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Pre Raphaelite Collection (#5)

"Pre-Raphaelite: Capturing the Beauty and Symbolism of the Divine" The Pre-Raphaelite movement, which emerged in the mid-19th century

Background imagePre Raphaelite Collection: The Isle of Chios, c. 1867 (oil on canvas)

The Isle of Chios, c. 1867 (oil on canvas)
MAN77497 The Isle of Chios, c.1867 (oil on canvas) by Leighton, Frederic (1830-96); 26.5x41.5 cm; Manchester Art Gallery, UK; (add.info.: by Frederic Leighton); © Manchester Art Gallery

Background imagePre Raphaelite Collection: Work, 1852-65 (oil on canvas) (see also 198054 and 324488)

Work, 1852-65 (oil on canvas) (see also 198054 and 324488)
3927271 Work, 1852-65 (oil on canvas) (see also 198054 and 324488) by Brown, Ford Madox (1821-93); 137x197.3 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imagePre Raphaelite Collection: When Apples were Golden and Songs were Sweet but Summer had Passed Away, c. 1906 (oil on canvas)

When Apples were Golden and Songs were Sweet but Summer had Passed Away, c. 1906 (oil on canvas)
MAN62983 When Apples were Golden and Songs were Sweet but Summer had Passed Away, c.1906 (oil on canvas) by Strudwick, John Melhuish (1849-1937); 76.4x48.4 cm; Manchester Art Gallery

Background imagePre Raphaelite Collection: The Establishment of the Flemish Weavers in Manchester in 1363, 1888 (tempera on panel)

The Establishment of the Flemish Weavers in Manchester in 1363, 1888 (tempera on panel)
MAN62935 The Establishment of the Flemish Weavers in Manchester in 1363, 1888 (tempera on panel) by Brown, Ford Madox (1821-93); 27.1x55.9 cm; Manchester Art Gallery

Background imagePre Raphaelite Collection: Stages of Cruelty, 1856-90 (oil on canvas)

Stages of Cruelty, 1856-90 (oil on canvas)
MAN62928 Stages of Cruelty, 1856-90 (oil on canvas) by Brown, Ford Madox (1821-93); 73.3x59.9 cm; Manchester Art Gallery, UK; (add.info.: by Ford Madox Brown); © Manchester Art Gallery

Background imagePre Raphaelite Collection: Cupid and Psyche, 1865-87 (w/c, bodycolour & gold paint on wove paper)

Cupid and Psyche, 1865-87 (w/c, bodycolour & gold paint on wove paper)
MAN63032 Cupid and Psyche, 1865-87 (w/c, bodycolour & gold paint on wove paper) by Burne-Jones, Edward Coley (1833-98); 64.9x49.4 cm; Manchester Art Gallery

Background imagePre Raphaelite Collection: The Waters of Lethe by the Plains of Elysium, c. 1880 (tempera and gold paint on canvas)

The Waters of Lethe by the Plains of Elysium, c. 1880 (tempera and gold paint on canvas)
MAN62979 The Waters of Lethe by the Plains of Elysium, c.1880 (tempera and gold paint on canvas) by Stanhope, John Roddam Spencer (1829-1908); 147.5x282.4 cm; Manchester Art Gallery

Background imagePre Raphaelite Collection: Byron's Dream, 1874 (oil on canvas)

Byron's Dream, 1874 (oil on canvas)
MAN62933 Byron's Dream, 1874 (oil on canvas) by Brown, Ford Madox (1821-93); 71.5x54.8 cm; Manchester Art Gallery, UK; (add.info)

Background imagePre Raphaelite Collection: Victory O Lord, 1871 (oil on canvas)

Victory O Lord, 1871 (oil on canvas)
MAN62959 Victory O Lord, 1871 (oil on canvas) by Millais, John Everett (1829-96); 194.7x141.3 cm; Manchester Art Gallery, UK; (add.info)

Background imagePre Raphaelite Collection: A Water Baby, c. 1900 (oil on canvas)

