Skip to main content

Victorian Gothic Collection (#6)

Step into the enchanting world of Victorian Gothic, where grandeur and mystery intertwine

Background imageVictorian Gothic Collection: The Great Hall on the south front, Bayons Manor, from England's Lost Houses by Giles Worsley

The Great Hall on the south front, Bayons Manor, from England's Lost Houses by Giles Worsley (1961-2006)
CLF311711 The Great Hall on the south front, Bayons Manor, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Background imageVictorian Gothic Collection: Knebworth, the south-west front, from 100 Favourite Houses (b/w photo)

Knebworth, the south-west front, from 100 Favourite Houses (b/w photo)
CLF310452 Knebworth, the south-west front, from 100 Favourite Houses (b/w photo) by English Photographer, (20th century); (add.info)

Background imageVictorian Gothic Collection: The west front of Nymans in 1932, from The English Manor House (b/w photo)

The west front of Nymans in 1932, from The English Manor House (b/w photo)
CLF309188 The west front of Nymans in 1932, from The English Manor House (b/w photo) by English Photographer, (20th century); (add.info)

Background imageVictorian Gothic Collection: The Kitchen, Alnwick Castle, Northumberland, from The English Country House (b/w photo)

The Kitchen, Alnwick Castle, Northumberland, from The English Country House (b/w photo)
CLF306361 The Kitchen, Alnwick Castle, Northumberland, from The English Country House (b/w photo) by English Photographer

Background imageVictorian Gothic Collection: The Long Drawing Room, Nymans, Sussex, from England's Lost Houses by Giles Worsley (1961-2006)

The Long Drawing Room, Nymans, Sussex, from England's Lost Houses by Giles Worsley (1961-2006)
CLF311812 The Long Drawing Room, Nymans, Sussex, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Background imageVictorian Gothic Collection: The Box Garden at Panshanger, from England's Lost Houses by Giles Worsley (1961-2006)

The Box Garden at Panshanger, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
CLF311808 The Box Garden at Panshanger, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Background imageVictorian Gothic Collection: Pentillie Castle, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)

Pentillie Castle, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
CLF311803 Pentillie Castle, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Background imageVictorian Gothic Collection: Tong Castle, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)

Tong Castle, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
CLF311889 Tong Castle, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Background imageVictorian Gothic Collection: Arbury Hall, the south front overlooking the gardens, from 100 Favourite Houses (b/w photo)

Arbury Hall, the south front overlooking the gardens, from 100 Favourite Houses (b/w photo)
CLF310435 Arbury Hall, the south front overlooking the gardens, from 100 Favourite Houses (b/w photo) by English Photographer

Background imageVictorian Gothic Collection: The garden front, Cassiobury Park, from England's Lost Houses by Giles Worsley (1961-2006)

The garden front, Cassiobury Park, from England's Lost Houses by Giles Worsley (1961-2006)
CLF311727 The garden front, Cassiobury Park, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Background imageVictorian Gothic Collection: The Entrance Hall, Eaton Hall, Cheshire, from The English Country House (b/w photo)

The Entrance Hall, Eaton Hall, Cheshire, from The English Country House (b/w photo)
CLF306390 The Entrance Hall, Eaton Hall, Cheshire, from The English Country House (b/w photo) by English Photographer, (20th century); (add.info.: built for Hugh Lupus Grosvenor)

Background imageVictorian Gothic Collection: The Courtyard of the Keep, Alnwick Castle, from The English Country House (b/w photo)

The Courtyard of the Keep, Alnwick Castle, from The English Country House (b/w photo)
CLF306364 The Courtyard of the Keep, Alnwick Castle, from The English Country House (b/w photo) by English Photographer, (20th century); (add.info)

Background imageVictorian Gothic Collection: Knightshayes Court, from 100 Favourite Houses (b/w photo)

Knightshayes Court, from 100 Favourite Houses (b/w photo)
CLF310469 Knightshayes Court, from 100 Favourite Houses (b/w photo) by English Photographer, (20th century); (add.info.: built by William Burges (1827-81)

Background imageVictorian Gothic Collection: The small parlour known as the Balcombe Room at Nymans, Sussex

The small parlour known as the Balcombe Room at Nymans, Sussex, from The English Manor House (b/w photo)
CLF309186 The small parlour known as the Balcombe Room at Nymans, Sussex, from The English Manor House (b/w photo) by English Photographer

