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Victorian Gothic Collection (#9)

Step into the enchanting world of Victorian Gothic, where grandeur and mystery intertwine

Background imageVictorian Gothic Collection: St Frideswide, detail, 1859 (stained glass)

St Frideswide, detail, 1859 (stained glass)
3474822 St Frideswide, detail, 1859 (stained glass) by Burne-Jones, Edward Coley (1833-98); Christ Church Cathedral, Oxford

Background imageVictorian Gothic Collection: The Annunciation, 1863 (stained glass)

The Annunciation, 1863 (stained glass)
3474819 The Annunciation, 1863 (stained glass) by Holiday, Henry (1839-1927); Worcester College Chapel, Oxford, UK; (add.info.: Manufactured by Lavers & Barraud, adapted from William Burges)

Background imageVictorian Gothic Collection: The Nativity, 1859 (stained glass)

The Nativity, 1859 (stained glass)
3474817 The Nativity, 1859 (stained glass) by Clayton, John Richard (1827-1913); Church of St Michael, Cornhill, London, UK; (add.info.: Manufactured by Clayton & Bell adapted from Gilbert Scott)

Background imageVictorian Gothic Collection: Madonna and Child, 1862 (stained glass)

Madonna and Child, 1862 (stained glass)
3474789 Madonna and Child, 1862 (stained glass) by Moore, Albert Joseph (1841-93); Church of St Andrew, Thursford, UK; (add.info.: Manufactured by James Powell & Sons); eAlastair Carew-Cox; English

Background imageVictorian Gothic Collection: Quatrefoil Angel, 1863 (stained glass)

Quatrefoil Angel, 1863 (stained glass)
3474774 Quatrefoil Angel, 1863 (stained glass) by Holiday, Henry (1839-1927); Church of St George, Shimpling, UK; (add.info.: Manufactured by James Powell & Sons); eAlastair Carew-Cox; English

Background imageVictorian Gothic Collection: St Andrew, 1862 (stained glass)

St Andrew, 1862 (stained glass)
3474773 St Andrew, 1862 (stained glass) by Bayne, Robert Turnill (1837-1915); Church of St Mary, Whittlesey, UK; (add.info.: Manufactured by Heaton, Butler & Bayne); eAlastair Carew-Cox; English

Background imageVictorian Gothic Collection: The New Jerusalem, Angel, detail, 1862-3 (stained glass)

The New Jerusalem, Angel, detail, 1862-3 (stained glass)
3474763 The New Jerusalem, Angel, detail, 1862-3 (stained glass) by Burne-Jones, Edward Coley (1833-98); St Michael, Lyndhurst, UK; (add.info.: Manufactured by Morris, Marshall)

Background imageVictorian Gothic Collection: Angel blowing a horn, 1861 (stained glass)

Angel blowing a horn, 1861 (stained glass)
3474753 Angel blowing a horn, 1861 (stained glass) by Allen, John Millner (1827-1902); Christchurch Priory, Dorset, UK; (add.info.: Manufactured by Lavers & Barraud); eAlastair Carew-Cox; English

Background imageVictorian Gothic Collection: Solomon and the Queen of Sheba, 1857 (stained glass)

Solomon and the Queen of Sheba, 1857 (stained glass)
3474743 Solomon and the Queen of Sheba, 1857 (stained glass) by Burne-Jones, Edward Coley (1833-98); College Dining Hall, Bradfield, UK; (add.info.: Manufactured by James Powell & Sons)

Background imageVictorian Gothic Collection: Noli Me Tangere, c. 1864 (stained glass)

Noli Me Tangere, c. 1864 (stained glass)
3474740 Noli Me Tangere, c.1864 (stained glass) by Westlake, Nathaniel (1833-1921); St John The Baptist, Cookham Dean, UK; eAlastair Carew-Cox; English, out of copyright

Background imageVictorian Gothic Collection: Archangel Michael, 1862 (stained glass)

Archangel Michael, 1862 (stained glass)
3474733 Archangel Michael, 1862 (stained glass) by Brown, Ford Madox (1821-93); St. Michael and All Angels, Brighton, Sussex, UK; (add.info.: Manufactured by Morris, Marshall)

Background imageVictorian Gothic Collection: The Flight into Egypt, 1862 (stained glass)

The Flight into Egypt, 1862 (stained glass)
3474729 The Flight into Egypt, 1862 (stained glass) by Burne-Jones, Edward Coley (1833-98); St Michael, Bramcote, UK; (add.info.: Manufactured by Morris, Marshall)

Background imageVictorian Gothic Collection: Christ and Seraphim, from The Wise and Foolish Virgins, 1862 (stained glass)

Christ and Seraphim, from The Wise and Foolish Virgins, 1862 (stained glass)
3474722 Christ and Seraphim, from The Wise and Foolish Virgins, 1862 (stained glass) by Clayton, John Richard (1827-1913); St Wilfred, Northenden

