Skip to main content

Pre Raphaelite Collection (#6)

"Pre-Raphaelite: Capturing the Beauty and Symbolism of the Divine" The Pre-Raphaelite movement, which emerged in the mid-19th century

Background imagePre Raphaelite Collection: Ruth Herbert asleep, 1858 (graphite on paper)

Ruth Herbert asleep, 1858 (graphite on paper)
7394144 Ruth Herbert asleep, 1858 (graphite on paper) by Rossetti, Dante Gabriel Charles (1828-82); 21x26.4 cm; Ashmolean Museum, University of Oxford

Background imagePre Raphaelite Collection: A Passover in the Household of Joseph and Zacharias, c. 1850 (graphite and pen and black ink)

A Passover in the Household of Joseph and Zacharias, c. 1850 (graphite and pen and black ink)
7394143 A Passover in the Household of Joseph and Zacharias, c.1850 (graphite and pen and black ink and grey wash on white paper) by Rossetti

Background imagePre Raphaelite Collection: Louisa Ruth Herbert, 1858 (graphite on paper)

Louisa Ruth Herbert, 1858 (graphite on paper)
7394146 Louisa Ruth Herbert, 1858 (graphite on paper) by Rossetti, Dante Gabriel Charles (1828-82); 50.8x43 cm; Ashmolean Museum, University of Oxford

Background imagePre Raphaelite Collection: The end of 'The Romance of the Rose', and the beginning of 'The Parlement of Foules'

The end of "The Romance of the Rose", and the beginning of "The Parlement of Foules"
7409778 The end of "The Romance of the Rose", and the beginning of "The Parlement of Foules", ie Parliament of Fowls, from The Works of Geoffrey Chaucer, by William Morris

Background imagePre Raphaelite Collection: PB 5-2001

PB 5-2001
Pages 22-23. "The Knights Tale". The Works of Geoffrey Chaucer. William Morris, Kelmscott Press. Illustrations by Sir Edward Burne-Jones

Background imagePre Raphaelite Collection: Study for The Loving Cup (pencil on paper)

Study for The Loving Cup (pencil on paper)
BIR165786 Study for The Loving Cup (pencil on paper) by Rossetti, Dante Gabriel Charles (1828-82); 50.8x35.6 cm; Birmingham Museums and Art Gallery; (add.info)

Background imagePre Raphaelite Collection: Scene of King Rene sculpting a figure while being watched by his new bride

Scene of King Rene sculpting a figure while being watched by his new bride
451293 Scene of King Rene sculpting a figure while being watched by his new bride (pen & india ink with wash and pencil on paper) by Burne-Jones

Background imagePre Raphaelite Collection: Unpainted masterpieces (self-caricature) (pen & ink on paper)

Unpainted masterpieces (self-caricature) (pen & ink on paper)
BIR185843 Unpainted masterpieces (self-caricature) (pen & ink on paper) by Burne-Jones, Edward Coley (1833-98); 17.6x10.7 cm; Birmingham Museums and Art Gallery

Background imagePre Raphaelite Collection: Study for the Briar Rose Series, 1889 (oil on canvas)

Study for the Briar Rose Series, 1889 (oil on canvas)
7388603 Study for the Briar Rose Series, 1889 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; (add.info)

Background imagePre Raphaelite Collection: Study for the Briar Rose Series, The Garden Court, 1889 (oil on canvas)

Study for the Briar Rose Series, The Garden Court, 1889 (oil on canvas)
7388606 Study for the Briar Rose Series, The Garden Court, 1889 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; (add.info)

Background imagePre Raphaelite Collection: Study for the Briar Rose Series, The Garden Court, 1889 (oil on canvas)

Study for the Briar Rose Series, The Garden Court, 1889 (oil on canvas)
7388604 Study for the Briar Rose Series, The Garden Court, 1889 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; (add.info)

Background imagePre Raphaelite Collection: Two Female Heads, 1865-66 (chalk on paper)

Two Female Heads, 1865-66 (chalk on paper)
BIR100720 Two Female Heads, 1865-66 (chalk on paper) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; (add.info.: by Edward Coley Burne-Jones)

Background imagePre Raphaelite Collection: Self Portrait, 1861 (pencil on paper)

Self Portrait, 1861 (pencil on paper)
BIR107269 Self Portrait, 1861 (pencil on paper) by Rossetti, Dante Gabriel Charles (1828-82); Birmingham Museums and Art Gallery; (add.info.: by Dante Gabriel Charles Rossetti)