Background imageVictorian Gothic Collection: The east forecourt and entrance to the Great Hall, Nymans, from The English Manor House (b/w photo)

The east forecourt and entrance to the Great Hall, Nymans, from The English Manor House (b/w photo)
CLF309185 The east forecourt and entrance to the Great Hall, Nymans, from The English Manor House (b/w photo) by English Photographer

Background imageVictorian Gothic Collection: Marks Hall, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)

Marks Hall, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
CLF311829 Marks Hall, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Background imageVictorian Gothic Collection: Hillington Hall, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)

Hillington Hall, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
CLF311787 Hillington Hall, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Background imageVictorian Gothic Collection: Haverholme Priory, from England's Lost Houses by Giles Worsley (1961-2006)

Haverholme Priory, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
CLF311774 Haverholme Priory, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Background imageVictorian Gothic Collection: Newstead Abbey, from 100 Favourite Houses (b/w photo)

Newstead Abbey, from 100 Favourite Houses (b/w photo)
CLF310433 Newstead Abbey, from 100 Favourite Houses (b/w photo) by English Photographer, (20th century); (add.info.: the priory church (on left)

Background imageVictorian Gothic Collection: Mrs Messel's bedroom, Nymans, Sussex, from The English Manor House (b/w photo)

Mrs Messel's bedroom, Nymans, Sussex, from The English Manor House (b/w photo)
CLF309187 Mrs Messel's bedroom, Nymans, Sussex, from The English Manor House (b/w photo) by English Photographer, (20th century); (add.info)

Background imageVictorian Gothic Collection: The Great Hall, Nymans, Sussex, from England's Lost Houses by Giles Worsley (1961-2006)

The Great Hall, Nymans, Sussex, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
CLF311813 The Great Hall, Nymans, Sussex, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Background imageVictorian Gothic Collection: A window bay in the Teddington Room at Radnor House, Middlesex

A window bay in the Teddington Room at Radnor House, Middlesex, from England's Lost Houses by Giles Worsley
CLF311801 A window bay in the Teddington Room at Radnor House, Middlesex, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Background imageVictorian Gothic Collection: Chimneypiece at Stouts Hill, Gloucestershire, from Country Houses of the Cotswolds (b/w photo)

Chimneypiece at Stouts Hill, Gloucestershire, from Country Houses of the Cotswolds (b/w photo)
CLF320662 Chimneypiece at Stouts Hill, Gloucestershire, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); Stouts Hill, Gloucestershire

Background imageVictorian Gothic Collection: The Great Hall, Nymans, Sussex, from The English Manor House (b/w photo)

The Great Hall, Nymans, Sussex, from The English Manor House (b/w photo)
CLF309189 The Great Hall, Nymans, Sussex, from The English Manor House (b/w photo) by English Photographer, (20th century); (add.info)

Background imageVictorian Gothic Collection: The south front, Newark Park, from Country Houses of the Cotswolds (b/w photo)

The south front, Newark Park, from Country Houses of the Cotswolds (b/w photo)
CLF320629 The south front, Newark Park, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); (add.info)

Background imageVictorian Gothic Collection: Woodchester Park, from Country Houses of the Cotswolds (b/w photo)

Woodchester Park, from Country Houses of the Cotswolds (b/w photo)
CLF320628 Woodchester Park, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); (add.info.: the approach from the south east)

Background imageVictorian Gothic Collection: East front of Apley Hall, from England's Lost Houses by Giles Worsley (1961-2006)

East front of Apley Hall, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
CLF311703 East front of Apley Hall, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Background imageVictorian Gothic Collection: The Library, Eaton Hall, Cheshire, from The English Country House (b/w photo)

The Library, Eaton Hall, Cheshire, from The English Country House (b/w photo)
CLF306388 The Library, Eaton Hall, Cheshire, from The English Country House (b/w photo) by English Photographer, (20th century); (add.info.: built for Hugh Lupus Grosvenor)

Background imageVictorian Gothic Collection: The Chapel, Eaton Hall, Cheshire, from The English Country House (b/w photo)

