Pre Raphaelite Collection (#2)

Goneril and Regan in King Lear Act I Scene I, 1902 (oil on canvas)
3956045 Goneril and Regan in King Lear Act I Scene I, 1902 (oil on canvas) by Abbey, Edwin Austin (1852-1911); 76.8 x 44.5 cm; Yale University Art Gallery, New Haven, CT

The Love Potion, intended for Isolde the Fair and King Mark of Cornwall
BRA76575 The Love Potion, intended for Isolde the Fair and King Mark of Cornwall, but drunk by Tristan and Isolde the Fair, from The Story of Tristan and Isolde, William Morris & Co

Waiting, 1854 (oil on panel)
BIR108328 Waiting, 1854 (oil on panel) by Millais, John Everett (1829-96); 32.4x24.8 cm; Birmingham Museums and Art Gallery; English, out of copyright

Narcissus, 1876 (w / c)
MAL85983 Narcissus, 1876 (w/c) by Thornycroft, Helen (1848-1937); 26.7x32.4 cm; Mallett Gallery, London, UK; eMallett Gallery, London, UK; English, out of copyright

Cleopatra, c. 1887 (oil on canvas)
CH368166 Cleopatra, c.1887 (oil on canvas) by Waterhouse, John William (1849-1917); 65.3x56.9 cm; Private Collection; (add.info)

Portrait of Frederick Richard Leyland, 1879 (coloured chalks on paper)
PNH468070 Portrait of Frederick Richard Leyland, 1879 (coloured chalks on paper) by Rossetti, Dante Gabriel Charles (1828-82); 64x46 cm; Private Collection; (add.info)

Christ in the House of His Parents, 1863 (oil on canvas)
VFS109726 Christ in the House of His Parents, 1863 (oil on canvas) by Millais, John Everett (1829-96) & Solomon, Rebecca (1832-1886); 38.1x61 cm; Private Collection; (add.info)

Title page and opening page from the Kelmscott Press edition of
985837 Title page and opening page from the Kelmscott Press edition of The Works of Geoffrey Chaucer, 1896 (woodcut on vellum) by Burne-Jones, Edward Coley (1833-98) & Morris

Study of a Head for The Bower Meadow, 1872 (black chalk)
659777 Study of a Head for The Bower Meadow, 1872 (black chalk) by Rossetti, Dante Gabriel Charles (1828-82); 39.2x31.5 cm; Private Collection; (add.info.: Study of a Head for The Bower Meadow)

Design for stained glass in Lyndhurst Church: An Angel Harpist
1217852 Design for stained glass in Lyndhurst Church: An Angel Harpist, 1862 (brown and blue washes over graphite) by Burne-Jones, Edward Coley (1833-98); 54x54 cm; Ashmolean Museum

The Devout Childhood of Saint Elizabeth of Hungary, 1852 (oil on canvas)
2956857 The Devout Childhood of Saint Elizabeth of Hungary, 1852 (oil on canvas) by Collins, Charles Alston (1828-73); 91.44x60.96 cm; Private Collection; (add.info)

St Jacob, 1862 (stained glass)
3474771 St Jacob, 1862 (stained glass) by Bayne, Robert Turnill (1837-1915); Church of St Mary, Whittlesey, UK; (add.info.: Manufactured by Heaton, Butler & Bayne); eAlastair Carew-Cox; English

New Lamps for Old, 1901. Creator: Joseph Edward Southall
New Lamps for Old (in frame), 1901. The subject is taken from story of Aladdin in the One Thousand and One Nights (The Arabian Nights)

A Condottiere, 1871-72. Creator: Frederic Leighton
A Condottiere, 1871-72

The Blind Girl, 1856, (1948). Creator: John Everett Millais
The Blind Girl, 1856, (1948). Two girls, the elder one blind and with a concertina in her lap, rest by a wayside stream after rain

Albert Moores painting Dreamers
Albert Moore (1841-93) Dreamers 1882

Finding the Savior in the Temple, c 1859 by William Holman Hunt OM (2 April 1827 - 7 September 1910) was an English painter, and one of the founders of the Pre-Raphaelite movement

Study for female figure in engraved illustration to Amor Mundi, (c1865). Creator: Frederick Augustus Sandys
Study for female figure in engraved illustration to Amor Mundi, (c1865). 'Amor Mundi' can be translated as 'worldly love' and the sensual pleasure that accompanies it