Background imagePre Raphaelite Collection: Study for the Briar Rose Series, The Garden Court, 1889 (oil on canvas)

Study for the Briar Rose Series, The Garden Court, 1889 (oil on canvas)
7388605 Study for the Briar Rose Series, The Garden Court, 1889 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; (add.info)

Background imagePre Raphaelite Collection: The Worship of the Lamb, design for a stained glass window at St Edmund Hall, Oxford

The Worship of the Lamb, design for a stained glass window at St Edmund Hall, Oxford, 1865 (pencil on paper)
BIR185842 The Worship of the Lamb, design for a stained glass window at St Edmund Hall, Oxford, 1865 (pencil on paper) by Burne-Jones

Background imagePre Raphaelite Collection: 7388083

7388083

Background imagePre Raphaelite Collection: The Laboratory, 1849 (pen & ink and w/c on paper)

The Laboratory, 1849 (pen & ink and w/c on paper)
BIR107257 The Laboratory, 1849 (pen & ink and w/c on paper) by Rossetti, Dante Gabriel Charles (1828-82); 19.3x24.4 cm; Birmingham Museums and Art Gallery; (add.info)

Background imagePre Raphaelite Collection: An athlete wrestling with a python, 1877 (sculpture)

An athlete wrestling with a python, 1877 (sculpture)
7146729 An athlete wrestling with a python, 1877 (sculpture) by Leighton, Frederic (1830-96); Galleria Nazionale d'Arte Moderna e Contemporanea, Rome, Lazio

Background imagePre Raphaelite Collection: 7388121

7388121

Background imagePre Raphaelite Collection: 7388033

7388033

Background imagePre Raphaelite Collection: 7388081

7388081

Background imagePre Raphaelite Collection: 7388020

7388020

Background imagePre Raphaelite Collection: 7388011

7388011

Background imagePre Raphaelite Collection: Morning Music, 1867 (coloured chalk on paper)

Morning Music, 1867 (coloured chalk on paper)
BIR189845 Morning Music, 1867 (coloured chalk on paper) by Rossetti, Dante Gabriel Charles (1828-82); Birmingham Museums and Art Gallery

Background imagePre Raphaelite Collection: Sir Edward Burne-Jones painting The Star of Bethlehem in his studio, 1890 (b/w photo)

Sir Edward Burne-Jones painting The Star of Bethlehem in his studio, 1890 (b/w photo)
XJF366938 Sir Edward Burne-Jones painting The Star of Bethlehem in his studio, 1890 (b/w photo) by Sotheby (nee Leighton)

Background imagePre Raphaelite Collection: 7388087

7388087

Background imagePre Raphaelite Collection: 7388030

7388030

Background imagePre Raphaelite Collection: 7388098

7388098

Background imagePre Raphaelite Collection: The day dream, 1882, (oil on canvas)

The day dream, 1882, (oil on canvas)
7146813 The day dream, 1882, (oil on canvas) by Rossetti, Dante Gabriel Charles (1828-82); Victoria & Albert Museum, London, UK; (add.info.: The day dream, 1882, Dante Gabriel Rossetti)

Background imagePre Raphaelite Collection: Six Minton Hollis & Co tiles representing the months, c. 1880-99 (painted ceramic)

Six Minton Hollis & Co tiles representing the months, c. 1880-99 (painted ceramic)
7290919 Six Minton Hollis & Co tiles representing the months, c.1880-99 (painted ceramic) by Moore, Albert Joseph (1841-93) (attr.to); 40x55.5 cm; Private Collection; (add.info)

Background imagePre Raphaelite Collection: Ford Madox Brown, c. 1864 (albumen carte-de-visite)

Ford Madox Brown, c. 1864 (albumen carte-de-visite)
868259 Ford Madox Brown, c.1864 (albumen carte-de-visite) by Downey, W. and D. (fl.1860-1905); 9.2x6 cm; William Morris Gallery, Walthamstow

Background imagePre Raphaelite Collection: Portrait of Jane Morris, 1868-74 (pastel on cardboard)

Portrait of Jane Morris, 1868-74 (pastel on cardboard)
862906 Portrait of Jane Morris, 1868-74 (pastel on cardboard) by Rossetti, Dante Gabriel Charles (1828-82); Galleria Nazionale d'Arte Moderna e Contemporanea, Rome, Lazio

Background imagePre Raphaelite Collection: Six Minton Hollis & Co tiles representing the months and a tile painted with a medieval scene, c