The Chapel, Eaton Hall, Cheshire, from The English Country House (b/w photo)
CLF306385 The Chapel, Eaton Hall, Cheshire, from The English Country House (b/w photo) by English Photographer, (20th century); (add.info.: the chapel)

Background imageVictorian Gothic Collection: Interior at Bayons Manor, Lincolnshire, from England's Lost Houses by Giles Worsley (1961-2006)

Interior at Bayons Manor, Lincolnshire, from England's Lost Houses by Giles Worsley (1961-2006)
CLF311710 Interior at Bayons Manor, Lincolnshire, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Background imageVictorian Gothic Collection: Walpole's Library, Strawberry Hill, Middlesex, from 100 Favourite Houses (b/w photo)

Walpole's Library, Strawberry Hill, Middlesex, from 100 Favourite Houses (b/w photo)
CLF310454 Walpole's Library, Strawberry Hill, Middlesex, from 100 Favourite Houses (b/w photo) by English Photographer

Background imageVictorian Gothic Collection: The east facade, Eaton Hall, from The English Country House (b/w photo)

The east facade, Eaton Hall, from The English Country House (b/w photo)
CLF306389 The east facade, Eaton Hall, from The English Country House (b/w photo) by English Photographer, (20th century); (add.info.: built for Hugh Lupus Grosvenor)

Background imageVictorian Gothic Collection: Design for a conversational Sofa, 1842 (pencil & w/c on paper)

Design for a conversational Sofa, 1842 (pencil & w/c on paper)
BAL1340 Design for a conversational Sofa, 1842 (pencil & w/c on paper) by Cottingham, Lewis Nockalls (1787-1847); Victoria & Albert Museum, London

Background imageVictorian Gothic Collection: Design For Chancel Arch, Brigham Church, Cumberland, c. 1876 (pen & ink and w/c on paper)

Design For Chancel Arch, Brigham Church, Cumberland, c. 1876 (pen & ink and w/c on paper)
5980408 Design For Chancel Arch, Brigham Church, Cumberland, c.1876 (pen & ink and w/c on paper) by Butterfield, William (1814-1900); 38.3x48.1 cm; Manchester Art Gallery

Background imageVictorian Gothic Collection: Desk and escritoire, 1865-67 (pine, mahogany, ceramic & brass) (see also 5942439)

Desk and escritoire, 1865-67 (pine, mahogany, ceramic & brass) (see also 5942439)
3711008 Desk and escritoire, 1865-67 (pine, mahogany, ceramic & brass) (see also 5942439) by Burges, William (1827-81); height: 258 cm; Manchester Art Gallery

Background imageVictorian Gothic Collection: Lantern for The Light of the World, 1852 (patinated brass)

Lantern for The Light of the World, 1852 (patinated brass)
4055748 Lantern for The Light of the World, 1852 (patinated brass) by Hunt, William Holman (1827-1910); height: 35 cm; Manchester Art Gallery, UK; (add.info.: William Holman Hunt (Designer)

Background imageVictorian Gothic Collection: Madonna Enthroned (stained glass)

Madonna Enthroned (stained glass)
493274 Madonna Enthroned (stained glass) by Bertini, Giuseppe (1825-98); Vatican Museums and Galleries, Vatican City; Photo © Stefano Baldini

Background imageVictorian Gothic Collection: Southwark Church, Southwark, London, England

Southwark Church, Southwark, London, England
6317585 Southwark Church, Southwark, London, England by English School, (19th century); (add.info.: Southwark Church, Southwark, London, England, 19th century)

Background imageVictorian Gothic Collection: Statue of Martin Luther in front of the Protestant-Lutheran Market Church of St. Georgii

Statue of Martin Luther in front of the Protestant-Lutheran Market Church of St. Georgii
7277776 Statue of Martin Luther in front of the Protestant-Lutheran Market Church of St. Georgii by German School, (19th century); Hanover

Background imageVictorian Gothic Collection: Print of Der Rittersaal zu Erbach (Interior of Gothic Revival armory of Erbach Castle)... ca. 1850

Print of Der Rittersaal zu Erbach (Interior of Gothic Revival armory of Erbach Castle)... ca. 1850
Print of Der Rittersaal zu Erbach (Interior of Gothic Revival armory of Erbach Castle), ca. 1850

Background imageVictorian Gothic Collection: Chateau de la Reine Blanche at the Ponds of Commelles, built by the Duke of Bourbon in 1826 (photo)

