins, Villa Pamfili, 1774. Creator: Hubert Robert (French, 1733-1808)
Roman Ruins, Villa Pamfili, 1774. While living in Italy, Robert developed a fondness for classical architecture, making countless drawings that served as the basis for paintings

Les Soirees de Rome: Title Page, 1763-1764. Creator: Hubert Robert (French, 1733-1808)
Les Soirees de Rome: Title Page, 1763-1764. Derived from his own pen-and-ink drawings, this suite of etchings features fictional characters situated near recognizable buildings and statues in Rome

Les Soirees de Rome: The Stairs, 1763. Creator: Hubert Robert (French, 1733-1808)
Les Soirees de Rome: The Stairs, 1763

Les Soirees de Rome: Le Puits, 1763-1764. Creator: Hubert Robert (French, 1733-1808)
Les Soirees de Rome: Le Puits, 1763-1764. Derived from his own pen-and-ink drawings, this suite of etchings features fictional characters situated near recognizable buildings and statues in Rome

Les Soirees de Rome: Le Sarcophage, 1763-1764. Creator: Hubert Robert (French, 1733-1808)
Les Soirees de Rome: Le Sarcophage, 1763-1764. Derived from his own pen-and-ink drawings, this suite of etchings features fictional characters situated near recognizable buildings

Les Soirees de Rome: LEscalier aux quatre bornes, 1763. Creator: Hubert Robert (French
Les Soirees de Rome: LEscalier aux quatre bornes, 1763. Derived from his own pen-and-ink drawings, this suite of etchings features fictional characters situated near recognizable buildings

Les Soirees de Rome: Le Poteau, 1763-1764. Creator: Hubert Robert (French, 1733-1808)
Les Soirees de Rome: Le Poteau, 1763-1764. Derived from his own pen-and-ink drawings, this suite of etchings features fictional characters situated near recognizable buildings and statues in Rome

Les Soirees de Rome: Le Buste, 1764. Creator: Hubert Robert (French, 1733-1808)
Les Soirees de Rome: Le Buste, 1764. Derived from his own pen-and-ink drawings, this suite of etchings features fictional characters situated near recognizable buildings and statues in Rome

Les Soirees de Rome: LArc de triomphe, 1763-1764. Creator: Hubert Robert (French, 1733-1808)
Les Soirees de Rome: LArc de triomphe, 1763-1764. Derived from his own pen-and-ink drawings, this suite of etchings features fictional characters situated near recognizable buildings

Evenings in Rome: The Antique Gallery, 1763-1764. Creator: Hubert Robert (French, 1733-1808)
Evenings in Rome: The Antique Gallery, 1763-1764. Derived from his own pen-and-ink drawings, this suite of etchings features fictional characters situated near recognizable buildings

Evenings in Rome: The Statue in Front of Ruins, 1763-1764. Creator: Hubert Robert (French
Evenings in Rome: The Statue in Front of Ruins, 1763-1764. Derived from his own pen-and-ink drawings, this suite of etchings features fictional characters situated near recognizable buildings

Les Soirees de Rome Title Page 1763-1764
Les Soirees de Rome: Title Page, 1763-1764. Hubert Robert (French, 1733-1808). Etching

Les Soirees de Rome Le Poteau 1763-1764
Les Soirees de Rome: Le Poteau, 1763-1764. Hubert Robert (French, 1733-1808). Etching

Portrait of Hubert Robert (1733-1808), 1788. Found in the collection of Musee du Louvre, Paris

Portrait of Hubert Robert (1733-1808). Found in the collection of Nationalmuseum Stockholm

Terrace Ruin in a Park, c1780. Artist: Hubert Robert
Terrace Ruin in a Park, c1780. Found in the collection of the State Hermitage, St Petersburg

Pavilion with the Cascade, 1760. Artist: Hubert Robert
Pavilion with the Cascade, 1760. Found in the collection of the State Hermitage, St Petersburg

The Waterfall at Tivoli, 18th / early 19th century. Artist: Hubert Robert
The Waterfall at Tivoli, 18th/early 19th century. From the Musee du Louvre, Paris

The Water Feature of the Grove of the Museum of Marly, late 18th / early 19th century. Artist: Hubert Robert
The Water Feature of the Grove of the Museum of Marly, late 18th/early 19th century

Interior of the colonnade of St Peters, Rome, at the time of the Conclave of 1769. Artist: Hubert Robert
Interior of the Colonnade of St Peter s, Rome, at the Time of the Conclave of 1769. The Italian architect and sculptor Giovanni Bernini (1598-1680) designed the collonade

The demolition of the Church of the Feuillants, 1805. Artist: Hubert Robert
The demolition of the Church of the Feuillants, 1805. From the Musee Carnavalet, Paris

Waterfall drawing artist oil canvas 105. 5 x 89 cm
Waterfall with a drawing artist, oil on canvas, 105.5 x 89 cm, unmarked, Hubert Robert, Paris 1733-1808 Paris

Garden Monument oil canvas 83 x 54. 5 cm monogrammed
Garden Monument, oil on canvas, 83 x 54.5 cm, monogrammed on the obelisk: H.R, Hubert Robert, Paris 1733-1808 Paris

Fisherman Under Bridge c. 1780-1790 oil canvas
Fisherman Under a Bridge, c. 1780-1790, oil on canvas, 23.5 x 43 cm, unmarked, Hubert Robert, Paris 1733-1808 Paris