A Water Baby, c. 1900 (oil on canvas)
MAN62997 A Water Baby, c.1900 (oil on canvas) by Draper, Herbert James (1864-1920); radius: 68.5 cm; Manchester Art Gallery, UK; (add.info.: by Herbert James Draper); © Manchester Art Gallery

Background imagePre Raphaelite Collection: The Scapegoat, 1854-55 (oil on canvas)

The Scapegoat, 1854-55 (oil on canvas)
MAN62950 The Scapegoat, 1854-55 (oil on canvas) by Hunt, William Holman (1827-1910); 33.7x45.9 cm; Manchester Art Gallery

Background imagePre Raphaelite Collection: Portrait of William Shakespeare (1564-1616) 1849 (oil on canvas)

Portrait of William Shakespeare (1564-1616) 1849 (oil on canvas)
MAN62925 Portrait of William Shakespeare (1564-1616) 1849 (oil on canvas) by Brown, Ford Madox (1821-93); 135.6x87.5 cm; Manchester Art Gallery

Background imagePre Raphaelite Collection: Ophelia, 1852 (oil on canvas)

Ophelia, 1852 (oil on canvas)
MAN62947 Ophelia, 1852 (oil on canvas) by Hughes, Arthur (1832-1915); 68.7x123.8 cm; Manchester Art Gallery, UK; (add.info)

Background imagePre Raphaelite Collection: The Bower Meadow, 1850-72 (oil on canvas) (for study see 77514)

The Bower Meadow, 1850-72 (oil on canvas) (for study see 77514)
MAN62974 The Bower Meadow, 1850-72 (oil on canvas) (for study see 77514) by Rossetti, Dante Gabriel Charles (1828-82); 86.3x68 cm; Manchester Art Gallery

Background imagePre Raphaelite Collection: Captive Andromache, c. 1888 (oil on canvas) (see 226710 & 250633)

Captive Andromache, c. 1888 (oil on canvas) (see 226710 & 250633)
MAN62955 Captive Andromache, c.1888 (oil on canvas) (see 226710 & 250633) by Leighton, Frederic (1830-96); 197x407 cm; Manchester Art Gallery, UK; (add.info.: widow of Hector)

Background imagePre Raphaelite Collection: Work, 1852-65 (oil on canvas) (see also 3927271 and 198054)

Work, 1852-65 (oil on canvas) (see also 3927271 and 198054)
MAN324488 Work, 1852-65 (oil on canvas) (see also 3927271 and 198054) by Brown, Ford Madox (1821-93); 137x197.3 cm; Manchester Art Gallery

Background imagePre Raphaelite Collection: Astarte Syriaca, 1877 (oil on canvas)

Astarte Syriaca, 1877 (oil on canvas)
MAN62973 Astarte Syriaca, 1877 (oil on canvas) by Rossetti, Dante Gabriel Charles (1828-82); 185x109 cm; Manchester Art Gallery

Background imagePre Raphaelite Collection: The Lady of Shalott, c. 1886-1905 (oil on panel) (see also 495754)

The Lady of Shalott, c. 1886-1905 (oil on panel) (see also 495754)
MAN62953 The Lady of Shalott, c.1886-1905 (oil on panel) (see also 495754) by Hunt, William Holman (1827-1910); 44.4x34.1 cm; Manchester Art Gallery

Background imagePre Raphaelite Collection: The Hireling Shepherd, 1851 (oil on canvas)

The Hireling Shepherd, 1851 (oil on canvas)
MAN62949 The Hireling Shepherd, 1851 (oil on canvas) by Hunt, William Holman (1827-1910); 76.4x109.5 cm; Manchester Art Gallery

Background imagePre Raphaelite Collection: Autumn Leaves, 1856 (oil on canvas)

Autumn Leaves, 1856 (oil on canvas)
MAN62958 Autumn Leaves, 1856 (oil on canvas) by Millais, John Everett (1829-96); 104.3x74 cm; Manchester Art Gallery, UK; (add.info.: by John Everett Millais); © Manchester Art Gallery

Background imagePre Raphaelite Collection: Hylas and the Nymphs, 1896 (oil on canvas)