Background imageVictorian Gothic Collection: Leeds Heraldry, 1867-71 (stained glass)

Leeds Heraldry, 1867-71 (stained glass)
3474710 Leeds Heraldry, 1867-71 (stained glass) by Heaton, Clement James (1824-82) (attr.to); Town Hall, Rochdale, UK; (add.info.: Manufactured by Heaton)

Background imageVictorian Gothic Collection: Edward II, detail from a window in the Great Hall, 1867-71 (stained glass)

Edward II, detail from a window in the Great Hall, 1867-71 (stained glass)
3474708 Edward II, detail from a window in the Great Hall, 1867-71 (stained glass) by Heaton, Clement (1824-82) & Bayne, Robert Turnill (1837-1915) & Allen, John Miller (1827-1902); Town Hall

Background imageVictorian Gothic Collection: Woman of The Bible, c. 1866 (stained glass)

Woman of The Bible, c. 1866 (stained glass)
3474705 Woman of The Bible, c.1866 (stained glass) by Bayne, Robert Turnill (1837-1915) & Hassam, Alfred (1843-1868); Bradford Cathedral, West Yorkshire, UK; (add.info.: Manufactured by Heaton)

Background imageVictorian Gothic Collection: Denstone, All Saints, Clayton & Bell, John Richard Clayton (1827-1913)

Denstone, All Saints, Clayton & Bell, John Richard Clayton (1827-1913)
3474686 Denstone, All Saints, Clayton & Bell, John Richard Clayton (1827-1913), sleeping/cowering Knights, The Resurrection, c.1861 by Clayton, John Richard (1827-1913); All Saints Church, Denstone

Background imageVictorian Gothic Collection: Cuxton, St Michael, East Window, Lavers & Barraud, John Millner Allen (1827-1902)

Cuxton, St Michael, East Window, Lavers & Barraud, John Millner Allen (1827-1902)
3474675 Cuxton, St Michael, East Window, Lavers & Barraud, John Millner Allen (1827-1902), Angel from Christ in Majesty with Saints, c.1865 by Allen, John Millner (1827-1902); Church of St Michael

Background imageVictorian Gothic Collection: Bisceter, St Edberg, Morris, Marshall, Faulkner & Co, Edward Burne-Jones, Hope, 1866

Bisceter, St Edberg, Morris, Marshall, Faulkner & Co, Edward Burne-Jones, Hope, 1866
3474665 Bisceter, St Edberg, Morris, Marshall, Faulkner & Co, Edward Burne-Jones, Hope, 1866 by Burne-Jones, Edward Coley (1833-98); St Edberg, Bisceter, UK; (add.info.: Bisceter, St Edberg, MMF)

Background imageVictorian Gothic Collection: Abbey Cwm Hir, Heaton, Butler & Bayne, Alfred Hassam, Flowers & Fabric

Abbey Cwm Hir, Heaton, Butler & Bayne, Alfred Hassam, Flowers & Fabric
3474664 Abbey Cwm Hir, Heaton, Butler & Bayne, Alfred Hassam, Flowers & Fabric, The Light of the World, 1865, Holmon Hunt by Hassam, Alfred (1842-69); Abbey Cwmhir, Welsh

Background imageVictorian Gothic Collection: Dolgellau, St Mary, Clayton & Bell, John Richard Clayton (1827-1913)

Dolgellau, St Mary, Clayton & Bell, John Richard Clayton (1827-1913)
3474659 Dolgellau, St Mary, Clayton & Bell, John Richard Clayton (1827-1913), Christ carrying the cross, 1864 by Clayton, John Richard (1827-1913); Church of St Mary, Dolgellau

Background imageVictorian Gothic Collection: John the Baptist, 1863 (stained glass)

John the Baptist, 1863 (stained glass)
3474642 John the Baptist, 1863 (stained glass) by Allen, John Millner (1827-1902); Church of St Margaret, Crick, UK; (add.info.: Manufactured by Lavers & Barraud); eAlastair Carew-Cox; English

Background imageVictorian Gothic Collection: Christ Raising Jairuss Daughter, 1866 (stained glass)

Christ Raising Jairuss Daughter, 1866 (stained glass)
3474639 Christ Raising Jairuss Daughter, 1866 (stained glass) by Hassam, Alfred (1842-69); St Peter & St Paul, Watford, Northamptonshire, UK; (add.info.: Manufactured by Heaton)

Background imageVictorian Gothic Collection: East window detail, Christ at the house of Martha and Mary, 1863 (stained glass)

East window detail, Christ at the house of Martha and Mary, 1863 (stained glass)
3474638 East window detail, Christ at the house of Martha and Mary, 1863 (stained glass) by Bayne, Robert Turnill (1837-1915); St Peter & St Paul, Watford, Northamptonshire