Chateau de la Reine Blanche at the Ponds of Commelles, built by the Duke of Bourbon in 1826 (photo)
XIR161027 Chateau de la Reine Blanche at the Ponds of Commelles, built by the Duke of Bourbon in 1826 (photo) by French School, (19th century); Chantilly, Oise

Background imageVictorian Gothic Collection: New College Oxford: Proposed passage from Old to New Buildings, 1875-77 (ink on paper)

New College Oxford: Proposed passage from Old to New Buildings, 1875-77 (ink on paper)
NCO232968 New College Oxford: Proposed passage from Old to New Buildings, 1875-77 (ink on paper) by Scott, George Gilbert (1811-1878); Courtesy of the Warden and Scholars of New College, Oxford

Background imageVictorian Gothic Collection: The Battle of Beth Horon, 1862-3 (stained glass)

The Battle of Beth Horon, 1862-3 (stained glass)
3474767 The Battle of Beth Horon, 1862-3 (stained glass) by Burne-Jones, Edward Coley (1833-98); St Michael, Lyndhurst, UK; (add.info.: Manufactured by Morris, Marshall, Faulkner & Co)

Background imageVictorian Gothic Collection: Benedictine Palace. (Illustration, circa 1930)

Benedictine Palace. (Illustration, circa 1930)
5975927 Benedictine Palace. (Illustration, circa 1930) by French School, (20th century); Private Collection; (add.info.: Power supply)

Background imageVictorian Gothic Collection: Ms. New Coll 380, f40r. The antiquities of the Cathedral Church of Saint Mary, Carlisle

Ms. New Coll 380, f40r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile
833749 Ms. New Coll 380, f40r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Background imageVictorian Gothic Collection: Ms. New Coll 380, f41r. The antiquities of the Cathedral Church of Saint Mary, Carlisle

Ms. New Coll 380, f41r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile
833750 Ms. New Coll 380, f41r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Background imageVictorian Gothic Collection: Dido stabbing herself, opening of Book IV of Virgils Aeneid (w / c on vellum)

Dido stabbing herself, opening of Book IV of Virgils Aeneid (w / c on vellum)
621801 Dido stabbing herself, opening of Book IV of Virgils Aeneid (w/c on vellum) by Morris, William (1834-96); 14x13.5 cm; Private Collection; Photo © Christies Images

Background imageVictorian Gothic Collection: Wooden church, St. Marys, Georgia, 1936. Creator: Walker Evans

Wooden church, St. Marys, Georgia, 1936. Creator: Walker Evans
Wooden church, St. Marys, Georgia




For sale as Licensed Images

Choose your image, Select your licence and Download the media

Step into the enchanting world of Victorian Gothic, where grandeur and mystery intertwine. The Opening of Keble College, Oxford, from The Illustrated London News captures the awe-inspiring architecture that defined this era. St. Peters Church and house on Village Green, Edensor, Chatsworth Estate transport us to a picturesque countryside adorned with intricate carvings and ornate details. Architectural drawing: west front inner gatehouse by AWN Pugin showcases his iconic style that epitomized the Victorian Gothic movement. His influence extends to Design for stained glass in Lyndhurst Church: An Angel Harpist, where ethereal beauty is captured within colorful panes. The Decoration of the Drawing Room at Eastnor Castle transports us to a lavish interior filled with opulent furnishings and elaborate patterns. Meanwhile, St Finbars Cathedral stands tall as a testament to the grand scale on which these structures were built. In Dulwich College's Great Hall, we witness an imposing space adorned with towering arches and intricate woodwork - a true masterpiece of craftsmanship. The British Navy artwork takes us on a journey through time, showcasing naval prowess during this period. Nelson's Tower in Forres invites us to explore its hauntingly beautiful structure rising against the sky - an emblematic symbol architecture. Lady Clare captivates our imagination with her delicate pen strokes bringing forth an air of elegance and grace. St Jacob's stained glass window transports us back in time as we marvel at its vibrant colors illuminating sacred spaces. Knebworth House beckons visitors with its majestic presence nestled amidst Hertfordshire's rolling hills – a true gem from this era. Immerse yourself in the allure of Victorian Gothic; let it transport you to another world where artistry meets darkness.