Hylas and the Nymphs, 1896 (oil on canvas)
MAN62987 Hylas and the Nymphs, 1896 (oil on canvas) by Waterhouse, John William (1849-1917); 132.1x197.5 cm; Manchester Art Gallery

Background imagePre Raphaelite Collection: Dante Meeting Beatrice, 1864 (w/c on board)

Dante Meeting Beatrice, 1864 (w/c on board)
MAN63036 Dante Meeting Beatrice, 1864 (w/c on board) by Rossetti, Dante Gabriel Charles (1828-82); 30.4x25.7 cm; Manchester Art Gallery

Background imagePre Raphaelite Collection: The Temple of Philae, 1868 (oil on canvas)

The Temple of Philae, 1868 (oil on canvas)
MAN278073 The Temple of Philae, 1868 (oil on canvas) by Leighton, Frederic (1830-96); 18.7x29.3 cm; Manchester Art Gallery

Background imagePre Raphaelite Collection: The Proclamation Regarding Weights and Measures, 1889 (tempera on panel)

The Proclamation Regarding Weights and Measures, 1889 (tempera on panel)
MAN62934 The Proclamation Regarding Weights and Measures, 1889 (tempera on panel) by Brown, Ford Madox (1821-93); 26.2x56.9 cm; Manchester Art Gallery

Background imagePre Raphaelite Collection: Study of Guinevere for Sir Launcelot in the Queen's Chamber, 1857 (pencil & w/c on paper)

Study of Guinevere for Sir Launcelot in the Queen's Chamber, 1857 (pencil & w/c on paper)
5858706 Study of Guinevere for Sir Launcelot in the Queen's Chamber, 1857 (pencil & w/c on paper) by Rossetti, Dante Gabriel Charles (1828-82); 49.3x41.2 cm; Manchester Art Gallery

Background imagePre Raphaelite Collection: Study Of A Young Girl Seated, c. 1870 (w/c, gouache & gum Arabic on paper)

Study Of A Young Girl Seated, c. 1870 (w/c, gouache & gum Arabic on paper)
7215545 Study Of A Young Girl Seated, c.1870 (w/c, gouache & gum Arabic on paper) by Shields, Frederic James (1833-1911); 18.8x12.5 cm; Manchester Art Gallery

Background imagePre Raphaelite Collection: The Traveller, 1868-84 (oil on panel)

The Traveller, 1868-84 (oil on panel)
7214968 The Traveller, 1868-84 (oil on panel) by Brown, Ford Madox (1821-93); 31.6x48.6 cm; Manchester Art Gallery, UK; (add.info.: by Ford Madox Brown (1821-93)); © Manchester Art Gallery

Background imagePre Raphaelite Collection: The Triumph of the Innocents, engraved by Charles Robert Ashbee (engraving)

The Triumph of the Innocents, engraved by Charles Robert Ashbee (engraving)
3960781 The Triumph of the Innocents, engraved by Charles Robert Ashbee (engraving) by Hunt, William Holman (1827-1910); 98x131.6 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imagePre Raphaelite Collection: The Story of Cupid and Psyche - Venus, after Edward Coley Burne-Jones (engraved wooden block)

The Story of Cupid and Psyche - Venus, after Edward Coley Burne-Jones (engraved wooden block)
3929995 The Story of Cupid and Psyche - Venus, after Edward Coley Burne-Jones (engraved wooden block) by Burgess, Arthur (1844-87); 14x10 cm; Manchester Art Gallery

Background imagePre Raphaelite Collection: Early Lovers, 1858 (oil on canvas)

Early Lovers, 1858 (oil on canvas)
MAN62977 Early Lovers, 1858 (oil on canvas) by Smallfield, Frederick (1829-1915); 76.4x46.1 cm; Manchester Art Gallery, UK; (add.info)

Background imagePre Raphaelite Collection: The Victor (w/c & lead white heightening on paper)

The Victor (w/c & lead white heightening on paper)
5913364 The Victor (w/c & lead white heightening on paper) by Shields, Frederic James (1833-1911); 164.2x87.7 cm; Manchester Art Gallery

Background imagePre Raphaelite Collection: The Queen was in the Parlour, Eating Bread and Honey (oil on panel)