Peter Adolf Hall Hubert Robert Gouache paper
Peter Adolf Hall, Hubert Robert, Gouache on paper, Height, 63.5 cm (25 inches), Width, 52.5 cm (20.6 inches)

Hubert Robert Fire HAśtel-Dieu Paris 1772 painting
Hubert Robert, The Fire of Hotel-Dieu in Paris 1772, painting, oil on canvas, Height, 145 cm (57 inches), Width, 109 cm (42.9 inches)

Hubert Robert Ruins Circular Temple Apollo di Belvedere
Hubert Robert, Ruins of a Circular Temple with Apollo di Belvedere, painting, 1799, oil on canvas, Height, 288 cm (113.3 inches), Width, 139 cm (54.7 inches), Inscriptions, Signature, H. Robert 1799

Hubert Robert Dragonman Drawing Wooden Bridge
Hubert Robert, Dragonman Drawing the Wooden Bridge in the Park of Merville, painting, oil on canvas, Height, 65 cm (25.5 inches), Width, 81 cm (31.8 inches), Inscriptions, Signature, H Robert

Hubert Robert View Park Merville painting oil
Hubert Robert, View of the Park of Merville, painting, oil on canvas, Height, 65 cm (25.5 inches), Width, 81 cm (31.8 inches), Inscriptions, Signature, indistinct

Hubert Robert Orator Prison Captured orator painting
Hubert Robert, Orator in Prison, Captured orator, painting, Oil on canvas, Height, 48 cm (18.8 inches), Width, 38 cm (14.9 inches), Signed, H, Robert

Hermit Praying Ruins Roman Temple Hubert Robert
A Hermit Praying in the Ruins of a Roman Temple; Hubert Robert (French, 1733 - 1808); about 1760; Oil on canvas; 57.8 × 70.5 cm (22 3, 4 × 27 3, 4 in.)

Draftsman Capitoline Gallery Hubert Robert French
A Draftsman in the Capitoline Gallery; Hubert Robert (French, 1733 - 1808); Italy; about 1765; Red chalk; 45.7 x 33.7 cm (18 x 13 1, 4 in.)

Demolition Chateau Meudon Hubert Robert French
Demolition of the Chateau of Meudon; Hubert Robert (French, 1733 - 1808); France; 1806; Oil on canvas; 113.3 × 146 cm (44 5, 8 × 57 1, 2 in.)

Roman Ruins Villa Pamfili 1774 Hubert Robert
Roman Ruins, Villa Pamfili, 1774. Hubert Robert (French, 1733-1808). Pen and black ink and watercolor with black chalk underdrawing and heightened with white gouache on cream laid paper;

Les Soirees de Rome Le Buste 1764 Hubert Robert
Les Soirees de Rome: Le Buste, 1764. Hubert Robert (French, 1733-1808). Etching

Evenings Rome Statue Front Ruins 1763-1764 Hubert Robert
Evenings in Rome: The Statue in Front of Ruins, 1763-1764. Hubert Robert (French, 1733-1808). Etching; platemark: 13.5 x 9.4 cm (5 5/16 x 3 11/16 in.); border: 12.7 x 9 cm (5 x 3 9/16 in.)

Les Soirees de Rome L Escalier aux quatre bornes
Les Soirees de Rome: L Escalier aux quatre bornes, 1763. Hubert Robert (French, 1733-1808). Etching

Evenings Rome Antique Gallery 1763-1764 Hubert Robert
Evenings in Rome: The Antique Gallery, 1763-1764. Hubert Robert (French, 1733-1808). Etching; platemark: 13.8 x 9.3 cm (5 7/16 x 3 11/16 in.); border: 13.1 x 8.4 cm (5 3/16 x 3 5/16 in.)

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Hubert Robert, a renowned French painter of the 18th century, was known for his captivating and imaginative landscapes. His works showcased a variety of subjects, from ancient ruins to grand country mansions. In "The Bathing Pool, " we are transported to a serene oasis where nature meets tranquility. The artist's attention to detail is evident as he captures the shimmering reflections on the water's surface. "The Portico of a Country Mansion" takes us on a journey through time, allowing us to explore the opulence and elegance of aristocratic life in the 18th century. Robert's meticulous brushstrokes bring this architectural masterpiece to life. One of his most famous works, "The Fire of Rome, " depicts an intense historical event with dramatic flair. Through skillful use of color and composition, Robert conveys the chaos and destruction that engulfed Rome during this tragic event. "The Fountain" showcases Robert's ability to capture light and movement effortlessly. The cascading water seems almost tangible as it glistens under sunlight, inviting viewers into its refreshing embrace. In "Man sketching the ruins of a classical temple, " we witness Robert's fascination with ancient architecture. This painting not only portrays an artist capturing history but also serves as a testament to human curiosity about our past civilizations. With "Italian Caprice with a landing, " Robert transports us into an idyllic Italian landscape filled with charming buildings and lush greenery. His mastery lies in creating scenes that transport viewers beyond their reality into dreamlike realms. Jean-Baptiste Isabey immortalizes Hubert Robert himself in his portrait from 1798-99. It captures both his artistic prowess and enigmatic persona—a fitting tribute to one who has left such an indelible mark on art history. "The Fountains, " "The Old Temple, " "The Obelisk, " and "The Landing Place" form part of series showcasing various architectural elements within a landscape.