Six Minton Hollis & Co tiles representing the months and a tile painted with a medieval scene, c
7290917 Six Minton Hollis & Co tiles representing the months and a tile painted with a medieval scene, c.1880-99 (painted ceramic) by Moore

Background imagePre Raphaelite Collection: Cave painting, Salmon-Challis National Forest (photo)

Cave painting, Salmon-Challis National Forest (photo)
7349163 Cave painting, Salmon-Challis National Forest (photo) by Prehistoric; (add.info.: Middle Fork of the Salmon River, Idaho)

Background imagePre Raphaelite Collection: Effie Millais, nee Gray (1828-1897), 1873 (oil on canvas)

Effie Millais, nee Gray (1828-1897), 1873 (oil on canvas)
7333483 Effie Millais, nee Gray (1828-1897), 1873 (oil on canvas) by Millais, John Everett (1829-96); 128x112 (framed) cm; Perth Museum & Art Gallery, Scotland; (add.info.: Artist: Millais)

Background imagePre Raphaelite Collection: Study of a horse's head (pencil on paper)

Study of a horse's head (pencil on paper)
PNH452510 Study of a horse's head (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 16x12 cm; Private Collection; Photo © Peter Nahum at The Leicester Galleries, London

Background imagePre Raphaelite Collection: The Salutation of Beatrice, 1869 (oil on canvas)

The Salutation of Beatrice, 1869 (oil on canvas)
7316605 The Salutation of Beatrice, 1869 (oil on canvas) by Rossetti, Dante Gabriel Charles (1828-82); 57.1 x 47 cm; Private Collection; (add.info)

Background imagePre Raphaelite Collection: The Salutation of Beatrice, 1869 (oil on canvas)

The Salutation of Beatrice, 1869 (oil on canvas)
7316603 The Salutation of Beatrice, 1869 (oil on canvas) by Rossetti, Dante Gabriel Charles (1828-82); 57.1 x 47 cm; Private Collection; (add.info)

Background imagePre Raphaelite Collection: Great bookcase, 1859-62 (pine, carved, painted and gilded)

Great bookcase, 1859-62 (pine, carved, painted and gilded)
7246644 Great bookcase, 1859-62 (pine, carved, painted and gilded) by English School, (19th century); 317.5x173.9x49.5 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Background imagePre Raphaelite Collection: Great bookcase, 1859-62 (pine, carved, painted and gilded)

Great bookcase, 1859-62 (pine, carved, painted and gilded)
7247006 Great bookcase, 1859-62 (pine, carved, painted and gilded) by English School, (19th century); 317.5x173.9x49.5 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Background imagePre Raphaelite Collection: Sir Lancelot's Vision, study for the fresco painting in the Oxford Union

Sir Lancelot's Vision, study for the fresco painting in the Oxford Union
7247011 Sir Lancelot's Vision, study for the fresco painting in the Oxford Union, 1857 (w/c and gouache over black chalk on paper) by Rossetti




For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Pre-Raphaelite: Capturing the Beauty and Symbolism of the Divine" The Pre-Raphaelite movement, which emerged in the mid-19th century, sought to revive the artistic spirit of medieval times. Artists like William Holman Hunt embraced this vision with his masterpiece "The Light of the World. " Painted between 1851 and 1853, it depicts Jesus as the radiant Light of the World, illuminating a darkened door. Another prominent Pre-Raphaelite artist was Edward Burne-Jones, whose work "Adam & Eve" explores biblical themes. Inspired by John Milton's Paradise Lost, this painting portrays Adam delving into earth while Eve spins thread. It symbolizes their fall from grace and humanity's struggle for redemption. In Arthurian legend-inspired works like "The Attainment, " Sir Galahad, Sir Bors, and Sir Percival embark on a quest for the Holy Grail. The painting captures their awe-inspiring moment when they finally lay eyes upon this sacred relic. A captivating fresco titled "Choosing the Red and White Roses in the Temple Garden" showcases an allegorical scene painted by Evelyn De Morgan in 1910. It represents spiritual choices faced by individuals within a temple garden setting – red roses symbolizing earthly desires while white roses represent purity and virtue. William John Wainwright's creation called "Parable Of The Wise And Foolish Virgins" brings forth a moral lesson through vivid imagery. This piece illustrates five wise virgins who prepared themselves with oil lamps versus five foolish ones who neglected their duty – reminding viewers to be vigilant in their spiritual lives. John Everett Millais' paintings also made significant contributions to Pre-Raphaelitism. In "My First Sermon, " he portrays a young girl engrossed in her first religious experience—a poignant reflection on innocence and faith that resonates deeply with viewers.