The Queen was in the Parlour, Eating Bread and Honey (oil on panel)
7205907 The Queen was in the Parlour, Eating Bread and Honey (oil on panel) by Prinsep, Valentine Cameron (1838-1904); 59.6x33 cm; Manchester Art Gallery

Background imagePre Raphaelite Collection: Lantern for The Light of the World, 1852 (patinated brass)

Lantern for The Light of the World, 1852 (patinated brass)
4055748 Lantern for The Light of the World, 1852 (patinated brass) by Hunt, William Holman (1827-1910); height: 35 cm; Manchester Art Gallery, UK; (add.info.: William Holman Hunt (Designer)

Background imagePre Raphaelite Collection: Portrait of Charles Rowley (1839-1933), 1885 (coloured chalk with white heightening on paper)

Portrait of Charles Rowley (1839-1933), 1885 (coloured chalk with white heightening on paper)
7241867 Portrait of Charles Rowley (1839-1933), 1885 (coloured chalk with white heightening on paper) by Brown, Ford Madox (1821-93); 49.2 x 43.1 cm; Manchester Art Gallery

Background imagePre Raphaelite Collection: Sisterly Help (pencil on paper)

Sisterly Help (pencil on paper)
5913363 Sisterly Help (pencil on paper) by Shields, Frederic James (1833-1911); Manchester Art Gallery, UK; (add.info.: sketch of a young girl holding a lamb in her arms)

Background imagePre Raphaelite Collection: The Outlaw, 1861 (oil on canvas)

The Outlaw, 1861 (oil on canvas)
2636063 The Outlaw, 1861 (oil on canvas) by Windus, William Lindsay (1822-1907); 36x34 cm; Manchester Art Gallery, UK; (add.info.: Lush wooded landscape seen from a high viewpoint)

Background imagePre Raphaelite Collection: Study for the Blessed Damozel, 1876 (colour chalk on paper)

Study for the Blessed Damozel, 1876 (colour chalk on paper)
MAN63035 Study for the Blessed Damozel, 1876 (colour chalk on paper) by Rossetti, Dante Gabriel Charles (1828-82); 54.9x56.5 cm; Manchester Art Gallery

Background imagePre Raphaelite Collection: Study for The Spirit of Justice (pencil, w/c & bodycolour on paper)

Study for The Spirit of Justice (pencil, w/c & bodycolour on paper)
MAN63021 Study for The Spirit of Justice (pencil, w/c & bodycolour on paper) by Brown, Ford Madox (1821-93); 75.7x51.7 cm; Manchester Art Gallery

Background imagePre Raphaelite Collection: The English Boy, 1860 (oil on canvas)

The English Boy, 1860 (oil on canvas)
MAN62932 The English Boy, 1860 (oil on canvas) by Brown, Ford Madox (1821-93); 39.6x33.3 cm; Manchester Art Gallery, UK; (add.info)

Background imagePre Raphaelite Collection: Joli Coeur, 1867 (oil on panel)

Joli Coeur, 1867 (oil on panel)
MAN62975 Joli Coeur, 1867 (oil on panel) by Rossetti, Dante Gabriel Charles (1828-82); 38.1x30.2 cm; Manchester Art Gallery

Background imagePre Raphaelite Collection: La Donna della Fiamma, 1870 (pastel & pencil on paper)

La Donna della Fiamma, 1870 (pastel & pencil on paper)
MAN63037 La Donna della Fiamma, 1870 (pastel & pencil on paper) by Rossetti, Dante Gabriel Charles (1828-82); 86.4x66 cm; Manchester Art Gallery

Background imagePre Raphaelite Collection: Answering the Emigrant's Letter, 1850 (oil on panel)

Answering the Emigrant's Letter, 1850 (oil on panel)
MAN62940 Answering the Emigrant's Letter, 1850 (oil on panel) by Collinson, James (1825-81); 70.1x91.2 cm; Manchester Art Gallery

Background imagePre Raphaelite Collection: Work: Workman with Carnation in his Mouth, 1852-65 (oil on canvas) (see also 198054 & 100701)