Background imageVictorian Gothic Collection: Head of John the Baptist, 1861 (stained glass)

Head of John the Baptist, 1861 (stained glass)
3474634 Head of John the Baptist, 1861 (stained glass) by Clayton, John Richard (1827-1913); Church of St Mary the Virgin, Lapworth, Warwickshire

Background imageVictorian Gothic Collection: Three Magi, 1861 (stained glass)

Three Magi, 1861 (stained glass)
3474632 Three Magi, 1861 (stained glass) by Clayton, John Richard (1827-1913); Church of St Mary the Virgin, Lapworth, Warwickshire

Background imageVictorian Gothic Collection: Censing Angels, 1869 (stained glass)

Censing Angels, 1869 (stained glass)
3474628 Censing Angels, 1869 (stained glass) by Burne-Jones, Edward Coley (1833-98); St Mary, Bloxham, UK; (add.info.: Manufactured by Morris, Marshall, Faulkner & Co); eAlastair Carew-Cox; English

Background imageVictorian Gothic Collection: Charity, designed 1868 (stained glass)

Charity, designed 1868 (stained glass)
3474622 Charity, designed 1868 (stained glass) by Burne-Jones, Edward Coley (1833-98); The Old West Kirk, Greenock, Uk; (add.info.: Manufactured by Morris, Marshall)

Background imageVictorian Gothic Collection: Seraph or angel, designed 1865 (stained glass)

Seraph or angel, designed 1865 (stained glass)
3474621 Seraph or angel, designed 1865 (stained glass) by Morris, William (1834-96); St Nicholas Beaudesert, Henley-In-Arden, UK; (add.info.: Manufactured by Morris, Marshall)

Background imageVictorian Gothic Collection: Punt on the River Clodiagh at Charleville Forest, Offaly with the Castellated Farm

Punt on the River Clodiagh at Charleville Forest, Offaly with the Castellated Farm
5914744 Punt on the River Clodiagh at Charleville Forest, Offaly with the Castellated Farm and Gothick Dairy beyond, c.1810 by Ashford

Background imageVictorian Gothic Collection: Tile with Kingfisher with Beak through Fish, 1882-88 (red and white lustreware)

Tile with Kingfisher with Beak through Fish, 1882-88 (red and white lustreware)
1217836 Tile with Kingfisher with Beak through Fish, 1882-88 (red and white lustreware) by Morgan, William De (1839-1917); 15.2x15.2 cm; Ashmolean Museum, University of Oxford

Background imageVictorian Gothic Collection: A set of sixteen tiles arranged in pairs to form eight illustrations of the

A set of sixteen tiles arranged in pairs to form eight illustrations of the
1217588 A set of sixteen tiles arranged in pairs to form eight illustrations of the Briar Rose tale, 1862 - 1865 (ceramic) by Burne-Jones, Edward Coley (1833-98); 131.6x40.7 cm; Ashmolean Museum

Background imageVictorian Gothic Collection: Design for a foliage background (unfinished) (graphite with brown washes)

Design for a foliage background (unfinished) (graphite with brown washes)
1217503 Design for a foliage background (unfinished) (graphite with brown washes) by Morris, William (1834-96); 62.4x27.9 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Background imageVictorian Gothic Collection: Oscarshal Saloon, 1852 (colour litho)

Oscarshal Saloon, 1852 (colour litho)
699654 Oscarshal Saloon, 1852 (colour litho) by Hanno, Wilhelm von (1826-82); Private Collection; (add.info.: saloon at Oscarshal summer palace)

Background imageVictorian Gothic Collection: Canadian Parliament, Ottawa (engraving)

Canadian Parliament, Ottawa (engraving)
977761 Canadian Parliament, Ottawa (engraving) by French School, (19th century); Private Collection; (add.info.: Canadian Parliament, Ottawa)

Background imageVictorian Gothic Collection: Window depicting the martyrs death of St. Wenceslas, 1893 (stained glass)

Window depicting the martyrs death of St. Wenceslas, 1893 (stained glass)
1127925 Window depicting the martyrs death of St. Wenceslas, 1893 (stained glass) by Czech School, (19th century); Church of St. Ludmila, Prague, Czech Republic; (add.info.: Figures of St)

Background imageVictorian Gothic Collection: Window with figures of St. Veronica and St. Anthony of Padua (stained glass)

Window with figures of St. Veronica and St. Anthony of Padua (stained glass)
1127922 Window with figures of St. Veronica and St. Anthony of Padua (stained glass) by Czech School, (19th century); Church of St

Background imageVictorian Gothic Collection: Window with figures of St. Joseph and St. Barbara (stained glass)