Head, 1895. Creator: Simeon Solomon
Head, 1895. The unidentified subject - who could be either male or female - is set against the merest suggestion of a landscape and gazes into the wide blue yonder beyond the picture space

A scene from Tom Brown's Schooldays
5307717 A scene from Tom Brown's Schooldays'.; (add.info.: Engraving depicting a scene from Tom Brown's Schooldays')

Sir John Everett Millais, 1st Baronet, 1829 - 1896
3083245 Sir John Everett Millais, 1st Baronet, 1829 - 1896.; Private Collection; (add.info.: English painter and illustrator, one of the founders of the Pre-Raphaelite Brotherhood)

Valentine Cameron Prinsep, British painter, 19th century (engraving)
3733568 Valentine Cameron Prinsep, British painter, 19th century (engraving); (add.info.: Portrait of Valentine Cameron Prinsep (1838-1904) a British painter of the Pre-Raphaelite School

Will watching and listening at his friend's deathbed
537667 Will watching and listening at his friend's deathbed.; (add.info.: Will watching and listening at his friend's deathbed)

John Everett Millais (1829-1896) English artist and founder member of Pre-Raphaelite Brotherhood, 1862 (engraving)
537631 John Everett Millais (1829-1896) English artist and founder member of Pre-Raphaelite Brotherhood, 1862 (engraving); (add.info)

Cherub and pomegranates, c.1865 (stained glass)
3474620 Cherub and pomegranates, c.1865 (stained glass) by Heaton, Butler and Bayne (1862-1953) (workshop); Church of St Mary, Banbury, UK; (add.info.: Manufactured by the Heaton)

A woman grieving, 1850
3478235 A woman grieving, 1850; (add.info.: Illustration depicting a woman grieving. Illustrated by Arthur Hughes (1832-1915)

Head of a Woman, c.1875 (charcoal on paper)
8690958 Head of a Woman, c.1875 (charcoal on paper) by Morgan, Evelyn De (1855-1919); Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; (add.info.: By Evelyn De Morgan)

Portrait of D.G.l Rossetti (engraving)
673183 Portrait of D.G.l Rossetti (engraving); (add.info.: Dante Gabriel Rossetti (12 May 1828 - 9 April 1882) was an English poet, illustrator, painter and translator

A scene from Tom Brown's Schooldays
5307715 A scene from Tom Brown's Schooldays'.; (add.info.: Engraving depicting a scene from Tom Brown's Schooldays': Chairing Tom in the quadrangle)

Sir Edward Coley Burne-Jones (engraving)
3116269 Sir Edward Coley Burne-Jones (engraving); Private Collection; (add.info.: British artist and designer. From The Century Edition of Cassell's History of England, published c. 1900)

A scene from Tom Brown's Schooldays
5307724 A scene from Tom Brown's Schooldays'.; (add.info.: Engraving depicting a scene from Tom Brown's Schooldays': Tom, Captain of the team)

Mrs. George Waugh, 1868 (oil on fabric)
XOS5880420 Mrs. George Waugh, 1868 (oil on fabric) by Hunt, William Holman (1827-1910); 115.5x95.5 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by William Holman Hunt The sitter)

William Holman Hunt, 1827 - 1910. English painter and one of the founders of the Pre-Raphaelite Brotherhood
492430 William Holman Hunt, 1827 - 1910. English painter and one of the founders of the Pre-Raphaelite Brotherhood. From The Year 1910 Illustrated. ; Private Collection

A scene from Tom Brown's Schooldays
5307720 A scene from Tom Brown's Schooldays'.; (add.info.: Engraving depicting a scene from Tom Brown's Schooldays': Martin climbing the pine tree to steal the kestrel's eggs)

Painting depicting Theodora, Empress of the Byzantine Empire and the wife of Emperor Justinian I
3523102 Painting depicting Theodora, Empress of the Byzantine Empire and the wife of Emperor Justinian I, by Valentine Cameron Prinsep; (add.info.: Painting depicting Theodora)

Gillingham, St Mary, East Window, Heaton, Butler & Bayne, unknown artist, Sensing Angel, c.1868
3474681 Gillingham, St Mary, East Window, Heaton, Butler & Bayne, unknown artist, Sensing Angel, c.1868 by Heaton, Butler and Bayne (1862-1953); Church of St Mary, Gillingham