Work: Workman with Carnation in his Mouth, 1852-65 (oil on canvas) (see also 198054 & 100701)
MAN63030 Work: Workman with Carnation in his Mouth, 1852-65 (oil on canvas) (see also 198054 & 100701) by Brown, Ford Madox (1821-93); Manchester Art Gallery, UK; (add.info.: Navvies laying a drain)

Background imagePre Raphaelite Collection: Sibylla Delphica, 1868 (oil on panel)

Sibylla Delphica, 1868 (oil on panel)
MAN62938 Sibylla Delphica, 1868 (oil on panel) by Burne-Jones, Edward Coley (1833-98); 152.8x60.3 cm; Manchester Art Gallery

Background imagePre Raphaelite Collection: Portrait of Dante Gabriel Rossetti (1828-82) 1853 (pastel and coloured chalks on paper)

Portrait of Dante Gabriel Rossetti (1828-82) 1853 (pastel and coloured chalks on paper)
MAN136097 Portrait of Dante Gabriel Rossetti (1828-82) 1853 (pastel and coloured chalks on paper) by Hunt, William Holman (1827-1910); 28.6x25.9 cm; Manchester Art Gallery

Background imagePre Raphaelite Collection: The Last Watch of Hero, 1887 (oil on canvas)

The Last Watch of Hero, 1887 (oil on canvas)
MAN62954 The Last Watch of Hero, 1887 (oil on canvas) by Leighton, Frederic (1830-96); 160.3x91.7 cm; Manchester Art Gallery, UK; (add.info.: Hero and Leander;); © Manchester Art Gallery

Background imagePre Raphaelite Collection: Ruth Herbert, 1858 (watercolour and bodycolour over graphite with gold paint)

Ruth Herbert, 1858 (watercolour and bodycolour over graphite with gold paint)
7394162 Ruth Herbert, 1858 (watercolour and bodycolour over graphite with gold paint) by Rossetti, Dante Gabriel Charles (1828-82); 26.3x20.2 cm; Ashmolean Museum, University of Oxford

Background imagePre Raphaelite Collection: Ruth Herbert asleep, 1858 (graphite on paper)

Ruth Herbert asleep, 1858 (graphite on paper)
7394144 Ruth Herbert asleep, 1858 (graphite on paper) by Rossetti, Dante Gabriel Charles (1828-82); 21x26.4 cm; Ashmolean Museum, University of Oxford




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"Pre-Raphaelite: Capturing the Beauty and Symbolism of the Divine" The Pre-Raphaelite movement, which emerged in the mid-19th century, sought to revive the artistic spirit of medieval times. Artists like William Holman Hunt embraced this vision with his masterpiece "The Light of the World. " Painted between 1851 and 1853, it depicts Jesus as the radiant Light of the World, illuminating a darkened door. Another prominent Pre-Raphaelite artist was Edward Burne-Jones, whose work "Adam & Eve" explores biblical themes. Inspired by John Milton's Paradise Lost, this painting portrays Adam delving into earth while Eve spins thread. It symbolizes their fall from grace and humanity's struggle for redemption. In Arthurian legend-inspired works like "The Attainment, " Sir Galahad, Sir Bors, and Sir Percival embark on a quest for the Holy Grail. The painting captures their awe-inspiring moment when they finally lay eyes upon this sacred relic. A captivating fresco titled "Choosing the Red and White Roses in the Temple Garden" showcases an allegorical scene painted by Evelyn De Morgan in 1910. It represents spiritual choices faced by individuals within a temple garden setting – red roses symbolizing earthly desires while white roses represent purity and virtue. William John Wainwright's creation called "Parable Of The Wise And Foolish Virgins" brings forth a moral lesson through vivid imagery. This piece illustrates five wise virgins who prepared themselves with oil lamps versus five foolish ones who neglected their duty – reminding viewers to be vigilant in their spiritual lives. John Everett Millais' paintings also made significant contributions to Pre-Raphaelitism. In "My First Sermon, " he portrays a young girl engrossed in her first religious experience—a poignant reflection on innocence and faith that resonates deeply with viewers.