Pre Raphaelite Collection (#8)

Prothalmion by Edmund Spenser, illustration from The Book of Old English Songs and Ballads
IL314811 Prothalmion by Edmund Spenser, illustration from The Book of Old English Songs and Ballads, published by Hodder and Stoughton, c.1910 (colour litho) by Fortescue-Brickdale

St John The Baptist, detail from the east window, 1861 (stained glass)
3474631 St John The Baptist, detail from the east window, 1861 (stained glass) by Barraud, Francis Philip (1824-1901); St John The Baptist, Bromsgrove

The Pale Complexion of True Love
WH48201 The Pale Complexion of True Love by Fortescue-Brickdale, Eleanor (1871-1945); Private Collection; Photo © Whitford & Hughes, London, UK

Girl Reading a Letter (sanguine on paper)
CMY100629 Girl Reading a Letter (sanguine on paper) by Meteyard, Sidney (1868-1947); 34.3x21.6 cm; Private Collection; English, out of copyright

The Pale Complexion of True Love and the Red Glow of Scorn and Proud Disdain from As You Like It, 1899 (oil on canvas)
CH402308 The Pale Complexion of True Love and the Red Glow of Scorn and Proud Disdain from As You Like It, 1899 (oil on canvas) by Fortescue-Brickdale

A Pompeian Beauty
CH27359 A Pompeian Beauty by Giannetti, Raffaele (1832-1916); Private Collection; Photo © Christies Images

Hope Comforting Love in Bondage, 1901 (oil on canvas)
BIR108329 Hope Comforting Love in Bondage, 1901 (oil on canvas) by Meteyard, Sidney (1868-1947); 104.2x109.2 cm; Birmingham Museums and Art Gallery; English, out of copyright

Bouquet of Flowers, illustration from The Book of Old English Songs and Ballads, published by Hodder and Stoughton, c
IL314810 Bouquet of Flowers, illustration from The Book of Old English Songs and Ballads, published by Hodder and Stoughton, c.1910 (colour litho) by Fortescue-Brickdale

Pan and Psyche (mezzotint)
6322294 Pan and Psyche (mezzotint) by Campbell, Charles W. (1855-87); 35.6x29.5 cm; The Ms Gallery, London, UK; (add.info)

St. George and the Dragon (oil on canvas)
CH402321 St. George and the Dragon (oil on canvas) by Meteyard, Sidney (1868-1947); 110.5x112.5 cm; Private Collection; Photo © Christies Images

Autumn (oil on canvas)
CH368187 Autumn (oil on canvas) by Muckley, Louis Fairfax (1862-1926); 206.4x82.6 cm; Private Collection; Photo © Christies Images

A Hue and a cry after Cupid, illustration from The Book of Old English Songs and Ballads
IL314812 A Hue and a cry after Cupid, illustration from The Book of Old English Songs and Ballads, published by Hodder and Stoughton, c.1910 (colour litho) by Fortescue-Brickdale

They Toil not, Neither do they Spin, 1903 (w / c)
MAL85982 They Toil not, Neither do they Spin, 1903 (w/c) by Fortescue-Brickdale, Eleanor (1871-1945); 40.6x26.7 cm; Mallett Gallery, London, UK; © Mallett Gallery, London, UK

Farewell - one kiss, and I ll descend (oil on canvas)
Ma199029 Farewell - one kiss, and I ll descend (oil on canvas) by Fortescue-Brickdale, Eleanor (1871-1945); 81.5x112 cm; Private Collection; (add.info)

A Knight in Armour
Ma161629 A Knight in Armour by Fortescue-Brickdale, Eleanor (1871-1945); Private Collection; Photo © The Ms Gallery, London

Aeneas and the Sibyl of Caumae, 1874-c. 1919 (w / c on vellum)
1195394 Aeneas and the Sibyl of Caumae, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo © Christies Images

Stained glass by Edward Burnes Jones in Birmingham (photo)
3825323 Stained glass by Edward Burnes Jones in Birmingham (photo) by Burne-Jones, Edward Coley (1833-98); (add.info.: stained glass window in the West end of Birmingham Cathedral)

Sir Edward Burne-Jones, portrait
3783711 Sir Edward Burne-Jones, portrait; (add.info.: Sir Edward Burne-Jones, portrait. British artist and designer associated with the Pre-Raphaelite movement, b. 28 August 1833 - d)

Birmingham, Ward End, St Margaret, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932), The Good Shepherd
3474918 Birmingham, Ward End, St Margaret, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932), The Good Shepherd, 1902 by Morris & Company; Ward End, Birmingham