Gillingham, St Mary, East Window, Heaton, Butler & Bayne, unknown artist, Sensing Angel, c.1868
3474679 Gillingham, St Mary, East Window, Heaton, Butler & Bayne, unknown artist, Sensing Angel, c.1868 by Heaton, Butler and Bayne (1862-1953); Church of St Mary, Gillingham

Study for "The Hireling Shepherd", 1851 (graphite)
XOS5880747 Study for "The Hireling Shepherd", 1851 (graphite) by Hunt, William Holman (1827-1910); 11.4x18.3 cm; Cleveland Museum of Art, OH, USA; (add.info.: Drawing by William Holman Hunt)

How They Met Themselves, 1864 (w/c & bodycolour on paper)
PNH468075 How They Met Themselves, 1864 (w/c & bodycolour on paper) by Rossetti, Dante Gabriel Charles (1828-82); 27.9x24.2 cm; Private Collection; (add.info)

El Haram, Jerusalem (oil on panel)
PNH354617 El Haram, Jerusalem (oil on panel) by Leighton, Frederic (1830-96); 11.5x19.5 cm; Private Collection; (add.info)

Head of an Old Italian Woman, c.1850 (oil on canvas)
8677877 Head of an Old Italian Woman, c.1850 (oil on canvas) by Leighton, Frederic (1830-96); 61.9x48.8 cm; Leighton House Museum, Kensington & Chelsea, London

The Rev. and Mrs Crawley and their young family, 1860 (engraving)
537332 The Rev. and Mrs Crawley and their young family, 1860 (engraving); (add.info.: The Rev. and Mrs Crawley and their young family which, as an impoverished parson)

The Archer, 1879 Artist: Elisabeth Sonrel
The Archer, 1879

View from the terrace on a river landscape at night, 1875. Creator: William Holman Hunt
View from the terrace on a river landscape at night, 1875

The Goatherdess, 1864. Creator: Gerard Bilders
The Goatherdess, 1864

The Golden Legend: the Golden Legend of Master William Caxton done anew, 1892

The Birth of Galatea, 1885. Creator: Charles William Campbell
The Birth of Galatea, 1885. Greek mythology: ivory statue carved by Pygmalion of Cyprus, which came to life

"How Lisa Loved The King"; "Lisa, the only child of a rich merchant of Palermo, 1890. Creator: Unknown
How Lisa Loved The King"; "Lisa, the only child of a rich merchant of Palermo, having fallen ill through love of King Pietro of Sicily, asks his favourite musician, to come and sing to her

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"Pre-Raphaelite: Capturing the Beauty and Symbolism of the Divine" The Pre-Raphaelite movement, which emerged in the mid-19th century, sought to revive the artistic spirit of medieval times. Artists like William Holman Hunt embraced this vision with his masterpiece "The Light of the World. " Painted between 1851 and 1853, it depicts Jesus as the radiant Light of the World, illuminating a darkened door. Another prominent Pre-Raphaelite artist was Edward Burne-Jones, whose work "Adam & Eve" explores biblical themes. Inspired by John Milton's Paradise Lost, this painting portrays Adam delving into earth while Eve spins thread. It symbolizes their fall from grace and humanity's struggle for redemption. In Arthurian legend-inspired works like "The Attainment, " Sir Galahad, Sir Bors, and Sir Percival embark on a quest for the Holy Grail. The painting captures their awe-inspiring moment when they finally lay eyes upon this sacred relic. A captivating fresco titled "Choosing the Red and White Roses in the Temple Garden" showcases an allegorical scene painted by Evelyn De Morgan in 1910. It represents spiritual choices faced by individuals within a temple garden setting – red roses symbolizing earthly desires while white roses represent purity and virtue. William John Wainwright's creation called "Parable Of The Wise And Foolish Virgins" brings forth a moral lesson through vivid imagery. This piece illustrates five wise virgins who prepared themselves with oil lamps versus five foolish ones who neglected their duty – reminding viewers to be vigilant in their spiritual lives. John Everett Millais' paintings also made significant contributions to Pre-Raphaelitism. In "My First Sermon, " he portrays a young girl engrossed in her first religious experience—a poignant reflection on innocence and faith that resonates deeply with viewers.