Window with figures of St. Joseph and St. Barbara (stained glass)
1127920 Window with figures of St. Joseph and St. Barbara (stained glass) by Czech School, (19th century); Church of St. Ludmila, Prague, Czech Republic; eLubomir Synek; Czech, out of copyright

Background imageVictorian Gothic Collection: Ms. New Coll 380, f44r. The antiquities of the Cathedral Church of Saint Mary, Carlisle

Ms. New Coll 380, f44r. The antiquities of the Cathedral Church of Saint Mary, Carlisle
833753 Ms. New Coll 380, f44r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Background imageVictorian Gothic Collection: Ms. New Coll 380, f36r. The antiquities of the Cathedral Church of Saint Mary, Carlisle

Ms. New Coll 380, f36r. The antiquities of the Cathedral Church of Saint Mary, Carlisle
833745 Ms. New Coll 380, f36r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Background imageVictorian Gothic Collection: Ms. New Coll 380, f26r. The antiquities of the Cathedral Church of Saint Mary, Carlisle

Ms. New Coll 380, f26r. The antiquities of the Cathedral Church of Saint Mary, Carlisle
833735 Ms. New Coll 380, f26r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Background imageVictorian Gothic Collection: Ms. New Coll 380, f23r. The antiquities of the Cathedral Church of Saint Mary, Carlisle

Ms. New Coll 380, f23r. The antiquities of the Cathedral Church of Saint Mary, Carlisle
833732 Ms. New Coll 380, f23r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Background imageVictorian Gothic Collection: Ms. New Coll 380, f21r. The antiquities of the Cathedral Church of Saint Mary, Carlisle

Ms. New Coll 380, f21r. The antiquities of the Cathedral Church of Saint Mary, Carlisle
833730 Ms. New Coll 380, f21r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Background imageVictorian Gothic Collection: Ms. New Coll 380, f18r. The antiquities of the Cathedral Church of Saint Mary, Carlisle

Ms. New Coll 380, f18r. The antiquities of the Cathedral Church of Saint Mary, Carlisle
833726 Ms. New Coll 380, f18r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Background imageVictorian Gothic Collection: Ms. New Coll 380, f8r. The antiquities of the Cathedral Church of Saint Mary, Carlisle

Ms. New Coll 380, f8r. The antiquities of the Cathedral Church of Saint Mary, Carlisle
833760 Ms. New Coll 380, f8r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Background imageVictorian Gothic Collection: Ms. New Coll 380, f17r. The antiquities of the Cathedral Church of Saint Mary, Carlisle

Ms. New Coll 380, f17r. The antiquities of the Cathedral Church of Saint Mary, Carlisle
833725 Ms. New Coll 380, f17r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Background imageVictorian Gothic Collection: Ms. New Coll 380, f16r. The antiquities of the Cathedral Church of Saint Mary, Carlisle

Ms. New Coll 380, f16r. The antiquities of the Cathedral Church of Saint Mary, Carlisle
833724 Ms. New Coll 380, f16r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Background imageVictorian Gothic Collection: Ms. New Coll 380, f15r. The antiquities of the Cathedral Church of Saint Mary, Carlisle

Ms. New Coll 380, f15r. The antiquities of the Cathedral Church of Saint Mary, Carlisle
833723 Ms. New Coll 380, f15r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile




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Step into the enchanting world of Victorian Gothic, where grandeur and mystery intertwine. The Opening of Keble College, Oxford, from The Illustrated London News captures the awe-inspiring architecture that defined this era. St. Peters Church and house on Village Green, Edensor, Chatsworth Estate transport us to a picturesque countryside adorned with intricate carvings and ornate details. Architectural drawing: west front inner gatehouse by AWN Pugin showcases his iconic style that epitomized the Victorian Gothic movement. His influence extends to Design for stained glass in Lyndhurst Church: An Angel Harpist, where ethereal beauty is captured within colorful panes. The Decoration of the Drawing Room at Eastnor Castle transports us to a lavish interior filled with opulent furnishings and elaborate patterns. Meanwhile, St Finbars Cathedral stands tall as a testament to the grand scale on which these structures were built. In Dulwich College's Great Hall, we witness an imposing space adorned with towering arches and intricate woodwork - a true masterpiece of craftsmanship. The British Navy artwork takes us on a journey through time, showcasing naval prowess during this period. Nelson's Tower in Forres invites us to explore its hauntingly beautiful structure rising against the sky - an emblematic symbol architecture. Lady Clare captivates our imagination with her delicate pen strokes bringing forth an air of elegance and grace. St Jacob's stained glass window transports us back in time as we marvel at its vibrant colors illuminating sacred spaces. Knebworth House beckons visitors with its majestic presence nestled amidst Hertfordshire's rolling hills – a true gem from this era. Immerse yourself in the allure of Victorian Gothic; let it transport you to another world where artistry meets darkness.