St George and the Dragon (pencil on paper)
BIR185892 St George and the Dragon (pencil on paper) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; Birmingham Museums Trust

Quest for the Holy Grail - Study for the Summons, 1894 (watercolour & gouache on paper)
451295 Quest for the Holy Grail - Study for the Summons, 1894 (watercolour & gouache on paper) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; (add.info)

Angels of Creation: The Third Day, by Sir Edward Burne-Jones (1833-98), c. 1890
ASD54938 Angels of Creation: The Third Day, by Sir Edward Burne-Jones (1833-98), c.1890 by Burne-Jones, Edward Coley (1833-98); Manchester College, Oxford, Oxfordshire, UK; Ann S. Dean, Brighton

C. 2-1922 Morris and Company tile depicting St. Cecilia, designed by Edward Burne-Jones (1833-98)
FIT82956 C.2-1922 Morris and Company tile depicting St. Cecilia, designed by Edward Burne-Jones (1833-98), painted by Kate Faulkner

Stained glass by Edward Burnes Jones in Birmingham (photo)
3825326 Stained glass by Edward Burnes Jones in Birmingham (photo) by Burne-Jones, Edward Coley (1833-98); (add.info.: altar and East windows of Birmingham Cathedral, St Philips Cathedral)

Angeli Laudantes, tapestry designed by Henry Dearle with figures by Edward Burne-Jones originally drawn in 1877 / 78
BAL3809 Angeli Laudantes, tapestry designed by Henry Dearle with figures by Edward Burne-Jones originally drawn in 1877/78, woven at Merton Abbey in 1894 by Morris and Co

Birmingham, Acocks Green, St Mary The Virgin, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932)
3474906 Birmingham, Acocks Green, St Mary The Virgin, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932), Overall View of Chancel with alabaster reredos by Bridgman of Lichfield (1903)

Stained glass by Edward Burnes Jones in Birmingham (photo)
3825324 Stained glass by Edward Burnes Jones in Birmingham (photo) by Burne-Jones, Edward Coley (1833-98); (add.info.: East window (side) of Birmingham Cathedral, St Philips Cathedral

Morris and Company tile depicting Penelope, designed by Edward Burne-Jones (1833-98), painted by Kate Faulkner, c
FIT82957 Morris and Company tile depicting Penelope, designed by Edward Burne-Jones (1833-98), painted by Kate Faulkner, c.1865 (painted earthenware) by Morris & Company; diameter

Interior View, All Saints Church, Leek, Staffordshire (photo)
3475575 Interior View, All Saints Church, Leek, Staffordshire (photo) by Morris & Company; All Saints Church, Leek, Staffordshire

Ireland, County Waterford, Lismore, Cathedral of St Carthage, stained glass window by Edward Burne-Jones in Protestant
839155 Ireland, County Waterford, Lismore, Cathedral of St Carthage, stained glass window by Edward Burne-Jones in Protestant cathedral by Burne-Jones, Edward Coley (1833-98); Dorling Kindersley/UIG

Stained glass by Edward Burnes Jones in Birmingham (photo)
3825322 Stained glass by Edward Burnes Jones in Birmingham (photo) by Burne-Jones, Edward Coley (1833-98); (add.info.: altar and East window of Birmingham Cathedral, St Philips Cathedral)

Burne Jones Edward 1833-98 "Christ in Glory", Rome, Church of St. Paul within the Walls
3433441 Burne Jones Edward 1833-98 " Christ in Glory", Rome, Church of St. Paul within the Walls by Burne-Jones, Edward Coley (1833-98); (add.info.:)

William Morris with Edward Burne-Jones, 1874 (b / w photo)
2602393 William Morris with Edward Burne-Jones, 1874 (b/w photo) by Hollyer, Frederick (1837-1933); (add.info.: William Morris (1834-1896) on the right, with Edward Burne-Jones (1833-1898)

Edward Burne-Jones and William Morris, English artists and designers (b / w photo)
7172087 Edward Burne-Jones and William Morris, English artists and designers (b/w photo) by Hollyer, Frederick (1837-1933); Private Collection; (add.info)

Circe Invidiosa, 1872 (oil on canvas)
DGA5609814 Circe Invidiosa, 1872 (oil on canvas) by Waterhouse, John William (1849-1917) (after); 180x87 cm; (add.info.: By Waterhouse); Photo © Fine Art Images

Gathering Summer Flowers in a Devonshire Garden, 1893 (oil on canvas)
6448800 Gathering Summer Flowers in a Devonshire Garden, 1893 (oil on canvas) by Waterhouse, John William (1849-1917); Private Collection; (add.info.: Waterhouse, John William (1849-1917))

A Christmas Carol, 1867 (oil on panel)
FIA5398478 A Christmas Carol, 1867 (oil on panel) by Rossetti, Dante Gabriel Charles (1828-82); 45.5 x 38 cm; Private Collection; (add.info)

Jesus Christ washing St Peters feet (colour litho)
7201941 Jesus Christ washing St Peters feet (colour litho) by Brown, Ford Madox (1821-93) (after); Private Collection; (add.info.: Jesus Christ washing St Peters feet)

The Last Judgement, detail, St Michael, 1863 (stained glass)
3474786 The Last Judgement, detail, St Michael, 1863 (stained glass) by Bayne, Robert Turnill (1837-1915) & Hassam, Alfred (1843-1868); St Mary, Brome, UK; (add.info.: Heaton)

The Sleeping Princess (oil on canvas)
6436330 The Sleeping Princess (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Private Collection; (add.info.: From the Briar Rose series; model was the artists daughter, Margaret; )

The Lady of Shalott (litho)
7149596 The Lady of Shalott (litho) by Ryland, Henry (1856-1924); Private Collection; (add.info.: The Lady of Shalott.); © Look and Learn

Brother Brushes: Sir John Everett Millais, British artist; Wilhelm Peters, Norwegian artist, working at Newlyn
7148434 Brother Brushes: Sir John Everett Millais, British artist; Wilhelm Peters, Norwegian artist, working at Newlyn, Cornwall (engraving) by May

William Holman Hunt. 19th century (photo)
7212195 William Holman Hunt. 19th century (photo) by Cameron, Julia Margaret (1815-79); (add.info.: William Holman Hunt, 1827 - 1910)

Concert Grand Piano by Sebastien Erard, c. 1850 (painted wood, ebony and ivory keys)
3928560 Concert Grand Piano by Sebastien Erard, c.1850 (painted wood, ebony and ivory keys) by Rooke, Thomas Matthews (1842-1942); 97 x 215 x 140 cm; Private Collection; (add.info)

John Everett Millais, Pre-Raphaelite painter (b / w photo)
7153085 John Everett Millais, Pre-Raphaelite painter (b/w photo) by Dodgson, Charles Lutwidge (Lewis Carroll) (1832-98); Private Collection; (add.info.: John Everett Millais, Pre-Raphaelite painter)

Portrait of Miss Isabella Waugh, study (oil on canvas)
7063446 Portrait of Miss Isabella Waugh, study (oil on canvas) by Hunt, William Holman (1827-1910); 55.9x35.6 cm; Private Collection

For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Pre-Raphaelite: Capturing the Beauty and Symbolism of the Divine" The Pre-Raphaelite movement, which emerged in the mid-19th century, sought to revive the artistic spirit of medieval times. Artists like William Holman Hunt embraced this vision with his masterpiece "The Light of the World. " Painted between 1851 and 1853, it depicts Jesus as the radiant Light of the World, illuminating a darkened door. Another prominent Pre-Raphaelite artist was Edward Burne-Jones, whose work "Adam & Eve" explores biblical themes. Inspired by John Milton's Paradise Lost, this painting portrays Adam delving into earth while Eve spins thread. It symbolizes their fall from grace and humanity's struggle for redemption. In Arthurian legend-inspired works like "The Attainment, " Sir Galahad, Sir Bors, and Sir Percival embark on a quest for the Holy Grail. The painting captures their awe-inspiring moment when they finally lay eyes upon this sacred relic. A captivating fresco titled "Choosing the Red and White Roses in the Temple Garden" showcases an allegorical scene painted by Evelyn De Morgan in 1910. It represents spiritual choices faced by individuals within a temple garden setting – red roses symbolizing earthly desires while white roses represent purity and virtue. William John Wainwright's creation called "Parable Of The Wise And Foolish Virgins" brings forth a moral lesson through vivid imagery. This piece illustrates five wise virgins who prepared themselves with oil lamps versus five foolish ones who neglected their duty – reminding viewers to be vigilant in their spiritual lives. John Everett Millais' paintings also made significant contributions to Pre-Raphaelitism. In "My First Sermon, " he portrays a young girl engrossed in her first religious experience—a poignant reflection on innocence and faith that resonates deeply with viewers.